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Artist: Edoardo Gastaldi
Record Label: PaKo Music Records
Distribution: Believe Digital
Genre(s): Piano, Neo-Classical, Instrumental
Original Picture: Emma Gastaldi
Cover Art: Federico Paronetto, Edoardo Gastaldi
Mastering: Andrea Cottone, The Room Music Lab
Release Date: 29/04/2022

© 2022 Visory Records
℗ 2022 PaKo Music Records

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Grandfathers

Edvard Grieg - Peer Gynt - Suite No. 1, Op. 46 - II. Aase's Death

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Artist: Edoardo Gastaldi
Genres: Piano, Modern Classical
Original Picture: Edoardo Gastaldi
Cover Art: Federico Paronetto, Edoardo Gastaldi
Official Video: Davide Fasiello
Mastering: Jann Grimm

© 2023 Visory Records
℗ 2023 PaKo Music Records

I Am Here and You Are Mine

Frédéric Chopin: Nocturnes, Op. 9

Nocturne in B flat minor, Op. 9 no. 1

Nocturne in E flat major, Op. 9 no. 2

Chopin: 24 Preludes, Op. 28: No. 4 in E Minor

Fearless

Vivaldi: Concerto Op.3 No.9 In D Major, RV 230 (Violin, strings and continuo) - 3.Allegro

Life is so beautiful. Live it with the knowledge of its end and it will flow as never before. Look better when its boring...it really isn't...like a baby lying between ruins in a warzone...like hope in a warzone!
My inspiration is a previously released song about Israel's war against Hamas (https://soundcloud.com/jacques-van-der-linden-1/israel-oh-israel-in-cminmaj-241014?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing&si=15821a09277241239e6007bfa9e8c657). I am not for Hezbollah, but I am against the ongoing war in Israel, which has now become completely nonsensical: the fight against Hamas is now being waged ON THE BACKS of the population of Gaza as "collateral damage"; despite my studies as a theologian of Christianity, I can no longer stand that the Netanyahu government has to cause so many casualties among the Gazan population; and now especially with the need to bring the entire Gaza Strip under Israel's rule... in this war, weapons bring no freedom, Mr. Netanyahu, no freedom for the Gazans!! The accompanying melody consists of three parts: part 1 the war in which the suffering of the people is portrayed (as far as that can be done only with sounds) part 2 the baby/life in Gaza still every day part 3 the conclusion to a classically played ending ending with "the hope that it will always end well" a major chord.

In Dutch: Het leven is zo mooi. Leef het met de kennis van het einde en het zal stromen als nooit tevoren. Kijk beter wanneer het saai is... het is het echt niet... zoals een baby die tussen ruïnes ligt in een oorlogsgebied... zoals hoop in een oorlogsgebied! 
Mijn inspiratie is een eerder uitgebrachte song over de oorlog van Israël tegen Hamas (https://soundcloud.com/jacques-van-der-linden-1/israel-oh-israel-in-cminmaj-241014?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing&si=15821a09277241239e6007bfa9e8c657). Ik ben niet voor Hezbollah, maar ik ben tegen de voortdurende oorlog in Israël, die nu volkomen zinloos is geworden: de strijd tegen Hamas wordt nu gevoerd OVER DE RUGGEN van de bevolking van Gaza als 'collateral damage'; ondanks mijn studie als theoloog van het christendom kan ik het niet langer verdragen dat de regering-Netanyahu zoveel slachtoffers onder de Gazaanse bevolking moet veroorzaken; en nu vooral met de noodzaak om de hele Gazastrook onder Israëlisch gezag te brengen... in deze oorlog brengen wapens geen vrijheid, meneer Netanyahu, geen vrijheid voor de Gazanen!! De bijbehorende melodie bestaat uit drie delen: deel 1 de oorlog waarin het lijden van de mensen wordt afgebeeld (voor zover dat alleen met geluid kan worden gedaan) deel 2 de baby/leven in Gaza elke dag nog steeds deel 3 de conclusie naar een klassiek gespeeld einde dat eindigt met "de hoop dat het altijd goed zal aflopen" een majeur akkoord.

Life in Gaza 250819

same love (lovely piano)

Legacy Broken is a cinematic orchestral concept album that explores the psychological weight of legacy, family, and emotional silence. Blending restrained elegance with hypnotic minimalism, each track unfolds like a room in a haunted memory palace—echoes of conversations, legal inheritances, betrayals, and unresolved grief.

Muted strings, fractured piano motifs, trembling horns, and emotionally conflicted harmonic structures form a sonic language of unspoken tension and decaying tradition. The arrangements resist resolution, allowing silence, repetition, and space to carry as much meaning as melody.

This album is not just a score — it’s a portrait of inheritance, power, and the long shadows of memory. The finale song "Inheritance of Silence" concludes with a vocalized song about empty love, wealth and social responsibility. 

13. Time Gut Punches

Recorded live at the Arlene Schnitzer Concert Hall in Portland, Oregon on April 9-11, 2016

Carlos Kalmar, conductor

Felix Mendelssohn: Overture to A Midsummer Night's Dream

J.S. Bach French Suite # 5 in G major, Allemande

Federico Mompou Cancion y Danza # 6

Frédéric Chopin Nocturne in F minor, Op. 55 No. 1

Frédéric Chopin Nocturne in F minor, Op. 55 No. 1

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

European Melodies

Andante Spianato et Grande Polonaise Brillante in E-Flat Major, Op. 22

Chopin - Andante spianato et grande polonaise brillante in E-flat major, Op. 22 (Live)

Chicago Symphony Orchestra
John Storgårds, conductor

Tchaikovsky Symphony No 4 in F Minor, Op. 36 (December 2019)

Solare unifies in his person -and his esthetic- diverse tensions: contemporary music and tango argentino, South and North, composition and performance... The stylistic elements of his musical Oeuvre include a tendency to aphoristic, a quote of unbribable melancholy, a dose of irony and humor (related to the surrealistic absurd), and an aspiration towards sublimity. Solare considers that art music and light music are not irreconcilable extremes, but poles in a force field, and moves himself comfortably between both points with a very personal "musical bilingualism". In Solare's Work, these differences can -may- coexist without contradictions. 

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Chopin: 24 Preludes, Op. 28: No. 4 in E Minor

Juan Maria Solare

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