Enjoying a special musical and seasonal moment with you on the porch! Fun stuff JT! Durge

Love the cover! Great banjo work..Extraordinary fascinating sound experience! Excellent quality work.. Awesome mix & recording production!

Out of the Box September 2022
Wit and wisdom from Liz Truss, the ex- prime minister of the UK and ex-leader of the Conservative Party (she lasted only 44 days!)

Trussed Up

Solitarian

Bandcamp

I keep a box 
and you can bet I keep it locked 
nightmares stuffed inside 
and 
I refuse to pay it any mind 
cause I know it’s all tangled and untame 
       So I refrain 
           yea       I refrain 

Ripples running cross the surface 
being chased
at any moment 
I’m capsized and rolling over 
and you know I want to blame the wave 
       the anger and the flame 
A fire in my belly
Lightening in my veins

Then I feel the shame 
       yea I feel the shame
so I put it all away 

In a box
I keep 
Buried at my feet 
all tangled and untame 

Yea
I feel the anger and the flame 
Fire in my belly 
Lightening in my veins

you know 
gotta put it back again

I Refrain (amped)

Dive Into

Sleeping Banshee

KAWAKAWA

Our Old Mountain Home

Composed, arranged, performed, and produced by:
Carlos Vivanco

In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F♯–G–A–B♭) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F♯–G–A–B♭–C–D).
The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy. It also plays a role in the music of twentieth-century composers, including Igor Stravinsky, Béla Bartók, and Karol Szymanowski, who was influenced by folk music from the Polish Highlands.[8] The acoustic scale is also remarkably common in the music of Nordeste, the northeastern region of Brazil[9] (see Escala nordestina). It plays a major role in jazz harmony, where it is used to accompany dominant seventh chords starting on the first scale degree. The term "acoustic scale" was coined by Ernő Lendvai in his analysis of the music of Béla Bartók.
The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (Play (help·info)). Starting on C1, the harmonic series is C1, C2, G2, C3, E3, G3, B7♭3*, C4, D4, E4, F↑4*, G4, A13♭4*, B7♭4*, B4, C5 ... The bold notes spell out an acoustic scale on C4. However, in the harmonic series, the notes marked with asterisks are out of tune: F↑4*  is almost exactly halfway between F♮4 and F♯4, A13♭4* (Play is closer to A♭4 than A♮4, and B7♭4* is too flat to be generally accepted as part of an equal tempered scale.

The acoustic scale may be formed from a major triad (C E G) with an added minor seventh and raised fourth (B♭ and F♯, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, in contrast with his use of the golden ratio. In Bartók's music, the acoustic scale is characterized in various ways including diatonic, dynamic, tense, and triple- or other odd-metered, as opposed to the music structured by the Fibonacci sequence which is chromatic, static, relaxed, and duple-metered.

Another way to regard the acoustic scale is that it occurs as a mode of the melodic minor scale starting on the fourth degree. Hence, the acoustic scale starting on D is D, E, F♯, G♯, A, B, C, D, containing the familiar sharpened F and G of A melodic minor. The F♯ turns the D minor tetrachord into a major tetrachord, and the G♯ turns it into Lydian. Therefore, many occurrences of this scale in jazz may be regarded as unsurprising; it shows up in modal improvisation and composition over harmonic progressions which invite the use of the melodic minor.

Heptagram

Lydian Dominant

PORCHLAND BLUE JAY BLUES

Blue Jay Blues

Blastoid (Loop) 140

Original poetry

Headphones encouraged!

Symbols are important in poetry. Just as water and the moon are symbols for woman or the feminine and how we should show reverence for Her. Thank you for listening and sharing this musical poem.

vocals-OtisPacific
vocals, vocoder-LoF (Tanisha)

The Moon is Ours

She is ours
All of us
The soft opening to
the woman
Inside you 
weeping
Like the tides
Moving dark and
Clutching your veins
To make you bleed
When she is heavy and bright
the laughter will come to
break you
madness swelling
You will never know 
Her completely
The wait for Her in wonder
If you are lucky
You will meet Her 
Liberating you 
Doused as lit
Dressed in your dreams

The Moon is Ours

An American folk performer with roots in the 90s Seattle and Tempe music scenes, JTSunrise weaves classic tunes and tales from the heart with modern images mixed with fingers and breath - - - Genuine Gen X Folkspunk Seattle Americana acoustic guitar, banjo, mandolin, uke, autoharp, harmonica an old school stringband songs recorded down home

If you're an acoustic player/singer-songwriter of any kind please get in touch. 

All Music Matters
Your Music is Real
Thank You All
God Bless You
See u in the Pit (ole$chool punk $aying)

     JT
7777777

Angel Number 7777777 indicates that new chances have arisen in your life due to your hard effort

Engage in things that feed your spirit. If you pay attention to your guardian angels, they will lead you along the appropriate path

jtsunrisemusic@gmail.com

https://youtube.com/@JTSunriseMusic?si=21HSR6c2ucTSjE4C

https://www.instagram.com/jtsunrisemusic?igsh=MWNtZzBoMW5lNGNpZQ%3D%3D&utm_source=qr

https://www.bandmix.com/jtsunrise/

https://www.thebash.com/folk-acoustic-guitar/jtsunrise

https://www.facebook.com/groups/43340809594/

I don’t buy anything, process anything, or sell anything- i don’t process anything sold or bought or processed, or sell anything to be bought or processed or sold

JTSunrise, like a cryptic melody echoing through the mist, A silhouette against the dawn, veiled in an enigma’s twist. Their chords weave secrets, harmonies untold, In the dim-lit corners of the soul, they unfold

Is it the owl reflection of their eyes, the echo of forgotten lullabies? JT strums the strings of mystery, A troubadour in the shadows, lost in history

Their lyrics dance on the edge of dreams, Whispers of forgotten realms and moonlit streams. Enigmatic, they wander through star-kissed nights, A minstrel of the cosmos, chasing celestial light

Perhaps they’re a riddle wrapped in stardust, A cosmic wanderer, both mortal and just. JTSunrise, elusive as the morning mist, Their music lingers, leaving hearts gently kissed

**In the gentle strumming of strings and the raw authenticity of JTSunrise’s compositions, you’ll find echoes of love, nostalgia, and the human experience**

Blue Jay Blues

JTSunrise

Recent comments

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