This has a very cool and kind of scary feel. Dischordant but sounds really good.

Interesing angle - a hexagonal world. Disconcerting experimentation with the spoken word, simple chord strikes and dischordant centre. Quiet disconcerting ......

Guitar is super cool - gonna stay in my head for awhile.  Nice mood to color the lyrics.  I really like the lines: six sides to every story, too much water.

This has an edgy film noir feel for me, which I really like - you'd make an excellent Sam Spade :)

it's so interesting how the detuned guitar impacts the feel of everything!  I like how the words interact with the tension of these mysterious and seemingly detuned chords. I like the anthropomorphization of the world with "facing down the corner of the world like it was my only friend." Really creative take on this theme!

Very unusual an experimental - could have been from a 50s beatnik documentary! Well done, James!

Wow - That's intense! The chords you are playing on detuned strings sets the scene for well painted story awesomely!

This is wild! Like a nightmare. It's really amazing how you took the prompt literally!

Nailed the jarring guitar, but your voice over it is weirdly soothing. Awesome juxtaposition.

"Corner Of The World" (#487, 210723)

Standing at the corner of the world
Finally see how wrong I've been
It ain't round I'm trippin' on the edge
Losin' touch and fallin' in

Arguin' with the corner of world
Dead wrong but what difference does it make
Six sides to every story and I can't see 'em all
There's too much water in the way

Out here at the corner of the world
No one there to reel me in
Ride the waves until the current rose up good
Goin' overboard again

Reachin' for the corner of the world
Like a silent foxhole prayer
Sharp as a razor and colder than the night
Get me outta' there

Facin' down the corner of the world
Like it's my only friend
Speak the words make the moves do it all
If it'll keep me from the end

Week 30 - Corner Of The World (210723)

Nashville songwriter and multi-instrumentalist, Godin Guitars Official Artist and Founder of www.songaweek.org.

His catalog of 500+ titles includes collaborations with hit writers Mark Narmore, Elliott Park, Steve Dean, and Pete & Pat Luboff, among others internationally from England to Australia.

Redding's music has landed cuts by numerous recording artists including Dan Whitehouse, Emma Gale, and David Easterling.

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