Thank you for breathing new life into this gorgeous song- you brought back a flood of menories!

I love your vocal❣️ I don't know the original but I love this melody‼️

What a nice fascinating soundtrack..Fantastic guitar work..passionate vocals & elegantly expressed.. perfectly executed..astonishingly captivating..magnificent mix & recording!

You have been very busy recording...another fine upload!

Some of you will be familiar with this tune, and indeed it has been modified to include a bit of audio which was the basis of the theme. This bit of audio is the original recording of Stephen around 1982. I had looked for that recording for decades to be included just before the start off this song. Also, most recently I had redoubled my effort to find it to play for my beautiful wife as  she lay on her death bed. But, alas, I was only to find it the very day after her passing.

As you might imagine, the old cassette tape was full of hiss. So, my good friend and mentor, Sander (https://soundcloud.com/wane-of-summer), volunteered to help subtract that flaw and render Stephen's little voice to crystal clarity. Well, that is very much part of Sander's trademark. Thank you, Sander.

And below follows the original description of the song:


This is a song from a child which has no voice of his own. Having succumbed to the side effects of a childhood vaccination, he was never able to learn the spoken word...though through some miracle he seems to have developed perfect pitch. 

How would I know? Well, if I pick up various objects which can make a tone if they are blown into, though he may have heard it only once before, he will sometimes sing the note as it is being picked up. Blow into that object and, sure enough, he is in tune with it.

He was only about 3 years old when we were trying in vain to get him to speak into a tape recorder. Instead, he came up with this tune, which I decided to just add accompaniment. The original recording actually had his voice on it, but it has been lost over the years.

Stephen's Song (REMIX)

TASCAM DR-05

someday soon

Pierrot de la lune*

Song by Tony Harrell. This version recorded at Buck's Place studio.

High School Reunion

A great Christmas carol written by Michael Perry (1942-1996). Written to the tune of the Calypso Carol, it's a song I enjoy singing at this time of year.

See Him Lying On A Bed Of Straw

See Him Lying On A Bed Of Straw (Michael Perry) © Mrs B Perry/Jubilate Hymns

Listen w Headphones!

Always wanted to rework my old track called Error Code.
Saw Ian's open collab and added the beats!
This time I focused more on the added stuff and beats 
rather than IPG's flows.  

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Samples used

IPG1 - Oh Yeah Lou [ open collab ]
https://soundcloud.com/ipg1/oh-yeah-lou-vocals-134-bpm

Lyrical Smirks - Error Code

Piano bits by Vinheteiro
https://www.youtube.com/@Lord_Vinheteiro

Mario
https://www.youtube.com/watch?v=Ku6MnDx4BI8

Classical piece - Sample marker at 0:14
https://www.youtube.com/watch?v=EyofqsBQS5I

Star Wars - Main Theme
https://www.youtube.com/watch?v=_D0ZQPqeJkk

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Lyrics

Stars aligning I keep grinding
check the styles that I’m combining
try to get to know who I be
if you hear me then you feel me
are you ready—-now rock with me
now rock with me —-now rock with me
when do verses overlap
it’s so cool it’s called snowcapped

Give-and-take that’s tit for tat
the cool comments thanks for that
the contrast the impact
steadfast not typecast
The vibe being kickass
slow your row don’t move too fast
the real power is laid-back
I sure as hell don’t take no crap

When I flex it’s payback
dropping tracks just like that
rock with me it’s jampacked
back-and-forth then switch back
roll on out you scaredy-cat
or hang tight and interact
but I don’t do no contracts

Vocals/Lyrics written and performed by Ian Greaves aka IPG1 (@ipg1)

-------------------------------------------------------------------------------------------------------
*No copyright infringement intended*

I highly suggest to check out all the original sources and get inspired just like me. I'm not here to be " on fire " I'm just here to inspire / share and show some love for this artform and the original creators. You can find all my source material in the descriptions.

I'm not signed, all my creations & remixes are just a Hobby and not connected to any money-based profits. However if you use my music to make money I will not be held accountable. When listening to my music you are agreeing to these terms.

Remixed by LS / 2022.

Are You Ready? Feat IPG1

JTSunrise Deluxe Version of Dollar Bill by Screaming Trees / Mark Lanegan. Remembering Him 

Some time in late spring 1994, Mark Lanegan got a call from Lori Barbero of Babes in Toyland. She wanted to connect him with Kristen Pfaff, the bassist in Hole. Pfaff confirmed what Lanegan guessed: she'd been making eyes at him during Kurt Cobain's memorial. She wanted to go out with him. They'd talk as soon as she got back to Seattle from Minneapolis. In his memoir, Lanegan tells the story of what happened next

A couple of weeks later, a tearful, completely downtrodden, and embattled-sounding Courtney [Love] called and left a bullet-to-the heart message: Kristen had OD'd and died in a bathtub the first night she was back in Seattle

“I dizzily sat down on the floor, put my head in my hands, and stared numbly through my fingers at the wall in disbelief. Not only was my pipe dream of some sort of relationship with this exotic girl crushed, but horrifically, she was stone gone forever. Life was an utterly cruel, savage beast. Everything and everyone around me was f---ing cursed”

There's a reason Lanegan's book is called Sing Backwards and Weep. It begins with his '70s youth in the working-class enclave of Ellensburg, Washington. Addiction was a fact of life, you couldn't waste any time before you punched a bully out. When Lanegan finally made a musical connection, it was with a giant, surly guitarist. "I tried my damnedest to be friendly with him," writes Lanegan about Lee Conner, "but it was like talking to a stone. His only two speeds were mute or enraged. I would often hear him scream- ing 'F--k you, Gary!' at his dad on the phone”

Lee Conner wrote rock songs with a hook. Conner's brother and bandmate, Van, was trying to recruit Lanegan to form a new covers band that didn't include Lee, but Lanegan convinced them to keep Lee in the band. Mark and Lee would collaborate on songwriting, Mark — who couldn't play any instrument — would sing, and their band named after an effect pedal might just be the thing to get him out of Ellensburg. Van Conner (March 17, 1967 – January 17, 2023) was an American rock musician, best known as the bassist for Screaming Trees

A few years later Screaming Trees would perform on the The Tonight Show, where the strung-out singer ended up on the couch next to actor James Garner, whose appraisal of Screaming Trees' performance was, "That wasn't bad, young fella. It coulda been a lot worse!”

Screaming Trees came out of the Seattle scene so early that their record label didn't know what to do with them. Epic seemed to think they were the latest hair-metal band, a new Twisted Sister or Quiet Riot. Fortunately, some of the company's younger executives got it

Nirvana, of course, would change everything, turning Seattle and grunge into veritable brand names — almost against their own will. Screaming Trees got caught up in that wave, canonized when "Nearly Lost You" landed on the iconic Singles soundtrack. Lanegan's bitter about that, though: not only did Screaming Trees (unlike some other artists on the soundtrack) not get paid, they had to waive their fee for the song being featured in the movie. Plus, the movie was bad. "In other words," writes Lanegan, "we'd given them a hit single for absolutely nothing”

Knowledgeable musicheads don't need a soundtrack to tell them who's part of a scene, and Lanegan was integral to Seattle rock in the '90s. He first saw Nirvana perform at the Ellensburg Public Library. He thought Krist Novoselic would be a great fit for Screaming Trees, whose bassist Van was temporarily out of the group after marrying his pregnant teenage girlfriend, but when Novoselic expressed interest, Lanegan said he'd be crazy not to stick with Nirvana

Lanegan and Cobain became friends; poignantly, Lanegan remembers how closely Cobain would walk to him on the sidewalk, hugging near to him like a little brother

Info from Lanegan book, interweb, and 90s memories, JTS

DOLLAR BILL

Dollar Bill

Marco Lucchi : electric organ and tape

9 febbraio 2023

questa è la mia personale interpretazione del "Four organs" di Steve Reich .. non la considero una versione definitiva, ma giusto un primo approccio, un tentativo .. se qualcuno è interessato a condividere con me il piacere di lavorare su quel bellissimo pezzo mi faccia sapere .. sono ben accetti sia rielaborazioni che parti vocali o strumentali da aggiungere .. su Bandcamp, in forma di 'bonus track', trovate anche il brano originale
https://marcolucchi.bandcamp.com/album/notre-dame

***

Four Organs is composed exclusively of the gradual augmentation (lengthening) of individual tones within a single (dominant 11th) chord. The tones within the chord gradually extend out like a sort of horizontal bar graph in time. As the chord stretches out, slowly resolving to the tonic A and then gradually changing back to the dominant E, a sort of slow-motion music is created. The maracas lay down a steady time grid of even eighth-notes throughout, enabling the performers to play together while mentally counting up to as much as 256 beats on a given cycle of sustained tones.


Four Organs is the only piece I am aware of that is composed exclusively of the gradual augmentation of individual tones within a single chord. From the beginning to the end there are no changes of pitch or timbre; all changes are rhythmic and simply consist of gradually increasing durations. This process of augmentation was suggested by the enormous elongation of individual tenor notes in Organum as composed by Perotin and others in the twelfth and thirteenth centuries in Paris at Notre Dame Cathedral. Tenor notes that in the original chant may have been equivalent to our quarter- or half-notes can take several pages of tied whole-notes when augmented by Perotin or Leonin.


Four Organs was composed in January 1970. It was first performed at the Guggenheim Museum in New York City by myself and members of my own ensemble later that same year. It also turned out to be one of my first pieces to be heard by a large concert-going public when Michael Tilson Thomas invited me to perform it with him and members of the Boston Symphony Orchestra in Boston in 1971 and at Carnegie Hall in 1973, where it provoked a riot.


—Steve Reich

Bandcamp

Notre-Dame

With My friend Sidhartha Gautama, love him !!

sorry

Firstly I have to point you guys to the video because this is at least 50% visual experience. It is here: 
https://youtu.be/_dO6_wsRROw
I want to also explain about this song and us as artists. We have already made, and will continue to make songs in our genre of catchy pop, earthy folk and ethereal mystique. We are comfortable there, but we thought we would try something a little different, a little left field. This is arty and abstract, just for fun... but it was also kind of serious, inspired after having just finished reading Angela's Ashes.

LYRICS
It's a 21st Century malady
There's nothing really wanting at all
Hm
Let's try not to fall
Maybe we're poised for lift off
Maybe we should find the escapr route
Or a launch pad
There's nothing wanting at all
Agony of nothing wanting
Breeding malcontent
Breeding the wildest problems
No one in their wildest dreams
Could have imagined they'd have to solve
In the 1940s

Just last night
I was waiting for a thread
I had nothing wanting at all
Hungering after
The mere-est thread

Where are you?
Where are you?
You could not receive it
Could not receive it
Where are you now my love

I made a gift of a vow
Given freely as any vow should
But you could not receive it
You could not receive it
Where are you?
Just over the hill
In this 21st century

21st Century Melody

Duck 'N' The Boyz: "Sunrise"
(Eversole/Duckworth/Mattingly)

	Duck: Bass  
	Matt Mattingly: Guitar, Vocals
	Mickey Eversole: Drums, Keyboard

Sunrise

An American folk performer with roots in the 90s Seattle and Tempe music scenes, JTSunrise weaves classic tunes and tales from the heart with modern images mixed with fingers and breath - - - Genuine Gen X Folkspunk Seattle Americana acoustic guitar, banjo, mandolin, uke, autoharp, harmonica an old school stringband songs recorded down home

If you're an acoustic player/singer-songwriter of any kind please get in touch. 

All Music Matters
Your Music is Real
Thank You All
God Bless You
See u in the Pit (ole$chool punk $aying)

     JT
7777777

Angel Number 7777777 indicates that new chances have arisen in your life due to your hard effort

Engage in things that feed your spirit. If you pay attention to your guardian angels, they will lead you along the appropriate path

jtsunrisemusic@gmail.com

https://youtube.com/@JTSunriseMusic?si=21HSR6c2ucTSjE4C

https://www.instagram.com/jtsunrisemusic?igsh=MWNtZzBoMW5lNGNpZQ%3D%3D&utm_source=qr

https://www.bandmix.com/jtsunrise/

https://www.thebash.com/folk-acoustic-guitar/jtsunrise

https://www.facebook.com/groups/43340809594/

I don’t buy anything, process anything, or sell anything- i don’t process anything sold or bought or processed, or sell anything to be bought or processed or sold

JTSunrise, like a cryptic melody echoing through the mist, A silhouette against the dawn, veiled in an enigma’s twist. Their chords weave secrets, harmonies untold, In the dim-lit corners of the soul, they unfold

Is it the owl reflection of their eyes, the echo of forgotten lullabies? JT strums the strings of mystery, A troubadour in the shadows, lost in history

Their lyrics dance on the edge of dreams, Whispers of forgotten realms and moonlit streams. Enigmatic, they wander through star-kissed nights, A minstrel of the cosmos, chasing celestial light

Perhaps they’re a riddle wrapped in stardust, A cosmic wanderer, both mortal and just. JTSunrise, elusive as the morning mist, Their music lingers, leaving hearts gently kissed

**In the gentle strumming of strings and the raw authenticity of JTSunrise’s compositions, you’ll find echoes of love, nostalgia, and the human experience**

Dollar Bill

JTSunrise

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h a r a

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