Name: Wolfsheim - Kein Zurück (Jo The Waiter Heidelberg Mix) by JoTheWaiter in My music
Duration: 7 min 59 s
Description: Seriously dark version.. had a trouble ending it, hence it's length. Enjoy x

My music

Progressive sounds with a lot of space around in a dynamic arrangement.
Music between space and deep beats

listen and dive into...enjoy the space

Composed by SKAYBA
Instrumentation and arrangement by SKAYBA

Space

The Brvtalist is pleased to premiere two tracks from Manchester's DRØNE. The event series and label continues their stellar output of material and for this round we have two tapes - one from local Manchester talent Red Meat and the other is the debut release from Noisome, the solo project of Robin W Marsh. Both clearly draw from DRØNE's raw industrial DNA and carries it forward with Red Meat's infectious body to Noisome's mental experimentations. 

Both are out on Cassette and digital. Check: https://dronemcr.bandcamp.com/

@dronemcr

PREMIERE: Red Meat - Wrapped In Leather (DRØNE)

The Prodigy   Smack my bitch up

Валерий Меладзе - Осколки Лета   Valerij Meladze - Fragments Of Summer [sub](360p H.264 - AAC)

Replicas

For our forth mix we introduce Slimelight resident Dj Jo The Waiter, showcasing a taste of his set for our next event on the 08th of July.

Jo The Waiter has been a resident DJ for  Slimelight London, the longest running alternative club in the world, since 2012 and has also been a keyboard player for Dark Electro band Global Citizen.

He officially lost his DJ virginity in 2006 and has since built a great reputation for playing Dark Electro, 80's Electronic, Industrial, Goth and Post-Punk at some of the UK's best club nights including residencies for Unholy and AntiChrist. 
He has also played at Reptile, Synthetic Culture, Club Noir, Syn and twice along side his electro hero Gary Numan at The Electric Ballroom and The Scala.

SLIMELIGHT #004 - JO THE WAITER

You Said Something - Kimberley Everest

Валерий Меладзе исполнил саундтрек к фильму "Млечный путь".

Автором трека "Любовь и млечный путь" стал Константин Меладзе.

Фильм с участием Сергея Безрукова и Марины Александровой вышел на экраны 1 января 2016.

Рассказывая о том, как создавалась песня, Валерий Меладзе отметил: «Посмотрев нарезку из фильма, я понял, что история непростая, даже где-то драматическая. Но предположил, что новогодняя история должна быть со светлым и счастливым финалом! Настроился на позитив и спел песню. Мне кажется, композиция красивая и вызовет теплые чувства с легким налетом светлой грусти».




Валерий Меладзе - Любовь И Млечный Путь (OST Млечный Путь) - Премьера на RADIOPREMIER.NET!

JOHN FOXX and GARY NUMAN collaborate for the first time. Available on the new 17 track John Foxx compilation album, '21ST CENTURY: A MAN, A WOMAN AND A CITY'.  Release Date - 27 May. 
£9.99 as a PREORDER on Amazon - http://amzn.to/1oB4blR. 

REVIEWS FOR 21ST CENTURY: A MAN, A WOMAN AND A CITY

'Foxx has been Number 1 all along. He continues to make synth pop better than just about anyone else. This sampler demonstrates the breadth of his excellence.'
Q MAGAZINE 

'John Foxx is a cult hero for a new generation of electronic artists. Collaborating seems to bring out the best in him. ' 
UNCUT 

'Ample evidence of a still vital talent'
MOJO 

'A perfect storm of brilliant synthpop.' 
THE QUIETUS 

'This retrospective reveals a man who, 40 years into his career, is at the top of his game.'
ELECTRONIC SOUND 

'Confirms his cool status with the new generation of electronicists.' 
CLASSIC POP 


John Foxx And The Maths Featuring Gary Numan - Talk (Are You Listening To Me?)

The Human League vs. Rag 'N' Bone Man - Human (Being Boiled Remix) Mashup

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Original 12  Version)

Seriously dark version.. had a trouble ending it, hence it's length. Enjoy x

Wolfsheim - Kein Zurück (Jo The Waiter Heidelberg Mix)

You're a stranger 
In your own head
Turn your back on everything 
Will you pay me for my last breath
While I'm waiting for the phone to ring

Too many demons to comprehend
Now here I am 
Where my heart wants to be (Jamaica)
This is a war that never ends
If I make the past my enemy 

Don't you tell me
Heaven or hell me
This is no time to die
Don't you tell me
Heaven or hell me
This is no time to die

You're a stranger 
in a warm bed
Let me tell you when to leave 
Wrap around me like the ocean 
Then I wake up 
Coz I just can't breathe 

Too many demons 
To overcome 
Now here I am where mother nature 
Holds her breath
I tell myself don't ever leave
Are you calling me
For my last bet? 

Chorus
repeat

Wolfsheim - Kein Zurück (Jo The Waiter Heidelberg Mix)

JoTheWaiter

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