90th installment of the Joyful Union Select series.

Tracks by Uochi Toki Collective, Retropxssy, Zzzahara, Ronald Snijders, Robert Ramm, Baths & Rachika Nayar, and more.

Joyful Union Select 090

https://soundcloud.com/que-sakamoto
https://soundcloud.com/dsrptvrec
🛒 https://dsrptvrec.bandcamp.com
🔊 https://youtu.be/Tnp7BeHZdv4

Que Sakamoto and Noriyuki Takagi debuts in DSRPTV Records with their new EP "Kaijin". The release brings three extremely original tracks and two remixes by the Brazilian producers Numa Gama and Stroka.

PREMIERE: Que Sakamoto + NT - Kaijin [dsrptv rec]

https://swampcircle.bandcamp.com/album/sw-041

morphed.bat

06b - Threads Of Air

Areknuteknyterne “untitled” 1986 (Yecch tapes).mp3

Electromagnetic induction

Spiral Your Way Out

Bluebird

Can't Let You Go

Kaseko Sisters

Track from album: Gary Gwadera - "Far, far in Chicago. Footberk Suite"
POINTLESS GEOMETRY 2024 / POINT#60
Pre-order date: 11.11.2024 / Release date: 21.11.2024

https://pointless-geometry.bandcamp.com
Limited edition of 100 copies / C-43 cassette
The material is also released in an audio-video version on VHS cassette. The visual side was created by Darek Pietraszewski (Copy Corpo).

Music composed, performed, recorded, edited and mixed by Piotr Gwadera
Recorded in Łódź, August/September 2024
https://www.instagram.com/gary_gwadera
@gary-gwadera

Mastered by Paweł Cieślak (Hasselhoff Studio) 
Artwork and design by Jakub „ Hakobo” Stępień
https://www.instagram.com/hakobo
Conceptual collaboration – Hanna Szczęśniak (Polish Radio Folk Centre)

The publishing partners are:    
KODY Festival of Traditional and Avant-garde Music
ROZDROŻA Centre for Intercultural Creative Initiatives
Polish Radio Folk Centre

Media patron:  
Dwójka – Polish Radio
℗ 2024 Polish Radio
© all right reserved

“It’s nothing else but a Chicago-style oberek!’ – that was my first thought when I heard the compilation ‘Bangs & Works’, an album that introduced the footwork style to a global audience. At first I was drawn by the triple, syncopated rhythm, based on the iconic sounds of the Roland TR-808 drum machine. My musical explorations have long been centering around triple rhythms of rural Poland. The clash of this archaic, distinctly Polish form with the freedom of the underground, electronic sound from the Black suburbs of Chicago seemed to aesthetically hit the perfect spot. As an anthropologist - dreamer, I also imagined that the presence of a triple rhythm in Chicago – the largest hub of the Polish diaspora in the USA – was not a coincidence. It was a result of a meeting between our native musical tradition and the musical sensitivity of the Black community in the United States. I must admit that this hypothesis was, and still is, purely my musical dream, unsupported by any scientific evidence. However, regardless of the actual roots of this fascinating phenomenon known as footwork, it is hard not to notice certain correlations between footwork and the Polish oberek tradition. This is in both cases music rather meant for dancing than for listening. It’s supposed to present a certain musical and rhythmic challenge to dancers, who can test themselves in a fun-oriented setting, where competition is an integral part. In Polish villages, these are traditional battles of village bands, while in Chicago, they are footwork battles in underground clubs. Both in the oberek and footwork, the most important are a sense of community, energy, and excitement built around dance, accompanied by a characteristic triple pulse.
Therefore, the footberk suite “Far, far in Chicago”, is intended as an imagined musical journey through time and space, where the Polish oberek and Chicago footwork find a common ground in dynamic, triple rhythms. I aim to show that the syncopated rhythm of the mazurka (or of the oberek) can sound just as contemporary and bold as the beats created for Chicago dancers. The composition is meant to be an auditory tribute to both cultures’ dance spirit and their sense of community. It is an attempt to capture the emotions that accompany both footwork dancers and participants of rural dance parties – spaces where music and dance become tools of self-expression.
To connect these two seemingly distant worlds I use a specially designed rhythmic machine. At its heart lies a rural jaz, with build-on Lem-esque pads packed with samples from the TR-808 and TR-909, as well as other electronic sounds."

Far, far in Chicago. Footberk Suite

Gary Gwadera - II. Battle („kasowanie”) / POINT#60

Collective Litost

App yo dei popoli (feat. Burla22 & Zona Mc)

Official First Single of the album KILL MY LANDLORD TO PARTY MUSIC by KLG Klergé (Raps) & xdeadbeat (Production) featuring TreDoes (Raps).
In the wasteland that make our world of injustice, cruelty and tragedy. It's with bitterness but confident empathy that some of us do their best.
Maybe just words but manifestos been build with less and heroes just depend on the dress their actions take. 
Don't trust the image, fight for your village, live for those who deserve it and keep some cups to enjoy even in the most desperate collage of sounds and visuals.

Production: xdeabeat.
Vocals: KLG Klergé & TreDoes.
Mix/Master and recording of KLG Klergé by Spike EYE at MESS Productions Studios.
Distribution: M.E.S.S Productions & Illuminated Paths.
Release Date and Details about the album SOON.

Lyrics:
[Intro]
(How the saying goes ? How the saying goes ?)
Do The Right Thing right ?
(How the saying goes ?)
Be a Good Kid right ?
(How the saying goes?)
Pay all your fees right ?
(How the saying goes ?)
And save the white Orphan at the streets Lights.

[Verse 1]
Looking out for drinks 
Burkina Queens schemes
Police store blind force ! Wonder why i stand for 
The Cogs of my team
The Chords were pristine (of course)
Sang, the same pain, Kain bring 
(Worst) west of guys, guides the troops !
Remind the Puke
by Homelander
bystanders compute
Omen, send
by the last end
of my hand
Rewind the slap
if you need to repent
(Amen)
Money breed greed and give meals
Praise due to, Sons of Guns. Raise Bullet-du-ttu, fit ! 
Feeling of Guts, spirit spiralling
for Nights
I sip curses for the merits of a Life

[Chorus]
Don't need another Hero
(Just) Cups Refill
Don't need another Hero
(Just) Cups Refill
Don't need another Hero
(Just) Cups Refill
Cups Cups Refill, Cups Cups Refill

DON'T NEED ANOTHER HERO
DON'T NEED ANOTHER HERO
DON'T NEED ANOTHER HERO
DON'T NEED ANOTHER...

[Verse 2]
Hunger Driver, harder on the pedal, pedestal
of hungovers. When you realised you miss the last call from your sisters
Role model hollow or hallow ?
Harlow for white kids
Nipsey Hustle. Black keys
all over, the piano
(Funerals)
Not a reason to cut the herd home
If you look, in the Mirror, just another minor
vision of your own grandeur nigga

[Verse 3: Tredoes]
Don’t need another hero, just cups refill 
Dare another cracker to offer like “fuck ya deal” 
I’m fr bout rippin pages, as the day went I was thinking bout 
How looking forward sorta backwards, better futures wit no action? 
I ruminate on the same things, what pain brings probably more useful 
When truth is transgressive, n usually what we used 
Its illusive as the bottom of a bottle the places where people wallow 
Consolidate for tomorrow, we inundated with bar codes and bad decisions 
Hopefully choose religion in the face of a system
Morose making a killing off Palestinian oblivion 
In the wake of dominion, its too many dead Civilians with lost names 
The blank graves give the realization that morals is on vacation 
Mostly insinuating the face of a revolution is best suited 
If chalked to the looters and all the victims illusions

[Chorus with Tre]
Don't need another Hero
(Just) Cups Refill
Don't need another Hero
(Just) Cups Refill
Don't need another Hero
(Just) Cups Refill
Cups Cups Refill, Cups Cups Refill

Don't need another Hero
(Just) Cups Refill
Don't need another Hero
(Just) Cups Refill
Don't need another Hero
(Just) Cups Refill
Cups Cups Refill, Cups Cups Refill

DON'T NEED ANOTHER HERO
DON'T NEED ANOTHER HERO
DON'T NEED ANOTHER HERO
DON'T NEED ANOTHER HERO !

[Outro]
Don't need another Hero
(Just) Cups Refill
Don't need another Hero
(Just) Cups Refill
Don't need another Hero
(Just) Cups Refill
Cups Cups Refill, Cups Cups Refill

Cups Refill (ft.TreDoes) & xdeadbeat (Prod.xdeadbeat)

WANDERER Ft. OVERPADE

Uncut EP" is a collection of instrumentals that were forgotten in the studio, dusty and waiting to be discovered by curious ears. The EP has 8 tracks, with the collaboration of @jones_beatss on the 5th track "Mo Vibe", each one bringing an experience unique and nostalgic sound.

Check Full tracks on Youtube: youtu.be/m5n1mMSFQ_A
Bandcamp: movedabeat.bandcamp.com/

Move Da Beat - Uncut EP Snippets (2024)

Songs From Nico's Room

Go to Sleep

All Portrait, No Chorus

Restaurant Not

Basement

Naughty Basement Joe

1 - Echoing Branches - 154 Bpm

Hitting Different

READ > inverted-audio.com/premiere-albino…iatric-deviance

Tokyo-based record label Nocturnal Technology return with the spectral transmission 'Organs', the latest cassette album from Albino Sound and Mars89...'Psychiatric Deviance' stands thanks to delayed frequencies, wrapping listeners in ultra-wired mechanical intelligence. As it unfolds, the track feels like wandering through corroded industrial corridors, where the shadows play host to superlunary creatures. The track escalates into a whirlwind of warped percussion, earth-shaking basslines and half-deciphered vocals that shimmer and dissolve like fleeting phantoms.

@hirotaka-umetani
@nocturnal-technology
@mars89

Organs

Psychiatric Deviance

Albino Sound & Mars89 - Psychiatric Deviance [Nocturnal Technology]

CARNEPHORER (flesh that wanders and carries): 

between resurrection and tongue. 
beyond damnation. 
without exile. 
immortal anointment. 
rapture. 

EOBIONT’s CARNEPHORER is an experimental noise EP spawned in collaboration with the experimental record labels: musica dispersa (madrid, spain) and donations records (bilbao, país vasco). 

EOBIONT unleashed CARNEPHORER during its winter artist residency at donations project, after completing international tours across the usa and europe with its other multidisciplinary performance projects: mirrored fatality and ligament amalgamate. 

The solo project of láwû makuriye’nte, EOBIONT’s live performances solders infernal dissonance, kapampangan experimental music, prostheses, lethal movement, and mixed-reality visuals to encrypt its instinctual bloodcurdling resurgences.

Limited edition of 28 hand-made one-of-a-kind cassettes available on musicadispera.bandcamp.com.

All proceeds for CARNEPHOREER will go to EOBIONT’s brother: Monica Ramos (DRAMA, BeatCuntz) - to cover their essential living costs: medical expenses, food, bills, and basic care for their cherished cat, Cookie living as a 
proud Filipinx, queer, and disabled punk musician (https://gofund.me/fa9481c7).

Joyful Union Select 090

Joyful Union Cassette Blog