Acoustic

Hurricane - 30 Seconds To Mars (Acoustic live)

Saturday Night Live  24th season Tom Petty & The Heartbreakers  "Swingin'"

"Swingin'" - Tom Petty & The Heartbreakers (Live)

Waffle House (feat. Sunny Ledfurd

30 Seconds To Mars - Save Me (Acoustic on iHeartRadio)

1 - Outside 1:13
2 - Please 6:58
3 - 75 (new song) 13:00
4 - Excess Baggage 19:00
5 - What's Up 23:13
6 - Everything Changes 26:50
7 - What Hurts The Most 36:00
8 - So Far Away 41:25
9 - Tangled Up In You 44:50
10 - Zoe Jane 49:25
11 - Epiphany 54:58
12 - Country Boy 1:03:00
13 - Sweet Child Of Mine 1:08:25
14 - It's Been a While 1:13:00
15 - Intro 1:18:20

https://www.youtube.com/user/GaryBrayneShowReel?feature=watch

Aaron Lewis - Full Concert (Live  Acoustic) In [HD] @ Bush Hall - London 2011

A version I finally feel is good enough to stop messing with! Posting new to prove it to myself! :)

Everything Changes - Staind

Live from Bar Chord, Brooklyn, NY, USA. Ben Ratliff and Drew Fleming- guitars and vocals, Ezra Gale- bass and vocals, Philip Sterk- pedal steel guitar, and Mike Savage- drums. 

Hello Trouble- Buck Owens

By. Andy Hyutha Gaol - Ride

Help and buy my digital album by visit :
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Ain't Enough Whiskey - Kid Rock

Listen to 30 Seconds To Mars - From Yesterday (acoustic version)

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30 Seconds to Mars - From Yesterday (Acoustic)

30 Seconds To Mars - The Kill (Acoustic)

Dwight Yoakam: Kentucky born, Ohio raised; Tennessee jilted, California praised. That's the way the story goes, at least. In 1977 when Dwight moved to Nashville to pursue his honky-tonk dreams, Nashville was moving away from the traditional and Countrypolitan sound it had spent the better part of a century developing, and more towards the pop-country that still inhabits its airwaves. Dwight found that his musical aspirations were better suited on the leading edge of the post-Bakersfield, Los Angeles “Cowpunk” scene where his music was better received by the West coast punks and drunks than the then-current Music City establishment. The Nashville industry eventually embraced the LA-based outsider in the late 80’s and Dwight Yoakam turned out to be one of the best damn artists country music has ever known. Today, the massive influence of Yoakam’s unique style of country music on Nashville is clearly demonstrated by the sheer number of times "Guitars, Cadillacs" is picked on lower Broadway each day. It never gets old. It's practically the city anthem.

Third Man Records, as you know, is thrilled to call Nashville home to its label headquarters, and calling Nashville home means putting out some real country music records. We did it earlier this year from one Margo Price, and we're doing it again now, just in time for the CMA Music Festival next week. Dwight Yoakam recently took to the studio with our fearless leader Jack White III to record two of the swingin'est tunes we've ever had covered in our Blue Series: "Tomorrow's Gonna Be Another Day" (Boyce/Venet, popularized by The Monkees) b/w "High On The Mountain of Love" (Dorman, popularized by Kenny Lynch, then Johnny Rivers, then the Beach Boys, and recorded by many others along the way). Produced by White and backed by the Third Man band of all-stars — Lillie Mae Rische, Daru Jones, Cory Younts, Dominic Davis, Fats Kaplin — these two renditions, into which Dwight's delivery breathes new life, proves that with the right artist behind the microphone, any song'll make an even better country song. Now, have you ever heard anything more Nashville than that?

Aaron Lewis - Full Concert (Live Acoustic) In [HD] @ Bush Hall - London 2011

Juan Carlos Guzman 22

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