I really dig this whole concept .  I had to go find my guitar to play along.  In the garage with the dryer running ! 😎

Lovin' this tune here! What a gorgeous piece of music...awesome vocals and banjo parts XOXOXO

Cool rendition of this traditional song!!

- Spitfire Audio - Spitfire Appasionata Strings - Violins 1 - Legato
- Spitfire Audio - Spitfire Appasionata Strings - Violins 2 - Legato
- Spitfire Audio - Spitfire Appasionata Strings - Cellos - Legato
- Spitfire Audio - Spitfire Appasionata Strings - Basses - Glancing Attack
- Spitfire Audio - Spitfire Appasionata Strings - Basses - Legato
- Spitfire Audio - BBC Symphony Orchestra - Viola Leader - Legato
- Spitfire Audio - BBC Symphony Orchestra - Oboe - Legato
- Spitfire Audio - BBC Symphony Orchestra - Flûte - Legato
- Spitfire Audio - BBC Symphony Orchestra - Harp - Gliss FX
- Spitfire Audio - Contemporary Drama Toolkit - Scratchy Pad
- Spitfire Audio - Originals - Cimbalon - Sustained
- Spitfire Audio - Originals - Cinematic Frozen Strings - Flautando CS
- Spitfire Audio - Fragile String Evolutions - Ambient Tratto
- Spitfire Audio - Angular String Evolutions - Close To Home
- Spitfire Audio - Hauschka Composer Toolkit
- Spitfire Audio - Blankfor.MS - Tape Synths
- Spitfire Audio - Albion V Tundra
- Spitfire Audio - LABS - Tape Piano - Felt Cassette
- BS - Era II - Vocal Codex - Contemplating
- Arturia - Augmented Strings
- UVI - World Suite

4/4, 120 bpm

En Résonance

The search for a more peaceful existence away from the commotion, corrupt or not, of society.

Let Me Go

In The Corner Of The Night

Show Me Your Way

℗ © Copyright Ian Stokes. All Rights Reserved
Recorded, mixed and mastered in Logic. 
Guitar played: Taylor 714CE in standard tuning 
Photography: Thanks go to Nigel and Libby Hume at Hume Photography.
LYRICS:
From the northlands up in the mountains
To the southlands across the seas
You might ask me what I know
About the places I have seen 

And I might say that I’m not sure 
There’s always something new out there to learn
Grey skies follow blue and blue skies follow grey
Who can say when the weather will turn

But it’s funny…………. how the wind knows
Funny…………… how the wind ……………just knows
It’s so funny…………. how the wind knows
So funny…………… how the wind ……………just knows

Could go west to the setting sun
Could go east to the break of day 
And you might ask me what I know
About the places I'll see along the way

And I might say that I’m not sure 
There’s always something new out there to learn
Grey skies follow blue and blue skies follow grey
Who can say when the weather will turn

But it’s funny…………. how the wind knows
Funny…………… how the wind ……………just knows
It’s so funny…………. how the wind knows
So funny…………… how the wind ……………just knows

How The Wind Knows

This is a song that started as a stem with which Ian (IPG1) let Tez and I play. Tez made the riddim and added the guitar, producing a chord structure with which for me to work. I added bass, piano, synth, and sitar. Tez produced and mixed the whole thing. Ian's rapping is the centerpiece of the whole thing, though. Both of these guys are very special and talented. We hope you enjoy the song.

Bouncing Off The Bass (with IPG1 aka Lou and Llanpsych)

Old Crow Medicine Show - James River Blues
On the album Big Iron World this is played with a capo on the third fret
My rendition is in open tuning if you want to play along

C               F
James River blues
C                        F
I just heard the awful news
C                          F
I could steer around the rocks
C                              F 
But they're bustin' down the docks

C F C F

C              F
James River blues
C                     F
That train came on through
C                       F
And the works getting slow
C                       F 
Now where's a boat man to go?


Am                     F
I think I'll float on down
Am            F
To Richmond town
Am                     F
They don't need us anymore
                               Am
Haulin' freight from shore to shore
                           F
That big iron hauls much more
                Am
Than we ever could before

C F C F

C                          F
I've seen good men going wrong
C                           F
I've seen bad ones get it right
C                      F
As that river rolls along
C                       F 
I'll be stepping out tonight


Am            F
On the cool flow
Am                    F
Floatin' down, down below
Am                         F
The bridge to the waters edge
Am                   F
From the ridge to ledge
Am                     F
From the hills to the sea
Am              F   G
I'll become a memory

C              F
James River Blues
C              F
James River Blues
C              F
James River Blues…

Most banjo gurus agree that the earliest American banjos used gourd bodies. A pre-1800 painting of a banjo in the New World shows a gourd banjo with a flat, fretless fingerboard, a "slab" peghead with three tuners and one drone string

A similar banjo discovered in Haiti apparently shows many of the same features, enough so that banjo luthier Pete Ross was able to build a replica that most people feel is faithful to the "banjars" and "banzas" of that era

White musicians were enthralled by the sound of those "slave" instruments, enough so that they took the time to befriend black musicians and learn how to play the "banjars" of the day. Some were respectful of the traditions and cultures that led to the invention of the gourd banjo. Sadly, many were not

By the early 1920s, Tenor banjo was as popular in the U.S. as electric guitar was in the 1970s. Many thousands of "student" Tenor banjos were made at the lower end of the price spectrum, usually lacking tone rings and resonators (which, to be fair, made it possible for kids to learn banjo without driving the rest of the family out of the house). Even after early forms of Jazz had been supplanted by Swing and Modern Jazz, Tenor banjos continued to be made, although mostly at the low end of the scale

A style of playing was developed at this time that is still used by Dixieland and New Orleans Traditional Music players. The banjo was/is strummed with a flat pick, but the chords were/are structured so that the top note of the chord plays the melody

The Tenor Banjo redefined Jazz, and it's big brother, the 6-string banjo got in on the fun, too. After all, they had been around since the 1880s, and it wasn't that hard for folks who already played guitar or 6-string banjo to adjust to playing Jazz. One of the most notable Jazz 6-string players was Johnny St. Cyr, who used his 6-string to play bass lines with King Oliver's Creole Jazz Band. No, a 6-string banjo doesn't usually play bass, but it does go almost half an octave lower than a regular banjo, so it is closer at least

On this tune is my 1928 6-string Gibson GB (guitar banjo), my 1962 5-string Vega Folklore (both open back) - also mando, micro bass, C harp, and riverboat steam horn sounds sampled from the real deal legendary Nactchez steamboat

JTS

JAMES RIVER BLUES

James River Blues

never light

Re-make of Mono-ha’s “Unbroken Sorrow”

Composition - Beta

Opening track on my new album with The Littoral Drift. New 14 track album due for release this Friday June 16th, 2023. 

Guitar vocals and bass: Darren Sullivan
Drums: Josh Dylan Peters https://soundcloud.com/jdylanp

Lyrics:
Won’t you leave the light on
Never could spy on
Drawn on a lake like with 
A charcoal crayon

Old men rely on 
Days of bygone
Memories traced
to the war in Saigon

Never gonna raise him
Better you forgave him
Shaving with a razor 
From the Barber’s favor

Maybe you could save him
If you forgave him
Betting on red but it’s looking pretty grim

Callin on Eliza
You know she relies on
Petty little gossip
From the corner store

A shoulder to cry on
Simping for the line on
Better get it straight if you’re wanting more. 
Wanting More 

Knowing Eliza
does despise him
Holding her hand when the sun has set

He listens real good
But she thinks he’s a fool
Believing that this is all he’ll get

She’s staying in the friend zone
She’s lovin Lorenzo
Never gonna have that special glow
She’s staying in the friend zone
She’s lovin Lorenzo
Never gonna have that special glow


Won’t you leave the light on
Never could spy on
Drawn on a lake like with 
A charcoal crayon

Old men rely on 
Days of bygone
Memories traced
to the war in Saigon

Never gonna raise him
Better you forgave him
Shaving with a razor 
From the Barber’s favor

Maybe you could save him
If you forgave him
Betting on red but it’s looking pretty grim

Callin on Eliza
You know she relies on
Petty little gossip
From the corner store

A shoulder to cry on
Simping for the line on
Better get it straight if you’re wanting more. 
Wanting More 
 
Callin on Eliza
You know she relies on
Petty little gossip
From the corner store

A shoulder to cry on
Simping for the line on
Better get it straight if you’re wanting more. 
 

Knowing Eliza
does despise him
Holding her hand when the sun has set

He listens real good
But she thinks he’s a fool
Believing that this is all he’ll get

She’s staying in the friend zone
She’s lovin Lorenzo
She’s staying in the friend zone
She’s lovin Lorenzo

Verdure

ELiza

Eliza (EXCLUSIVE SOUNDCLOUD EARLY RELEASE!!!!!)

Building Bridges

An American folk performer with roots in the 90s Seattle and Tempe music scenes, JTSunrise weaves classic tunes and tales from the heart with modern images mixed with fingers and breath - - - Genuine Gen X Folkspunk Seattle Americana acoustic guitar, banjo, mandolin, uke, autoharp, harmonica an old school stringband songs recorded down home

If you're an acoustic player/singer-songwriter of any kind please get in touch. 

All Music Matters
Your Music is Real
Thank You All
God Bless You
See u in the Pit (ole$chool punk $aying)

     JT
7777777

Angel Number 7777777 indicates that new chances have arisen in your life due to your hard effort

Engage in things that feed your spirit. If you pay attention to your guardian angels, they will lead you along the appropriate path

jtsunrisemusic@gmail.com

https://youtube.com/@JTSunriseMusic?si=21HSR6c2ucTSjE4C

https://www.instagram.com/jtsunrisemusic?igsh=MWNtZzBoMW5lNGNpZQ%3D%3D&utm_source=qr

https://www.bandmix.com/jtsunrise/

https://www.thebash.com/folk-acoustic-guitar/jtsunrise

https://www.facebook.com/groups/43340809594/

I don’t buy anything, process anything, or sell anything- i don’t process anything sold or bought or processed, or sell anything to be bought or processed or sold

JTSunrise, like a cryptic melody echoing through the mist, A silhouette against the dawn, veiled in an enigma’s twist. Their chords weave secrets, harmonies untold, In the dim-lit corners of the soul, they unfold

Is it the owl reflection of their eyes, the echo of forgotten lullabies? JT strums the strings of mystery, A troubadour in the shadows, lost in history

Their lyrics dance on the edge of dreams, Whispers of forgotten realms and moonlit streams. Enigmatic, they wander through star-kissed nights, A minstrel of the cosmos, chasing celestial light

Perhaps they’re a riddle wrapped in stardust, A cosmic wanderer, both mortal and just. JTSunrise, elusive as the morning mist, Their music lingers, leaving hearts gently kissed

**In the gentle strumming of strings and the raw authenticity of JTSunrise’s compositions, you’ll find echoes of love, nostalgia, and the human experience**

James River Blues

JTSunrise

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