2020|06 - The Composer's New Music Playlist.

Orggnk

Opus704

Opus707

Raideren og traderen utgjør denne gang panelet og vi snakker om den siste ukens marked og aksjehandler, avholdte og forventede snarlige emisjoner, raideren kaller Nasdaq-topp, klart for restrukturering av Solstad Offshore, tallsammenligning av Solstad-Dof-Siem etter Q2,  Jackson Hole-tale, Røkkesalg av Jones Act tankers, høy rente på Axactor-obligasjon, fragmentert obligasjonsmarked, Solvalla-børs, regnskapsanalyse av analytikerfavoritten Crayon, goodwill og Good Will Hunting, Panamakork med muligheter innen  tørrbulk, elbilkirkegård, Nolbrainer, investment grade og samt kommende ukens favoritter mm. Annonsører: https://markets.vontobel.com/en-no og   https://fixrate.no/

Fiskeflopp, Nasdaqtopp, og Supplygalopp

A cinematic longing created in this piece with the drums highlighting the calling of over and over again.

Over And Over

Jeg skrev dette stykket i 1996. Det var en av pappas favoritter.

Når dagen gryr... Euphonium og piano

Innholdsfortegnelse:
03:50 Siste ukens handler
16:37 Emisjoner (dugnad i Capsol, Circio, Huddlestock, Ventura med debut og analyser, Jordanes floppet spektakulært - tillit til tegningsmeldinger, Solstad, EAM Solar)
36:16 Roaring Kitty gjør comeback med ny Gamestop-galskap
42:21 Oljepris/Opec
47:11 Makro
49:06 EU vil bremse analytikermassasje
50:28 Ayfie leverte exit etter hockeystickmetoden
54:17 Hvordan finne nye case?
56:37 Rett nivå på EV/EBIT
58:15 Rekyl i hydrogenselskap
59:09 Akastors HMH noteres
1:01:08 Saga Pure vil selge / stuck med Spetalen
1:04:45 Kommende ukes obs
1:18:04 Diamond Hands flow
1:20:45 Regnskapsanalyse av Nvidia

Kattevræl, Nvidia-sjekk og Spetalenstuck

Pno1

Electronic and orchestral slow composition about lost hope written as a competition entry

Lost hope

Leabhar Aisling

Prism Library

Qkl 2

Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.

Pno1

Jostein Kauserud

Recent comments

Jostein Kauserud

Karin-Maria Brunner

PERCCCC

Related tracks