TECHNO  (old)

Juan Atkins & Moritz von Oswald Present Borderland: Transport

Transport

Yes, weʼre bloody 2 decades old and look, some of our back-catalogue gems are still fresh as on the first day. Weʼve added some new and exclusive material, so you canʼt say weʼre lazy bastards. If youʼve got champagne in your fridge, go pop the cork and have a zip on our 20th anniversary.

get at Beatport

Alexander Kowalski - Oxygen

Shifted - Control

We have here the highlight track 'The Motion' with Mutado Pintado taken from the album "Arseholes, Liars, And Electronic Pioneers" released February 9th. 

The man. @mutadopintado, Clams Baker. Whatever name you know him by you hang on every word. Front man for @warmduscherr & @swornvirgins89 as well as many other projects. Perfectly capturing the highs & lows of strobe light living. We're also pleased to announce a new merch drop/collaboration with the mighty Sports Banger. 
Link to the album and merch below.

Video by Craig Louis Higgins
#paranoidlondon #paranoidlondonrecords #warmduscher #swornvirgins #acidhouse #paranoidlondonlive #roughtraderecords #fabriclondon 

Album Pre-save 
Release date February 9th 2024
https://orcd.co/pdonlp003

Sports Banger Merch link
https://shop.sportsbanger.com/

linktree
https://linktr.ee/ParanoidLondon

THE MOTION

PARANOID LONDON WITH MUTADO PINTADO 'THE MOTION'

Sector II: Acid

Arrival

Nae:Tek, Moodeep - Unconsciousness [Superordinate Dub Waves]

Starlit Uplift - EDM Instrumental DJ

S.Blake - Cinematics 
Proudced by S.Blake 
©All Rights Reserved

S.Blake - Future Frustration

Etapp Kyle - Sakura

From Media In The Service Of Terror due June 10 via Hospital Productions

Vatican Shadow - 'More Of The Same'

Adam Beyer’s Drumcode juggernaut attracts more fans and critical plaudits with each passing year. Holding firm on its future facing ethos, techno’s number one label presents a new volume in its acclaimed A-Sides series with 20 prime tracks to signify its 20th anniversary. 

Such is the volume of quality music Adam Beyer receives throughout the course of the year, releasing all of it would be impossible. Enter the blue chip A-Sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn’t fit in their regular EP release schedule. 

With an eye on future talent, as much as the label’s established roster of heavy-hitters, the compilation showcases the full breadth of Drumcode’s multifaceted techno sound, equal parts inspiring and functional. 

Led by the stealth techno funk of ‘Nine of You’, Beyer’s deft collaboration with Mark Reeve, the compilation takes in exciting highlights from big guns such as Alan Fitzpatrick, Dustin Zahn, Bart Skils, Pleasurekraft, Luca Agnelli, Jay Lumen, Kaiserdisco and Gary Beck. 

The rich vein of form displayed by emerging techno talent is similarly given prime position. Rising DJ/producer Boxia makes his Drumcode debut, fresh from a well-received warm up set for the crew at the hugely successful Junction 2 festival in London, while the likes of Enrico Sangiuliano, Juan Sanchez, Ian O’Donovan and Timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016. 

Reinforcing the global scope of the label, artists such as The Junkies from Toronto and Layton Giordani from New York, prove techno is winning a place in the heart of the new generation of artists coming out of North America. 

Kevin de Vries - Eternity - Drumcode - DC159

- Originally released in 1994 
- Re-mastered from the original DAT by Matt Colton
- Re-released Friday 16th December (Vinyl - Feb 2017)
https://randsrecords.bandcamp.com/album/meditation-will-manifest


Originally released on vinyl by R&S in 1994, ‘Meditation Will Manifest’ was re-earthed in 2016 by Nina Kraviz and Ricardo Villalobos, becoming a secret weapon on dancefloors 22 years after its original release. On December 16, ‘Meditation Will Manifest’ gets its first digital release on R&S.
 
Josh Wink has always been ahead of musical trends and walks his own path in dance music. From a young age Wink was exposed to different mysticism and consciousness philosophies. “It wasn’t a big, popular or trendy thing to do at the time, but I was 14 and just did what my mother did… Releasing tracks like ‘Meditation Will Manifest’ and ‘Higher States of Consciousness’, people looked at me as being this deeply profound spiritual guy, but I never really thought about it in that way, even though I’m really into repetitive, transcendental and meditative rhythms. I don’t do drugs, so I never really had another outlet to get into alternative states.” – Josh Wink (taken from recent Mixmag article).   

‘Meditation Will Manifest’ is pure Wink in its hypnotic and powerful force.  
 
“‘Meditation Will Manifest’ is quite rightly regarded as a classic track in the R&S catalogue. It’s one of the finest examples of acid house that we’ve released in our 30-year existence and it still sounds fresh today. We’re so glad that the original DAT tape has been found and that a whole new generation can experience it.” – R&S 
 
“It is exciting to see that a track that I made over 20 years ago is touching so many people once again. With DJs like Nina and Ricardo playing it recently, people have been wondering what it was… It makes me happy that the track still sounds relevant and still does its damage on the dance floor. We got in touch with the guys at R&S and decided to remaster the original and release it, as it has never been released digitally. Luckily I was able to my find the original DAT in the studio and we were able to make this happen." – Josh Wink

Matt Colton re-master

Josh Wink - Meditation Will Manifest (2016 re-master)

Follow Chloé on socials - www.listentochloe.com/
FB - www.facebook.com/listentochloe
TWITTER - twitter.com/ChloeDjProducer
INSTAGRAM - www.instagram.com/listentochloe/

Photo By Noémié Goudal - noemiegoudal.com/
Artwork by Dune Lunel - www.dunelunel.com/

(uk)Sounding the promise of long days ahead and late nights to follow with its opening salvos, Chloé’s The Dawn heralds the return of the Paris-based DJ and producer, and a new dawn in her ever-evolving career.

Indeed, The Dawn is her inaugural release on her own label Lumière Noire, which she recently set up as a separate entity – after using the name for a collection of releases over the last few months, and of course for her infamous Rex Club night, which has since 2014 become a bit of a club house for Parisian electronic music fans.  Operating Lumière Noire as a fully-fledged label will enable Chloé to release a new full-length album (of which The Dawn is the lead single) sometime in the next few months.

Over the ten-plus minutes of The Dawn, a spoken-word track languishes over melodic washes in a dramatic progression that evokes a novel, or noir-ish cinema – a method that the producer has taken a shine to since Take Care. This cultivation of the strange and the beautiful has become her calling card, putting her in a league with likeminded producers, who take the basic tenets of techno and inject them with their own singular poetic visions. A visual-arts analogue could be found in Noémie Goudal’s photographs which grace the EP’s cover as they will Chloé’s upcoming releases.

This stirring aesthetic gives The Dawn a slightly cerebral dimension, which is taken to new depths by Dixon’s stubbornly technoid remix. The Berlin-based whiz kid, who has over the last few years risen to the top of the international electronic music scene, inverts Chloé’s light-drenched, full-bodied production into a tense, captivating chiaroscuro.

The Dawn can also be explored via the “Chloé * IRCAM V2: The Dawn Interactive Mix” installation, which embodies Chloé’s music as an intimate interactive experience. It is one of the first offshoots of a constantly mutating collaboration between Chloé and the IRCAM Institution (www.ircam.fr/) that began in 2015.

Chloé - The Dawn (Dixon Remix)

Libration

Resonance

Detroit Beatdown Remixes 1: 2

Falling Up (Carl Craig Remix)

Having only a scant few releases to its name, L.B. Dub Corp, one of Luke Slater's lesser used guises, slinks in and out of the scene, dropping off quality EP's and remixes when you least expect it. Finding a new and appropriate home on Ostgut, the Take It Down (In Dub) EP has two spacey hitters. A slappy bass, a noise wash, and a growling kick are what kick off the title track, slowly giving way to a slightly pitched down vocal drop of "take it down." 

Not nearly as high in the BPM's as Slater's Planetary Assault System productions, "Take It Down" is a slyly warping beast. It has a pristine sludge to it that begs for an eyes-closed demonic shuffle, its brooding drone perfect for early hour madness. More than halfway through, though, the entire thing shifts to reveal a grimey, rinsed out synth that opens the entire 11+ minutes of the track up to a new feel and intensity. 

Where things really get interesting is on flipside "It's What You Feel." One of the most inviting basslines in a while partners with a steady synth pad for a cleverly produced house track. A steady groove paves the way for a classic piano line summoned from Chicago. This B-side monster is the perfect counterpart to the A, and makes this one of Slater's best efforts since his PAS EP on Ostgut last year. 

http://www.residentadvisor.net/review-view.aspx?id=7702
http://www.ostgut.de/label/record/53

Transport

Juan Atkins

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