Just indie!!! & some songs

The Vaccines cover of 'Why Should I Love You' by R Stevie Moore.

The cover will be part of a split 7" released for Record Store Day and limited to 500 copies. On the reverse, R Stevie Moore covers The Vaccines "Post Break-Up Sex". The release is one of three on Record Store Day on Tim Burgess' O Genesis Recordings label.

It was Zane Lowe's Hottest Record In The World on 4th April - http://www.bbc.co.uk/programmes/b01f1c8g#segments

The Vaccines - Why Should I Love You

Check out The Crookes' latest single "Afterglow," from Fierce Panda Records. 

The Crookes - Afterglow

'Nocturne' will be out August 28th in North America on Captured Tracks.

Wild Nothing // Paradise

https://www.instagram.com/wearemarvin/
www.facebook.com/wearemarvin 
http://smarturl.it/wearemarvin

Once...

After the huge success of their 2011 EP Uluwatu, which delivered singles ‘Zimbabwe’ and ‘Tapioca’, New Navy are back with another summery, tropical and upbeat gem titled ‘Regular Town’. Filled with the trademark New Navy sparkling guitars and a basket of unusual percussion, ‘Regular Town’ will be available digitally on Friday 23rd November via Future Classic.

Get your copy now: http://bit.ly/SZ6PvF

www.facebook.com/newnavy
www.newnavy.com.au

www.facebook.com/futureclassic
www.futureclassic.com.au

Follow Future Classic

New Navy - Regular Town

For updates about more songs, connect with us on Facebook: https://www.facebook.com/LastLynxMusic

http://open.spotify.com/track/0uO61Krzwb0LmjSRYkRHRt
http://wimpmusic.se/wweb/album/?album=18045957

Live version - http://www.youtube.com/watch?v=yBblmn1-1Nc

©2012 SoFo Records, Under exclusive license to Universal Music AB.
Artwork by: Martin Bejbom

Buy 

Last Lynx - Killing Switch

I've come a long way
So if you wanna wait now
I'll probably stay

Just tell me where you wanna go
I'll promise we'll make it
But I really don't know

So baby come down with me tonight
Just lay it all down upon the line

So I burnt my car
In front of your house
The smoke just rose in the middle of the night
The snow outside was left

To track my steps 
When I struck that match
If we were lovers then you take it back
Then we stayed till the fire died down
Then we let it go

I've come a long way
So if you wanna wait now
I'll probably stay

Just tell me who you wanna be
I promise I'll take you
But I'll struggle with me

So baby come down with me tonight
Just lay it all down upon the line

So I burnt my car
In front of your house
The smoke just rose in the middle of the night
The snow outside was left

To track my steps 
When I struck that match
If we were lovers then you take it bad
Then we stayed till the fire died down
Then we let it go

Wild EP

We Were Lovers

Taken from Phosphorescent's 'Muchacho' out now on Dead Oceans

Your local record store: http://bit.ly/1mYQtHB
iTunes: http://glnk.it/1xu 
Amazon: http://glnk.it/1xt 
SCD Deluxe Bundle http://www.scdistribution.com/phosphorescent/

Phosphorescent
http://www.deadoceans.com/artist.php?name=phosphorescent
https://www.facebook.com/Phosphorescentmusic
https://twitter.com/Phosphorescent

Song for Zula
Some say love is a burning thing 
That it makes a fiery ring
Oh but I know love as a fading thing
Just as fickle as a feather in a stream
See, honey, I saw love. You see, it came to me
It put its face up to my face so I could see
Yeah then I saw love disfigure me
Into something I am not recognizing

See, the cage, it called. I said, "Come on in"
I will not open myself up this way again
Nor lay my face to the soil, nor my teeth to the sand
I will not lay like this for days now upon end
You will not see me fall, nor see me struggle to stand
To be acknowledge by some touch from his gnarled hands
You see, the cage, it called. I said, "Come on in"
I will not open myself up this way again

You see, the moon is bright in that treetop night
I see the shadows that we cast in the cold, clean light
My feet are gold. My heart is white
And we race out on the desert plains all night
See, honey, I am not some broken thing
I do not lay here in the dark waiting for thee
No my heart is gold. My feet are light
And I am racing out on the desert plains all night

So some say love is a burning thing
That it makes a fiery ring
Oh but I know love as a caging thing
Just a killer come to call from some awful dream
O and all you folks, you come to see
You just stand there in the glass looking at me
But my heart is wild. And my bones are steam
And I could kill you with my bare hands if I was free

Muchacho

Song for Zula

Buy via SCDistribution

Phosphorescent - Song For Zula (Official Audio)

The unreleased track World on Fire premiered on the CW's hit show Arrow (8pm/7pm central).  
As a gift to our fans we would like to offer you a free download of the track!  

I see the world has gone mad
I see them talk the talk, walk the walk
But nothing stands out
I see the world has gone mad
I think I'll do you like I used to do
Do it all night

I see the world has gone mad
I say we do it like we used to do
Fuck this charade
Where is my band, where are my friends
They turned to DJs and just hit it, hit it 
Big time instead

I set the world on fire
Won't let you go
Now all the pieces come together and I let it all go
I set the world on fire
Won't let you go
I'll come and pick you up I think you'd like the world from above

I see the world has gone mad
I say we do it like we used to do
Do it all night
Where's their big plan, What's their next move
I say just fuck them let them know that they ain't 
Doing no good

Get the job, Get the job , Get the job done
Do it like we used to do, do it all night

I set the world on fire
Won't let you go
Now all the pieces come together and I let it all go
I set the world on fire
Won't let you go
I'll come and pick you up I think you'd like the world from above

Get the job, get the job, get the job done
Do it like we used to do, do it all night
Get the job, get the job, get the job done
They do it like they used to do they do it all wrong

I set the world on fire
Won't let you go
Now all the pieces come together and I let it all go
I set the world on fire
Won't let you go
I'll come and pick you up I think you'd like the world from above

I set the world on fire
Now all the pieces come together and I let it all go

Royal

World On Fire

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- http://bit.ly/W8yTQS
iTunes - http://www.smarturl.it/atlas
Facebook- http://facebook.com/atlasgenius
Twitter- http://twitter.com/atlasgenius
Tour Dates- http://atlasgenius.com/tour

About @AtlasGenius -
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls.  Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide. 

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them. 

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.  

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision. 

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year.  Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.   

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

When It Was Now

Centred on You

Buy on iTunes

HAIM - Falling

Falling EP Out Now -- 
iTunes: http://haaa.im/MIyC0K
Limited 10" Vinyl: http://haaa.im/MqtMwf
Music Video: http://haaa.im/qBfkWt

http://facebook.com/HAIMtheband 
http://twitter.com/HAIMtheband 
http://HAIMtheband.com

HAIM - Falling

Close your eyes and take a breath
Open mind with a beating chest
My hands on your dress
Set the line lets make some sense
Come on we got all night all right
Ya come on let's slow it down make some sound

And then we go wild
And then we go wild

We are the creatures we fight
Go out and we stay up all night

Falling just a little
You're my perfect disposition
Though i'm standing in the center 
Of the room it just keeps on spinning
Then i know i know i know 
I know you got it bad oh
From the start
It's burning brighter than a candle in the dark
The present danger of a stranger and a spark
Could set this mail alight
Come on we got all night all right
Ya come on let's slow it down make some sound

And then we go wild
And then we go wild

We are the creatures we fight
Go out and we stay up all night

Wild

I've gotta know if you're here for me
or if you're ready to leave when I turn around
I've gotta know because I'm in too deep and I can barely breathe
But it feels so nice when you hold me down

I feel like flying
I don't feel like trying
anymore

It's a tragedy and I'm playing my part
and your breaking my heart as the story goes
It kinda gets to me but when you're next to me
We hit the sweet spot on the nose

I feel like flying
I don't feel like trying
anymore

I feel my heart is playing drums
There's too much fire in my lungs
Just tell me how this ends
Are you just drunk again?
Or am I speaking in code
Cause maybe signs are just a waste of time
And I can't read your mind
I've gotta know 

© Peter Go 2013

I've Gotta Know

“Hard on Me” is a dancey dollop of doo-wop that merges Motown pop appeal with Phoenix-y fatness, all the while taking on the timeless subject of sexual frustration.  Relieve your auditory boules bleues with a jam that your grandma can get down to. 

<a href="http://www.youtube.com/watch?v=Q6Zklo3s3qQ" target="_blank">CLICK HERE TO WATCH THE MUSIC VIDEO!!!</a>

<a href="https://itunes.apple.com/us/album/hard-on-me/id621570651?i=621570790" target="_blank">CLICK HERE TO BUY ON ITUNES!!!</a>

Music and Lyrics by Robby Hunter
Produced by Pat Howard 

Follow us on twitter <a href="https://twitter.com/RobbyHunterBand" target="_blank">@RobbyHunterBand</a> and get in the conversation <a href="https://twitter.com/search?q=%23magiccityhippies&src=typd" target="_blank">#MagicCityHippies</a>

Contact us at robbyhunterband@gmail.com

Hard on Me

Song by E. Mankinen, M. Heikkinen, J. Pesonen and O-P Ervasti.

www.satellitestories.com // www.facebook.com/satellitestories // twitter.com/SatelliteStory


Scandinavian Girls

“Make It To Me” is a collaboration between Manchester Orchestra & Grouplove. It will be available exclusively as a 12-inch single for Record Store Day, which will also include "Architect," a collaboration between Frightened Rabbit & Manchester Orchestra. 

Record Store Day is Saturday, April 20th. For a list of participating indie stores, head to http://recordstoreday.com.

Make It To Me

"Make It To Me" - Manchester Orchestra & Grouplove

Evil Friends http://smarturl.it/evilfriends 
Now Available Everywhere 
Produced by Danger Mouse 

Purple Yellow Red and Blue

This track is from our first album.

More can be heard here:
http://dogandpanther.bandcamp.com/album/what-happened

The Hungry

I took you for a walk my lovely
Cause I don't wanna be the only one 
Now i think about the island sound

Shout it out
We're getting higher
Turn it up 
We light the fires right now
So come a little closer

We got it all 
Inside our wires
In our hearts 
We are the island sound
Don't wanna let you go

So dive right in and baby hold on tight
Take my hand let's make it last all night

We are the fire burning
Until the break of dawn
We are the colors turning
We are the violent young

You shine bright
Like the sun through the clouds
So I'd fight till I'm laid in the ground and beyond
No we're never alone anymore

Shout it out
We're getting higher
Turn it up 
We light the fires right now
So won't you stay the night

We got it all 
Inside our wires
In our hearts 
We are the island sound
'Cause I can take you higher
 
So dive right in and baby hold on tight
Take my hand let's make it last all night

We are the fire burning
Until the break of dawn
We are the colors turning
We are the violent young

Just indie!!! & some songs

Joshua Madrid Simeon