romanticizing studying (classical playlist)

Chopin on Spotify
https://open.spotify.com/album/5RFPR9xUOAHPoTvuLMwqpC

Chopin Amazon
https://www.amazon.com/Chopin-Essential-Collection-Fr%C3%A9d%C3%A9ric/dp/B00KNTJ8YC/

Best of Chopin
https://us.napster.com/artist/frederic-chopin/album/chopin-the-essential-collection

Chopin Compilation
https://listen.tidal.com/album/30344018

Frederic Chopin
https://www.deezer.com/us/album/7857432

Best of Chopin Playlist
https://music.youtube.com/playlist?list=OLAK5uy_k3UamhvL2pVn3hfE7JS9dj-uWbv0ikr_o

Frédéric Chopin - Nocturnes - BINAURAL 3D SOUND - MUSIC THERAPY

Frédéric Chopin - Nocturne in E flat major, Op. 9 No. 2 - à Madame Marie Pleyel (BINAURAL 3D SOUND - MUSIC THERAPY)

Deezer

Socrate - Messe Des Pauvres - Poulenc Piano Pieces

Gymnopedie No 1

Napster

this sound is for non-profit only on my behalf

austin farwell - new home (slowed)

Prélude d'une nuit d'automne

Morning Walk

cottagecore

teatime at the cottage

Dark Academia

Old Letter

Cordelia

Simplicity

Dreaming of Paradise

Digital Piano: KAWAI CA9500GP. 442hz, Loudness
Home Recording: ZOOM h1nvp 48k 16bit wav

Link
No. 1. Aubade
https://soundcloud.com/pulchraflow/louis-vierne-aubade-suite-bourguignonne-op17-no-1   
No. 2. Idylle 
https://soundcloud.com/pulchraflow/louis-vierne-idylle-suite-bourguignonne-op17-no-2
No.3  Divertissement
https://soundcloud.com/pulchraflow/louis-vierne-divertissement-suite-bourguignonne-op17-no3
No.4  Légende bourguignonne
https://soundcloud.com/pulchraflow/louis-vierne-legende-bourguignonne-suite-bourguignonne-op17-no4
No.5  A l'Angelus du Soir
https://soundcloud.com/pulchraflow/louis-vierne-a-langelus-du-soir-suite-bourguignonne-op17-no5
No. 6. Danse rustique 
https://soundcloud.com/pulchraflow/louis-vierne-danse-rustique-suite-bourguignonne-op17-no-6
No. 7. Clair de Lune 
https://soundcloud.com/pulchraflow/louis-vierne-clair-de-lune-suite-bourguignonne-op17-no-7


blog link
https://pulchraflow.blogspot.com/2025/11/louis-vierne-suite-bourguignonne-op17.html
artwork
https://pixabay.com/photos/leaves-stream-water-rocks-stones-5353592/

Louis Vierne: Divertissement, Suite bourguignonne, Op.17 No.3, ルイ・ヴィエルヌ ブルゴーニュ組曲 ディヴェルティメント

The French composer Gabriel Fauré (1845–1924) wrote in many genres, including songs, chamber music, orchestral pieces, and choral works. His compositions for piano, written between the 1860s and the 1920s, include some of his best known works.

Fauré's major sets of piano works are thirteen nocturnes, thirteen barcarolles, six impromptus, and four valses-caprices. These sets were composed during several decades in his long career, and display the change in his style from uncomplicated youthful charm to a final enigmatic, but sometimes fiery introspection, by way of a turbulent period in his middle years. His other notable piano pieces, including shorter works, or collections composed or published as a set, are Romances sans paroles, Ballade in F♯ major, Mazurka in B♭ major, Thème et variations in C♯ major, and Huit pièces brèves. For piano duet, Fauré composed the Dolly Suite and, together with his friend and former pupil André Messager, an exuberant parody of Wagner in the short suite Souvenirs de Bayreuth.

Much of Fauré's piano music is difficult to play, but is rarely virtuosic in style. The composer disliked showy display, and the predominant characteristic of his piano music is a classical restraint and understatement.
[Wikipedia]

BARCAROLLE. Op.26

Holly Roadfeldt - Piano

Hommage a Mandy Morris (1980-2002) – Amanda Akers Morris was, put quite simply, my first love. I met her when I was an undergraduate at the University of Texas, and I was fascinated by her from the start. She was a very talented singer, but also an artist and poet. She possessed an insatiable curiosity and felt things deeply. Tragically, in 2002 while auditioning in NY for graduate school, she was struck by a vehicle and lost her life. To say that all of this changed me fundamentally as a person would be an understatement. I was confronted by true loss and true grief for the first time in my life, and it would be years before I really fully recovered from it – well, as “fully” as is possible. 

At Mandy’s funeral, her mother gave me a CD labeled “For our Tony.” It was a series of recordings that Mandy had made of songs that she had written - just her in a practice room playing piano and singing. Some were complete songs, but others were just fragments of ideas. It was one of these unfinished fragments that I latched onto to build this Hommage.


Cordelia

Juan Arenosa

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