KEXP ~ PACIFIC NOTIONS - part 3

Particle V

Particle V (Sebastian Plano Rework)

Apollo

Deep Blue Day (Remastered 2005)

Geogaddi

Corsair

Some Days Are Better Than Others

Camille and the Ocean

Sea of Bliss

Awakening

A Paean to Wilson

The Truth

“Todo lo que querías saber” es el primer sencillo del disco “Pies sobre la tierra” de Mabe Fratti, que será lanzado el 30 de mayo del 2019. 
La canción y álbum combinan sonidos de violonchelo, sintetizadores y voces. El disco unirá una serie de formas que oscilan entre lo inteligible y lo confuso con el eventual uso de técnicas extendidas y glosolalia.

Foto de portada : Kevin Frank

Video : https://www.youtube.com/watch?v=0BzeqXKAXdQ

Todo Lo Que Querías Saber

EP 1

Low Chord - Touch

WRWTFWW Records is honored to announce the much anticipated reissue of Satoshi Ashikawa’s undeniable classic of Japanese environmental/ambient/minimalism, Still Way (Wave Notation 2). The album, available on vinyl (first time since 1982) and digipack CD (with one bonus track), comes with a cover artwork by Hiroshi Yoshimura and liner notes by Midori Takada, Satoshi Ashikawa himself, and Irish producer Gareth Quinn Redmond (whose Still Way-inspired album Laistigh den Ghleo is being released simultaneously on WRWTFWW).

Initially released in 1982 as part of the Wave Notation series*, Still Way is, without a doubt, a seminal Japanese environmental/ambient/minimalism album, often mentioned alongside Midori Takada’s Through Looking Glass and Hiroshi Yoshimura’s Green as one of the genre’s most important pieces.

"Like the moment of stillness, after the wind passes through the garden, when the rain stops for a brief second…" Notably inspired by Erik Satie’s Furniture Music and Brian Eno’s ambient work, Satoshi Ashikawa aimed to compose music "intended to be listened to in a casual manner, as a musical landscape or a sound object…not something that would stimulate listeners but music that should drift like smoke and become part of the environment."

The result is simply phenomenal, subtle minimalism and emotional elegance exquisitely orchestrated by Satoshi Ishikawa and his team consisting of his wife Masami Ashikawa (on flute), Midori Takada (on vibraphone), Yuko Utsumi (on harp), Tomoko Sono (on piano), and Junko Arase (on vibraphone).

In conjunction with Still Way, WRWTFWW is releasing Laistigh den Ghleo, a companion album by Irish ambient/minimalist composer Gareth Quinn Redmond, inspired by Ashikawa’s approach.

*The Wave Notation series also includes Hiroshi Yoshimura’s Music For Nine Postcards album.

芦川聡 Satoshi Ashikawa - Still Way (Wave Notation 2) [TRAILER - WRWTFWW030]

Attesa

Pre-order: https://www.kitchen-label.com/store/no-24-kotonoha-ironomi/

“kotonoha” is ironomi’s 8th album and first ever release on vinyl. A tonal portrait of microscopic nuances particular of a Japanese midsummer saunter through deep emerald green forests and tranquil fields, transcribed into a meditative pastoral reverie created with crystalline piano playing, lute acoustics and real-time processing.

The title “kotonoha” (琹の葉) comes from a poetic anachronistic metaphor, combining form of leaves (葉 ha) and plucked string instruments (琹 koto) depicted in classical antiquity. With a distinctive sound that matches the sonic architecture of Japanese aesthetics, ironomi adds “koto no ha” into their extensive catalog already defined by its uniquely committed minimalism and serenity.

“kotonoha” was originally built on a sequence of four continuous scenes that makes up one long-form composition. The titles of these improvisational pieces (shioribi, namisora, ayumikaze, hagoromo) invoke a literal kind of sensuous, fleeting phenomena. The beauty and charm of these tracks lie in their impressionist fusion with Japanese nature and sensibilities. ironomi’s pieces rarely build and despite their sparse acoustic density, they have a presence that cuts sweetly into the listener’s reality. ironomi created their very own brand of “environmental music”, the literal translation of the Japanese term kankyo ongaku (環境音楽) - music designed to harmonise with, rather than dominate, its natural surroundings. In the specific spatial context of “kotonha”, the record heals the aural sense away from our jangling cities and restless daily environments.

The album includes two additional compositions “tsukishirube” and “maigo”, the latter being regularly featured as the concluding passage that brings ironomi’s live performances to an end. The expanded cadence remained a firm fan-favourite since 2010 and now documented in recording for the first time.

ironomi releases “kotonoha” on 30 August 2019 via KITCHEN. LABEL worldwide. Available on limited edition translucent green vinyl LP (Estimated shipping: 29 Sep 2019), CD and digital formats, with artwork by Tokyo-based photographer Yoichi Onoda. This record is mastered by Gen Tanabe at Studio Camel House in Yamanashi, Japan.

Tracklist
1. 栞日 shioribi
2. 波空 namisora
3. 歩風 ayumikaze
4. 葉衣 hagoromo
5. 月導 tsukishirube
6. 舞子 maigo

Released by KITCHEN. LABEL
Ⓟ & © 2019 KITCHEN. LABEL

琹の葉 kotonoha

ironomi - 舞子 maigo (琹の葉 kotonoha, 2019) - preview

'Wait For Now', out now on Ninja Tune: https://tco.lnk.to/waitfornowSo

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Wait For Now

Wait For Now (Mary Lattimore Rework) [feat. Tawiah]

Sinking, Gently

Listen to all tracks from ‘Utility’ in full at https://sambarker.bandcamp.com/album/utility

On his debut solo LP ‘Utility’, Barker [@voltek] turns his focus toward melding experimentation and dancefloor pragmatism with the psychology behind the musical decision making process.

‘Utility’ is a playful but non-ironic musical approach to a whole spectrum of utilitarian and transhumanist ideas: from models for quantifying pleasure and “gradients of bliss” to abolishing suffering for sentient beings (not just people) through the ethical use of drugs and nanotechnology. Over nine tracks, Barker’s vision ebbs and flows through waves of deeply psychedelic musical vignettes; free-floating and futuristic melodies and rhythms as targeted brain stimulation.

Listen now in full

Barker | Gradients Of Bliss

Tao of I Volume 2

Tong Ren 同人

Whatever Awaits

Sunday

Paradise Valley

I'm Clean Now

|| OUT NOW || 

Buy/Stream >> lnk.to.HOTC146 <<

Following a remix on Hottrax, James Burnham aka Burnski is back under his James Solace alias to release Mind Music, a formidable first full release featuring four equally as impressive tracks released this February on Hot Creations.

Keep On sets the tone of this sumptuous release, rumbling sub-bass holds the track together, like a huge wave it slowly gains intensity, given room to breathe until it unfurls into a powerful weapon. A heavy dose of playful funk is applied on Catalyst, with guitar, squelching synth and a dash of warm soul. Mind Music is a deep and hypnotic piece, an addictive vocal loop over laser sharp synth and becomes firmly embedded in the psyche. Finally, Groove does what it says on the tin and sees James expertly craft another solid beat where growling bass combines with licks of pulsating acid that will undoubtedly send the dance floor into raptures.

UK hero James Solace also known as Burnski has made his name through a penchant for moving through many styles of music with ease, always being one step ahead of the trend and mixing the new with the old. Whether it be his trade-mark tech-house grooves released under Burnski or through his Instinct alias and label where he channels drum and bass, garage and 2-step, his productions are always of the highest quality. He boasts regular gigs at esteemed venues including DC10, Fabric, Rex Club and Watergate. As well as this forthcoming EP under this alias on Hot Creations, he also has big records to come on Knee Deep in Sound, Four Thirty Two and Last Night On Earth. Also with a new live set that aired for the first time at Mint Warehouse recently for the Four Thirty Two party, expect the new James Solace project to take his career to the next level.

TRACK LISTING
A1. Keep On
A2. Catalyst
B1. Mind Music
B2. Groove

Mind Music

Keep On

Buy/Stream

James Solace - Keep On

I like telling stories through music. I like placing the listener in a certain place with the track’s title and then completing the story with the song. Each track on Songs to Nowhere is a story, where your imagination does the heavy visual lifting and the song tells the story. There’s some ambient, there’s some techno - all electronica.

04 - In The Middle Of The Bridge, Your Past And Future Quietly Meet

Summer Long Since Passed

Virginia Astley mix

KEXP ~ PACIFIC NOTIONS - part 3

Joshua Harka