Mix Sur Le Temps Qui Passe, Sur Beaucoup De Deuils À Faire Tout En Gardant Le Sourire

merci les artistes 

Cosmo Sheldrake - Nightingale Part 1
hope spilling vessel - three new flowers
sweetearthflying - Without Reason
Prepetuum - Moss
Jalan Jalan - Lotus
Dan Wool - Headhole
BYZ - Husk
(un)familiar. - Introducing Disorder (reprise)
Aphex Twin - QKThr
viwiv - recollection
Musette - 18 Juli
Andrew Prahlow - The Lost Waltz
Atrium Carceri - Trembling
Oleg Sergeev, Andrey Rumak - Nowhere
Andrew Prahlow - We Knew Not What We Built
Thorjn - Fall Appart
Andrew Prahlow - Lost Signal
Enregistrement à ma Fenêtre
T.U. - URL_1
Akira Yamaoka - The Reverse Will

. ༎ຶ٩(●̮̮̃●̃)۶ ... ..=̶̎̅...=̶̎̅...=̶̎̅=̶̎̅=̶̎̅=̶̎̅... .. ⊰⁠⊹

Curio earworms and other obsessions from Krakow's Natalia Panzer. 
https://www.nts.live/shows/natalia-panzer/episodes/natalia-panzer-16th-december-2023

Natalia Panzer 161223

2024 hopes

我那(GANA)

SOARING INTO DESIRE - I STILL DONT KNOW WHAT LOVE IS 

Love is Love is Love is Love is Love. It is a wave in the ocean, it is tender touch, it is a misunderstanding. We don't know, what is is. This episode of velvet, exclusive words and tunes takes the liberty of lifting the curtain. May it prosper and grow in your tiny dirty ears.
Thanks to @ari4dn44 for the desirable painting in the cover. 


Sounds by 
Ada Jochimsen, Albert Rask Rosager, Franz, Emma Reyes Leon, Ivy Vargas, Didi van der Putte, Fine Flora Green, Reza Sharifi, J Boy, Pepijn van Dalen, Kexiu Lia
Edit by Fine Flora Green

00:00 Ada and Albert 
00:48 Didi 
03:58 Reza (Rumi)
04:15 J BOY
06:36 Franz 
07:38 Emma
09:41 Kexiu Liu
11:27 Fine
13:02 Pepijn 
14:28 Ivy 
16:59 Didi and Fine featuring Bunny Coven
17:31 Pepijn
18:08 Fine
19:16 Franz
20:04 Fine

image : @ari4dn44
typography: Wildflower by Clara Bougon 
graphic design : Fine Green 
text: Fine Green

Soaring Into Desire - I Still Don't Know What Love Is

expired chicken nugget [fawm 6]

My New Song

Abyssus Ascendens ad Aeternum Splendorem for piano, orchestra, electronics.
(the Ascending Abyss to the Eternal Brightness) 

In accordance with certain Hebrew mysticism, the Heaven is divided in seven kingdoms, each one ruled by one Angel. 
The Seventh Heaven, ruled by the Angel Cassiel, is the most sacred of these places. This the kingdom where God inhabits. 
Underneath of the Throne of Glory is the Chamber of Guf (Hebrew word for "body"). This chamber is the house of all the souls of human beings not yet  born. 
In the New Testament, Jesus Christ mentions the place of comfort and happiness after death, Abraham’s Bosom, also known as the Limb of the Fathers. And, according to some Hebrew-Christian traditions, this is the place where the just human soul goes after death, while it waits the Final Judgment. 
Faith is the power that takes the soul in its journey from the descending of the Guf, through the earthly existence, and finally into the Limb of the Fathers. 
Faith is also described by Simone Weil, as being an Ascending Abyss. It is abysmal because it pushes the human being into a state of higher perfection. It is ascending and its vortex culminates in a higher sphere, the Eternal Brightness. 
The form of the piece was suggested by a visit to the Convent of the Capuchos, in Sintra, Portugal. The paths inside of this convent takes us through the sad and dark altars of the low area, till we reach an ascending path where we find multiple references to the symbolism of the Cross. Finally the path ends in the higher altar of the Convent, almost at the top of the mountain. There, the shady environment of the “earthly” sections of the convent is replaced by brightness and light. 
This is what inspired this piece.

Interpreters:
Orquestra Filarmonia das Beiras
António Lourenço - Conductor
Ana Telles - Piano
João Pedro Oliveira - Electronics

Abyssus Ascendens ad Aeternum Splendorem

jppo

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