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Can't Do Without You (Tale Of Us & Mano Le Tough Remix) is available on all digital stores now.

iTunes: http://smarturl.it/cdwytou_itunes
Beatport: www.beatport.com/artist/caribou/37805
Bleep: https://bleep.com/release/54111-caribou-cant-do-without-you-tale-of-us-mano-le-tough-remix
Boomkat: http://boomkat.com/downloads/1100905-caribou-can-t-do-without-you-tale-of-us-mano-le-tough-remix

Original version appears on the Caribou album 'Our Love'
out on City Slang Oct 4th in Germany and Oct 6th in the UK/EU and on Merge Oct 7th in Canada and the United States.


Photograph by Jason Evans.


Buy on Beatport

Caribou - Can't Do Without You (Tale Of Us & Mano Le Tough Remix)

Guy J's Lost & Found is riding high in 2015 with its flow of exceptional releases that now continue with a bumper package of remix interpretations of some of the standout tracks from Guy Mantzur & Sahar Z's critically acclaimed "Time" album - a stunning audio journey, so distinctly special that it has captivated audiences on a global scale, breaking through simplistic genre boundaries and uniting people through its exploration of the psyche of modern electronic dance music. The super-talented Italian trio of Andrea Di Ceglie, Fedele Ladisa and Luigi Tutolo (aka Agents Of Time) open proceedings here, with their interpretation of "Small Heart Attack". These purveyors of an ever evolving sound - a fusion of strong elements that flags up electronic, progressive, techno and ambient influences - are on exceptionally fine form, creating a deeply brooding, melancholic remix. "Survivors Guilt" is given a new school techno treatment by Ramon Tapia as he blends the slower, sexier sounds of the contemporary vibe with his deep understanding of the genre from the past few decades. With tinges of his Latin background influencing percussive elements and his Dutch/Belgian heritage providing the basis for his hard-grooving template, his sound is one of the freshest of recent years. Guy J's work is always touched with a magic and emotion that few rival and his remix of "Small Heart Attack" is yet another example of why his productions are so special. Sensual beauty flows seemingly effortlessly into an enthrallingly hypnotic, ever-blossoming journey, as his interpretation weaves its slow-build seductive spell. Robert Babicz stands tall as one of only a handful of distinctive artists who are bold enough to breathe life into their productions with true emotion. His creations display a level of honesty and soul that sets them apart from so much of today's here-today-gone-tomorrow disposable music - the mark of a true musical innovator. Here, he reveals his talent and skill as one of Europe's most essential techno producers, with a stunning remix of "Our Foggy Trips" - its soaring, pulsating, angelic beauty is a true wonder to behold and the perfect finale for this exceptionally creative remix EP.

Connect with Agents Of Time:

Website: http://www.agentsoftime.com/
Twitter: http://twitter.com/AgentsOfTime
ResidentAdvisor: http://www.residentadvisor.net/dj/agentsoftime
SoundCloud: http://soundcloud.com/agents-of-time

Beatport

Guy Mantuzur & Sahar Z - Small Heart Attack (Agents Of Time Reinterpretation)

https://alexsmoke.bandcamp.com/album/dire-need-tale-of-us-remixes

Alex Smoke - Dire Need (Tale Of Us Rmx)

Lewis Capaldi - Bruises (Felix Wehden Bootleg) Free Download !

fabric 97
http://smarturl.it/fabric97_preorder

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Five years ago today our debut EP 'Atlant' was released on Life and Death. To mark the anniversary and to thank all of you for such an incredible and ongoing support since then, we decided to rework the title track and give it away for free on our Soundcloud. Follow the link and enjoy.

Mind Against - Atlant (Five Years Anniversary / Alternate Mix)

King Randor

King Randor (Original Mix)

Bjarki & Nina Kraviz - Cookie And Sexy Beat Snipet

Veerus makes his Drumcode debut, after an impressive contribution to Truesoul’s VA EP in 2017.

The Italian has built up an impressive discography over the last decade, dropping records on labels including Terminal M, Octopus, Filth on Acid and his own Le Club imprint. His collaborative with Maxie Devine ‘My Train’ was a highlight of Solomun’s classic Boiler Room in Tulum, which has clocked 37 million views. In late 2017 he linked up with Brits OC & Verde for the fantastic ‘Naaki’ that featured on Truesoul’s first Various Artists EP, ensuring he was an artist well and truly in Adam Beyer’s sights. 

His maiden outing for Drumcode mines 20 years of history, taking inspiration from classic trance and acid from the ‘90s, which he distils to create powerful modern techno works. ‘Hypnosis’ was a huge highlight of Beyer’s Awakenings show at Gashouder during ADE. It’s characterised by an engrossing call-and-response dynamic Veerus builds between the 303 acid warbles and the melodic stabs that run throughout. A track custom made for big moments.  ‘Apocalypse’, like its name, is more menacing. Veerus constructs the work to mimic the dramatic theatre of a gladiatorial scene in a film, as heart-fluttering chord progressions, a piercing synth line and dystopian melody mark this memorable track.

Buy all

Veerus - Hypnosis - Drumcode - DC203

Monophase - Fears (Original Mix)

It's been almost precisely a year since Jonathan Kaspar debuted on André Hommen's These Eyes imprint with his well-respected "Panem EP". Now he's back with yet another outstanding two-track release.

A-side "Villose", already on high rotation throughout the summer, comes with a heavy synth-line and paired up extra-ordinary sounds and breaks. Whilst the slightly more restrained B-side, "Pavid" pairs perfectly with the earlier or later hours through the night.

In the midst of a crazy summer touring schedule including all kinds of festival dates and on the cusp of a Kompakt debut forthcoming shortly, Jonathan Kaspar has clearly made massive strides since the last EP. We are more than thrilled to welcome him back to These Eyes for his second EP.

Jonathan Kaspar - Pavid (Snippet)

My intention with the remix was to create a powerful, more playable, but still elaborated version of Christians sublime work. It was important for me to preserve the apodictic flow of the original track, its antagonistic character with its silent, overflowing breaks.

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Juan Sandller