What a beatufiul song... Selected for Radio BAM playlists for sure! :)

nice track! you have been featured on https://soundcloud.com/1mandisco/sets/selection-02_18

posted on https://fugomu3.wordpress.com/2018/03/02/fresh-12/

► SELECTION 02_18◄

Deine monatliche Playlist ausgewählter Geheimtipps und Neu-Entdeckungen aus dem weiteren Indie-Kosmos. Direkt als Mixtape vorsortiert für den bequemen Hörgenuss.

Gern geschehen. ♥

Zur Spotify-Playlist: open.spotify.com/user/1mndisco/playlist/1uzM6FMMTvySJt6iIxaHDG?si=8ZI8fpxhTGuIQ7GiIdWdzA

► SELECTION 02_18 ◄

‘Apologues’ will be released by Erased Tapes on September 11, 2015 on LP/CD/DL and can be pre-ordered from www.erasedtapes.com/store/index/ERATP075

Masayoshi Fujita, the Berlin-based Japanese vibraphone player, also known under his alias el fog came to the attention of label founder Robert Raths a few years ago. Not only because the vibraphone is an intriguing instrument, but also the way Masayoshi treats his instrument and draws ethereal and layered sounds, is what truly attracted him to Masayoshi’s work.

Having released more ambient-based/electronic recordings of the vibraphone under el fog, Masa became more interested in the sound of the vibraphone itself. He started to compose acoustic pieces and released the first solo album under his real name, titled ‘Stories’, in early 2013. ‘Apologues’ sees Masayoshi for the first time use an array of instruments besides his lead instrument – such as the violin, cello, flute, clarinet, French horn, accordion, piano and snare drum played by friends, but arranged by Masa himself.

In addition to the mallets, Masayoshi often plays the vibraphone with a violin or cello bow, like on ‘Tears of Unicorn’ and ‘Knight and Spirit of Lake’. He would also place bead strings on the vibraphone bars to create an ambient shimmer that can be heard on songs like ‘Moonlight’ and ‘Swallow Flies High in the May Sky’. The latter was composed to let the clarinet express its characteristics and tell its story, whilst the vibraphone takes a supporting role. “The clarinet sounds very warm and soft and very ‘spring’ to me”, says Masa.

“With this album the main idea was to evoke images, atmospheres, sceneries and stories in the listener, the images that have accumulated in myself. At the same time it was an exploration of the unexplored beauty of the vibraphone, and also a pursuit of the charm of the instrumentation and the music itself. Erased Tapes releases a lot of great stuff and naturally became my favourite label of late. And I thought it would fit well to my music.” – Masayoshi Fujita

OFFICIAL WEBSITES: masayoshifujita.com · erasedtapes.com

Apologues

Tears Of Unicorn

Buy LP/CD/DL

Masayoshi Fujita – Tears of Unicorn

Blue Lotus Eyes (Digitonal remix)

FOF-  Up Too Early

Stream on Spotify

Eleven

Watch the stunning new video for the title track from Daniel Brandt's solo debut album 'Eternal Something', directed by Bertil Nilsson and featuring choreographers Fukiko Takase and Mbulelo Ndabeni, premiering now over on NOWNESS: https://www.nowness.com/series/just-dance/daniel-brandt-eternal-something-bertil-nilsson

Order 'Eternal Something' on LP/CD/DL from our store: www.erasedtapes.com/store/releasetr…ks/153/ERATP094

Daniel Brandt, co-founder of Germany’s electroacoustic ensemble Brandt Brauer Frick, joins the Erased Tapes family with his solo debut album Eternal Something – available worldwide now.

What started off as a more simplistic idea soon evolved into something a lot more complex as the London and Berlin based music producer travelled across the world, experimenting with various other artists and different instruments. From his father’s cabin based in the German countryside with access to nothing but cymbals, to being surrounded by guitars in Joshua Tree, his unexpected journey soon progressed into what became his first solo album.

Daniel played nearly all instruments himself with the only exception being fellow musicians Florian Juncker on trombone, Manu Delago on hang drum and Andreas Voss on cello. Using his Berlin studio as his main base for recording, Brandt created an album that encapsulates the idea that despite setting out with a particular creative vision, external influences and environments will always shift the process, and create an Eternal Something.

Words from Daniel, January 2017:

“The initial idea was to make a cymbal album. I wanted to surround myself with all types of cymbals. I locked myself into my father’s cabin in the woods for three days. That was the moment I realised it was not possible for me to make an album just with cymbals because other ideas and instruments imposed themselves on me. I had a clear sense of what I wanted to do now. The intention was to let the songs evolve by themselves and not edit too much, keep it raw and have an explosion-like energy to them. I wanted to create a different sound, songs that build up like dance tunes but don't feel like club music at all. Travelling around in California for two months gave me the possibility to deeply get into this concept outside my normal environment. Robert Raths, who served as a great motivator throughout the whole process (I guess he had listened to the record more than I ever had) came up with the perfect order for the songs. This record is about failing to make the original plan happen, but then the discovery of something I couldn't even think of before.”

Prior to being enlisted to create the album artwork, Iranian artist Shaz Madani coincidentally had also planned a trip to Joshua Tree where she documented her own experience of Eternal Something, forming the visual counterpart to the record.

TRACK LISTING

1. Chapparal Mesa 
2. FSG 
3. The White Of The Eye
4. Turn Over 
5. Kale Me
6. Eternal Something 
7. Casa Fiesta 
8. On The Move

Eternal Something

Daniel Brandt - Eternal Something

Available direct from the label here http://www.dominorecordco.com/uk/singles/07-06-07/woozy-with-cider or on iTunes etc

James Yorkston - Woozy With Cider (Jon Hopkins Remix)

Live Excerpt No. 2

Gayby

The new single 'From There' from German composer and producer Josin – out today on Swedish independent label Dumont Dumont (RY X, Charlie Cunningham, Sean Christopher) 

Born in Cologne to a Korean mother and German father, both of whom are opera singers, JOSIN grows up in a household with music at its centre. Nevertheless, she decides to follow a childhood dream and studies medicine in Nice.
"I did my first year of medical school, but there was something missing. I think I never really saw what was there all along - music. Maybe because it was so normal to grow up in an artistic environment. 
At some point the inner voice became inevitable and I knew that I had to follow this path.“ She drops out of college, moves to Hamburg and develops her musical identity as a self-taught artist and producer.

JOSIN’s music sees a dynamic blend of electronic jolts, vibrating sounds and poetic vocals. Somewhere between heart and mind the profoundness of her songs seems to resonate. The warm melancholy of her production repeatedly merge into the electronic world. Her music is complex and honest at the same time - haunting and fragile. There’s ultimately something quite arresting about JOSIN, and her music marks an exciting start for a compelling new artist.

JOSIN has toured with RY X, BOY, Roosevelt and Sóley and played at festivals such as Der Maifeld Derby, Puls Open Air, Burning Eagle, Artlake and c/o Pop Festival, where she won audiences and critics over.

"From There“ is about the fear of losing control, if we follow our hearts. I pictured someone running down sunlit hills on a perfect day, running away from a peaceful place where he or she belongs but denies. This place up on that hill stands for the good things. Things that are true in their nature but maybe nothing you´ve planned - as human biology can be strange sometimes, you first listen to the head and rather try to intrigue the heart to make everything fit into your life. In the end your lies fall apart and you finally have to state that you ́ve been the one to be clueless all along. 

With "From There“ being one of the earlier JOSIN songs, its production didn´t change much. The guitar picking, the simplicity of the first part and the impelling orchestral ending still felt right, so that she just recorded new vocals and added some synth elements.

FOLLOW JOSIN
► http://www.facebook.com/josinmusic
► http://www.instagram.com/josinmusic
► http://soundcloud.com/josinmusic
► Spotify https://goo.gl/4wd3UT

Contact label: info(at)dumontdumont.com

From There

Josin - From There

TOO MUCH - FORTUNES. REMIX
Original version taken from Tora's debut album 'Take A Rest' - available everywhere.

Listen to Tora: radi.al/ToraTakeARest
Follow Tora on Social Media: www.tora.lnk.to/social
Listen to Fortunes.: spoti.fi/2Dsrr1k
Follow Fortunes. on Social Media: bit.ly/2Bcdq2C

LYRICS:
I’m not supposed to love you
But I do, I do
I’m not supposed to love you
But I do, Too much

Life is too much
Life is too much
Life is too much
For me

I’m not supposed to love you
But I do, I do
I’m not supposed to love you
But I do, Too much

Life is too much
Life is too much
Life is too much
For me

Life is too much
Life is too much
Life is too much
For me
Life it too much

Too Much - (LEISURE Remix)

Bad Advice / Painted Memory

Painted Memory

the edge of forever is the newest work drugs single and truthfully, one of the more thoughtful tunes that we've produced in a while.  We love the three minute pop song, but sometimes you need a little more time to really crescendo impact-fully in a song, and that's what we try and do here.  available on spotify and everywhere tomorrow 2/23/18.   Our influences on this one go from 'rumors' era fleetwood mac to bruce hornsby ' the way it is,' all the way to current chill contemporaries. enjoy!

The Edge of Forever

From the full-length album Violinvocations available February 15, 2019 on Western Vinyl.

Bandcamp: https://hughmarsh.bandcamp.com/album/violinvocations
Spotify: https://open.spotify.com/album/570vX9XAte8zLNyvZk5njq
iTunes: hyperurl.co/mcjsa3
WV: http://westernvinyl.com/shop/wv178

HUGH MARSH
Instagram https://www.instagram.com/hug_the_mod/
Facebook https://www.facebook.com/Hugh-Marsh-95937533059/
Twitter https://twitter.com/hug_the_mod

Even if you’ve never heard of Hugh Marsh you’ve almost certainly heard the sound of his violin. He’s a featured player on soundtracks by Hans Zimmer and Harry Gregson-Williams, was nominated for a Juno award, recorded with Iggy Pop and The Stooges, Bruce Cockburn, and was in the backing band for Bauhaus’ Peter Murphy, all a tiny fraction of his decades-long list of credits. The latest addition to that list is Marsh’s own Violinvocations, an LP recorded while Marsh lived in L.A. with friend, mentor, and fellow soundbender Jon Hassell.

Despite the album’s title, one would be hard-pressed to say with certainty whether violin was even involved in this album without being told so ahead of time. In one moment a ghost is heard weeping into a dictaphone; a digitized anime character is nervously chattering in the next; and in still another, jagged sheets of distortion avalanche toward the listener beneath auroric swells of harmony. It’s the kind of sound design that requires a dedicated attempt by any Oneohtrixian laptop composer, only it’s all being generated by Marsh’s violin and his curious cabinet of effects pedals often in just one take.

Violinvocations

Hugh Marsh - "She Will"

Max Cooper - Lovesong - PoppyAckroyd Remix

A remix of the song "Margin" from the album Hymnal (krank178).
Produced & arranged by Zachary Gray of Montréal, Quebec, Canada in 2013.

http://thisiszacharygray.com

Accompanying photo by me, taken with PX680 color shade film in West Sussex, England, August 2012.

Margin (Zachary Gray Remix)

Denovali Records is proud to announce the release of John Lemke's debut album in July 2013. As an appetizer we offer the song "Traveller" and a remix by Emperor Echo as a free download at [www.denovali.com/mp3shop]
        

01 Traveller
02 Traveller (Emperor Echo's Dub Europe Express Mix)

Track 1 written, recorded & produced by John Lemke (2013)
Track 2 mixed and dubbed by Emperor Echo

Artwork by Lukasz Bernacki
Frequencies lifted by LXC at WATTA SOUND

---

John Lemke is a Glasgow based artist, originally from Berlin.

Working across a great variety of media he has spent the last years exploring music and all things sonic through collaborations, live performance, film sound design and especially his work as a documentary film composer.

Motivated by fusing elements of his more emotive film composition approach with rhythm and space, John has created a distinctive sound world on his forthcoming debut solo album, where abstracted guitar landscapes collide with percussive, prepared piano and disembodied vocal textures to form a danceable, electro-acoustic whole.

Traveller

John Lemke - Traveller

/// about /// 

*** the technique. It’s all about the selection.

Feines Elektronisches und tanzbare Indie-Tunes sind der Sound von 1MANDISCO. Dazwischen findet sich immer wieder ein Slot für sinnstiftende Novelty-Tracks und zu Unrecht fast vergessene Meilensteine der Dancefloor-Extase. Ein exzellenter Geschmack und das Gespür für die Stimmung der Crowd machen die Sache so rund wie eine 7-Inch. In jedem Set von 1MANDISCO stecken diese wahnsinnigen Floorfiller, Hooklines, von denen du noch am Mittwoch träumst, und nicht zuletzt die Vinylbeschaffungsstorys eines Plattensammlers, die du dir nicht ausdenken kannst.

Bleibt die Frage: Was will dieser Mann eigentlich beweisen? Na ganz klar: Der schönste Platz ist der Tanzfläche!

Josin - From There

JOSIN

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