Conductor: Cornelia Zambila

Pianoforte: Thomas Waelbroeck
Positive Organ: Pablo Lascano
Harpsichord: Veera Voordeckers

Oboe 1: Olivier Lalau
Oboe 2: Thiago Alvino
Violin I: Delphine Gros
Violin Ii: Enesh Dzhanykova 
Viola: Fernando Rosa de Almeida 
Cello: Sanna Gillerfors 
Double-Bass: Virgile Vienne

Students from the Conservatoire Royal de Bruxelles 

La Révélation de La Haye - Triple Concerto

Solo Baroque violin and Viola: Cornelia Zambila.

Violin I: Delphine Gros
Violin II: Enesh Dzhanykova
Viola: Fernando Rosa de Almeida
Cello: Sanna Gillerfors 
Harpsichord: Pablo Lascano

Students from the Conservatoire Royal de Bruxelles 

La Révélation de Bucarest - Violin/Viola Concerto

Choir Master: András Ványolós

Violin: Cornelia Zambila

Continuo: Mária Fülöp

János 1:1 - choir piece

Performed by Caecilia Concert on June 7th at the Royal Conservatoire The Hague

02. Nader Tot U

Premiered at Spring Festival 2014 Royal Conservatoire The Hague

Der Tod Und Elena

De gebroken stem

performed on Nov 10 2024 at Espace Toots @ Brussels

Erämaa Trio:

Cédric de Bruycker - Clarinet in Bb
Akiko Okawa - Viola
Quentin Meurisse - Piano

De gebroken stem

Juditha triumphans - Si fulgida per te

Piano Quartet

Piano Sonata

Midiblätter

Composed in October 2012. Performed at the KonCon on December 3rd 2012 in the frame of a speed date project with Slagwerk Den Haag. Juan Martinez at the Xylophone. Mastered by Tiago Morais Morgado.

Microconcerto for Xylophone

Mezzo-soprano: Veronique van der Meijden

Piano: Leo Svirsky

23-04-2013 Koninklijk Conservatorium

Los suicidas - Die Ewigkeit (Celan)

Mezzo-soprano: Veronique van der Meijden

Piano: Leo Svirsky

23-04-2013 Koninklijk Conservatorium - Den Haag

Los suicidas - To C. from C. (Pavese)

Composing music has always been my greatest ambition since I was a child in Patagonia, Argentina. I spent my entire childhood and adolescence composing unfinished works on paper and in midi format. Initially, I attempted unsuccessfully to focus on Economics in Buenos Aires.  This failure encouraged me to  devote to my private compsition studies with Daniel Montes and later with Lucas Fagin. The audible results of these endeavours are the pieces 'Requiem para Albertine' and 'Faster Than the Speed of Love'. In 2011, having become deeply frustrated by the amount of unperformed scores I had composed, I decided to further my studies at the Royal Conservatoire of The Hague, where I joined the Bachelor Composition programme. I studied there with Cornelis de Bondt, Peter Adriaansz and Calliope Tsoupaki.  I followed afterwards a Master in Music at the Royal Conservatoire of Antwerp, studying with Wim Henderickx and Luc van Hove. Since I began my studies in the Netherlands my focus as a composer has shifted towards tonal music. It is my goal to now create a personal language, deeply influenced not only by the composers I admire but also through my own musical memory.

I have had the opportunity to perform my music with professional ensembles such as Modelo62 and Slagwerk Den Haag as well as having worked with a group of highly talented students. Since June 2012 I have also been working as composer for the Netherlands-based theater and performance company "Medea73".
My ultimate goal in terms of my musical compositions is to create something so powerful that I am able to elicit similar feelings of enthrallment and love that I experience when listening to late Beethoven's and Bruckner's music, within myself, and hopefully, within members of my audience.

juanalbarracin84

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