Name: Ñamandú Excerpt - work in progress by Joshua Keeling
Duration: 2 min 44 s
Description: Work in progress for alto saxophone and interactive electronics. This is a demo - comments welcome!

Brian Noyes - Journeys After...

EVOLUTION, the debut release from composer and performer Svjetlana Bukvich on Big Round Records, showcases six original electro-acoustic compositions that incorporate elements of prog-rock, avant-garde, experimental, jazz and world music. Integrating cutting-edge technology with tuning of her own design and her deep classical roots, Bukvich's hybrid sound tells stories of love, loss, trial and triumph in a bold yet sensuous style, breaking boundaries every step of the way. 

April 29 2014 release on Big Round Records

Evolution - Svjetlana Bukvich

Stravinsky - The Rite Of Spring (arr. Chow)

This groove was created only using two short samples samples from an alto flute performed by Sarah Jane Young. 

Flute Groove SJY

Symphony Number One has been a labor of love to organize and we are eager to make a splash with our debut at the Baltimore War Memorial on May 8&9 at 8pm. We hope to see you there!
At Symphony Number One, our mission is to commission, perform, and promote substantial works by emerging composers. We're not what you would typically think of as a contemporary music ensemble, yet we hope to challenge the idea of an orchestra at the same time by consistently performing great classical music right alongside major new compositions. 

(Pledge your support on Kickstarter: http://kck.st/1xbm8uV)

We think we can better serve the composers we feature by focusing on just one emerging composer at a time rather than lumping all of them together onto one concert. Even trained musicians can get overwhelmed by a multitude of new compositional voices presented on one concert; how can we expect our audience to do any better? When this happens, your memories start to get flattened and you tend to only remember features like special effects, strange instruments, or other novelties, rather than to deeper musical layers.

Instead, we want to offer two things to help focus the lens: 1) In general, present only one new work at each concert, framed by other great repertoire. 2) Make that one work the featured work of the concert, make it robust in length and substance, and give listeners time to get to know this composer’s music in a lengthy piece. We don’t see anyone else with an ensemble so specifically devoted to new music by gifted emerging composers while remaining fully a part of the classical tradition; this is where we want to fulfill the need that we see.

On May 8 and 9 we will give the World Premiere of Mark Fromm’s first Symphony alongside the music of Mozart, Schubert and Webern. (Read the press release at http://eepurl.com/biPyGz) We hope you’ll join us for the birth of this exciting new orchestra!

Follow us!
Facebook: http://www.facebook.com/symphno1
Instagram: http://www.instagram.com/symphno1
Twitter: http://www.twitter.com/symphno1

Read the press release: http://eepurl.com/biPyGz
Visit our Website at http://symphno1.com

Pledge your support on Kickstarter: http://kck.st/1xbm8uV

Symphony Number One: An Introduction

Antienne - for two soprano saxophones
Jummei Suzuki

Interpreted by Don-Paul Kahl and Noa Mick

Antienne by Jummei Suzuki - Don-Paul Kahl and Noa Mick

Saxofones - Philippe Trovão
Electrónica - JLF

SaxBlue -  Jorge Peixinho - Concerto "old is NEW" - 26/11/2016

Tree is a nostalgic piece for four saxophones, inspired by my experiences climbing trees as a child.

Written for and commissioned by the Brazoswood Saxophone Quartet

Tree

Work in progress for alto saxophone and interactive electronics. This is a demo - comments welcome!

Ñamandú Excerpt - work in progress

Sawdust Application

person falling off a horse

Music by Stylianos Dimous
Performed by Alarm Will Sound
Live at the Mizzou International Composers Festival, July 28, 2012

Les fragments d'un souffle

Joshua Keeling is emerging as an adventurous voice in new music, drawing from tonal, non-tonal, jazz, electroacoustic, and spectral traditions to craft vibrant musical works.
His repertoire includes chamber, orchestral, wind ensemble, and interactive electroacoustic compositions, as well as collaborations with filmmakers, choreographers, and playwrights. His music has been performed both nationally and internationally at a number of venues and festivals including: the North American Saxophone Alliance National Conference, Red Note New Music Festival, the Society of Electro-Acoustic Music (SEAMUS) National Conference, the Toronto Electroacoustic Symposium, the San Francisco Festival of Contemporary Music, and conferences of the Society of Composers, Inc. and the College Music Society. He is a recipient of the Beyer Award in Chamber Music Composition.
He received his D.M. from Florida State University. Additionally, he has studied at the University of Texas at Austin (M.M.), the Hochschule für Musik Carl Maria von Weber (Dresden, Germany), and Belmont University (B.M.).
Dr. Keeling has held teaching positions at Illinois State University, Illinois Wesleyan University, and Collin College.

Ñamandú Excerpt - work in progress

Joshua Keeling

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