Time Warping I ... et l'émergence de l'expression (2016)
for viola and live electronics

viola: Nicolas Loubaton

Time Warping I ... et l'émergence de l'expression

Involved for years in the world of analog and digital sound synthesis, from modular synthesizers to computer music, Kkempes is at his first solo release with this 3-tracks EP. Three pretty different tracks linked by microtonality researches, glitching sounds and cinematographic soundscapes.

Kkempes - Shapeshifter

for Piano and electronics through transducers 
Mariangela Vacatello, piano
Mike Solomon, sound design
12.06.2017 Festival MANIFESTE-Ircam - Paris - Centre G.Pompidou        live recording

Entr'ouvert

Luciano Berio
Coro (extrait)
Ensemble vocal Aedes
Ensemble intercontemporain
Orchestre du Conservatoire de Paris
Matthias Pintscher, direction
Mathieu Romano, chef de choeur
Enregistré en direct par Radio France le 11.12.2017 à la Philharmonie de Paris.

Luciano Berio, Coro (extrait)

Boat Song

Panopticon Specularities consists of four simultaneous chamber ensembles, of which the unique formal entities are in constant contact with the sonic-temporal images that stem from each other. Referred to as “seeds,” these four micro-formations can be conceived as stand-alone works, activating the structural network of the whole. If played collectively, each seed is to address the spatial positionings that are indicated in the score to interact with the surrounding spatial properties of the concert hall.

This work is an effort to address spatialized subjectivities and to develop a network of technical means designed to create sonic-temporal processings, with close attention given not only to idiomatic instrumental writing, timbral properties, and groupings, but also to the spatial characteristics of acoustic instruments and their relation to space.

This research also addresses corporeality by studying the relationship between body and instrumental design, and how this relationship impacts the spatial characteristics of acoustic instruments, in order to explore how auditory experiences and corporeal responses are generated and shaped within acoustic environments. In doing so, this work aims to offer an aural experience, as well as a sonic poetry emerging from within, through which the space reveals auditory displays as simultaneous spatial happenings.

To address the embodied acoustics of the given performance space, the above-mentioned aspects were formulated directly in response to the concert hall where the premiere took place in Berlin (August 23, 2017), for which I designed a 3D acoustic model of Heimathafen in Berlin. The performance possibilities, whether for its simultaneous or stand-alone formations, are not limited to the Heimathafen, as this work can be performed with alternative spatial positionings that can be provided.

©Turgut Erçetin 2010-2024 (All rights reserved). 

—

The above performance was by Ensemblekollektiv Berlin at the Heimathafen in Berlin, on August 23, 2017

Ensemblekollektiv Berlin:

Ensemble Mosaik (Seed 1, for large ensemble) 
Ensemble Apparat (Seed 2, for brass quintet) 
Ensemble Adapter (Seed 3, for ensemble) 
Sonar Quartett (Seed 4, for string quartet)

Conductors: Bas Wiegers and Christoph Breidler

Recording: Deutschlandradio Kultur

—

Selected Reviews and Interviews: 

Radio Portrait: “Musik der virtuellen Räume,” by Matthias Entreß (Deutschlandfunk Kultur):
https://www.deutschlandfunkkultur.de/musik-der-virtuellen-raeume-portraet-des-istanbuler-komponisten-turgut-er-etin-dlf-kultur-33d9ed66-100.html

Radio Portrait: “Musik der virtuellen Räume,” by Matthias Entreß, 2017 (YouTube):
https://www.youtube.com/watch?v=MZiNFsUCa6w&t=152s

"Osterkonfekt des International Style," Frankfurter Allgemeine Zeitung (February 2, 2013, In German).

Panopticon Specularities, for four simultaneous chamber ensembles

Inscape (2017-2018)
pour grand orchestre, 16 solistes instrumentaux et dispositif électronique en temps réel.
Solistes : 1.2.1.1/0.2.2.0/2 Perc./1.1.1.1.1// Orch :3.3.3.3/4.3.3.1/Timp./3Perc./Hrp./16.14.12.10.8
Dur. 30:00
Éditeur : Durand Éditions Musicales / Universal Music Publishing Classical (Paris)
Création : Ensemble InterContemporain, IRCAM (Thomas Goepfer), Barcelona National Symphony Orchestra OBC, Orchestre National de Lille, Gürzenich Orchester Köln. Kazushi Ono, François-Xavier Roth, Alexandre Bloch, conductors. Barcelona, L'Auditori, 19-20 May 2018. Paris, Philharmonie-Cité de la Musique, 14 June 2018. Festival Manifeste/IRCAM. Lille, Le Nouveau Siècle, 16 June 2018. Cologne, Kölner Philharmonie (Gürzenich Orchestra season 2018-19). Durand Éditions Musicales / Universal Music Publishing Classical (Paris)
Recording: France Musique

Inscape (2017-2018). EIC, ONL, IRCAM. A. Bloch, conductor.

Rough cut of this 25mn long piece. For those who are in a hurry.

SideReal#1 5mn Resume

RODRIGO VALDEZ HERMOSO
-Extension du domaine de la lutte- (Hommage à Michel Houellebecq)
2222 - 2221 - 2221 - Piano - Percussion I-II.

WORLD PREMIERE: 28/10/2017
XLV FESTIVAL INTERNACIONAL CERVANTINO
SECRETARÍA DE CULTURA

ENSAMBLE DE LA ACADEMIA CERVANTINA
Conductor: Ludwig Carrasco
UNIVERSITY OF GUANAJUATO - GENERAL AUDITORIUM

-Extension du domaine de la lutte- (Hommage à Michel Houellebecq)/ 2017 (Live Take)

Live recording on the 25.5.18 during the Impuls MinuteConcerts in Graz, Austria.

Liza Lim - Invisibility for cello solo with two bows

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juandediosmagdaleno@gmail.com

Time Warping I ... et l'émergence de l'expression

Juan de Dios Magdaleno

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