Aтмос

Magic Malik

LUCIA BOFFO….. VOZ
LEONEL DE FRANCISCO …..TROMPETA
JUAN TORRES…SAXO
GUIDO NOGUEIRA ….GUITARRA
HITALO COELLO….PIANO
LEO PAEZ….CONTRABAJO
DANILO ABAD CELLERI…….BATERIA-PERCUSION

CUATROCIENTOS SIN CUENCA

released 01  february 2014 
Produced by Soko

Soko: Flute, duduk, rhodes, piano, hammond, bass, kaoss pad, voice and FX's
Leo Fucci: Sequenced drum, bass on "Improvisación sobre la vida en los bosques"

Artwork: Tzakol - http://tzakol.deviantart.com/

Thanks to Mario Benedetti for the poem "Desaparecidos" 
 
Están en algún sitio / concertados
desconcertados / sordos
buscándose / buscándonos
bloqueados por los signos y las dudas
contemplando las verjas de las plazas
los timbres de las puertas / las viejas azoteas
ordenando sus sueños sus olvidos
quizá convalecientes de su muerte privada

nadie les ha explicado con certeza
si ya se fueron o si no
si son pancartas o temblores
sobrevivientes o responsos

ven pasar árboles y pájaros
e ignoran a qué sombra pertenecen

cuando empezaron a desaparecer
hace tres cinco siete ceremonias
a desaparecer como sin sangre
como sin rostro y sin motivo
vieron por la ventana de su ausencia
lo que quedaba atrás / ese andamiaje
de abrazos cielo y humo

cuando empezaron a desaparecer
como el oasis en los espejismos
a desaparecer sin últimas palabras
tenían en sus manos los trocitos
de cosas que querían

están en algún sitio / nube o tumba
están en algún sitio / estoy seguro
allá en el sur del alma
es posible que hayan extraviado la brújula
y hoy vaguen preguntando preguntando
dónde carajo queda el buen amor
porque vienen del odio.


Todos los segundos del ultimo minuto

Composición del Músico Cuencano Freddy Abad, interpretada por el Cuarteto.
Danilo Abad: Bateria
Hitalo Coello: Piano
Fabian Martin: Contrabajo
Juanpa Naula: Guitarra


Ausencias

For Critter

Stone Cross

This is not from my forthcoming album, just some things on my mind.
Photo by Robert Mapplethorpe.

Lyrics.
frustration and depression breaks me down
descending like they wanted underground
the further our journey the less you care
that's why you laugh at Kanye when he's talking in a chair
but the same conversation but replaced,
is good enough for laughs or a smile on your face,
happy to be singing all our songs to survive,
but when we need help, you don't get off til 5. 
it's powerful to feel so alone in a group

let me break this down for you and tell you how we feel again,
your fear is all you hold on to, so when you see me it's not fair
i have nothing left to give when you don't notice what is wrong,
Charleston left me broken down but it's just another day to you

i ain't got nothing left to give you
and i'm too tired, to even talk about it
while watching the fire,

tasting pain coming from a place of truth 

to be another in a messy world
to feel like giving in another turn?
you wouldn't listen if i told you

so how can i become anyone?

Written, arranged & produced by Devonté Hynes.

Devonté Hynes - Piano, Voice, Wurlitzer, Synths, Bass, Percussion, Drums.
Voicemail from Talwst (http://talwst.com)
Chris Egan - Drums from 6:13 onwards
Ava Raiin - Vocals
Samantha Urbani - Vocals

Do You See My Skin Through The Flames?

World’s Fair. Julian Lage’s first solo guitar album, is so spontaneous and intimate in feel it’s as if this prodigious guitarist had just arrived in your living room, picked up his vintage Martin, and simply started to play.

“I always had a fantasy about doing a solo guitar project, “ Lage explains, “especially one that highlighted various orchestrational aspects of guitar playing and guitar techniques, drawing from the structure of the three to four minute song, pieces that did not depend as much on improvisation but on moods, or musical attitudes. When I started recording, I discovered what a rare opportunity this was for me to recalibrate my senses to one instrument and within that recalibration learn to savor the vast world of intimacy and nuance, both qualities so inherent to the guitar.”

While conceiving of and recording World’s Fair, Lage was inspired by the orchestral approach to the guitar of the great Andres Segovia and by the music of the early 20th Century, of “jazz before be-bop. He found a similarly unbound spirit in the early seventies work of singer-songwriters like Randy Newman, who managed to incorporate a sophisticated range of ideas into the concise pop-song format. He was drawn, in other words, to sounds that were both challenging and pleasing -- work, much like his own, that defies easy categorization.

As the New York Times has put it, the 26 year-old Lage is a an artist whose roots are “tangled in jazz, folk, classical and country music.” A child guitar prodigy, he was the subject of the 1997 Oscar-nominated documentary short, Jules at 8.; he made his first recording, with David Grisman, at the age of 11. His first recording as a leader, 2009’s Sounding Point, garnered a Grammy nomination as Best Contemporary Jazz Album. Up to now, collaboration has been essential to Lage’s process; he has toured and/or recorded with such artists as Gary Burton, Nels Cline, Fred Hersch, and Jim Hall, who was a major influence on the young Lage. His most recent project is Room, a live-in-the-studio exchange with experimental guitarist Cline. Earlier this year, he released Avalon, a duo recording with fellow guitarist Chris “Critter” Eldridge (of Punch Brothers) that surveyed the American Songbook with an easygoing virtuosity.

World’s Fair, co-produced by Matt Munisteri and engineered by Armand Hirsch, sets up a new sort of relationship between Lage and his audience, as about as one-on-one as a musician can get without physically being there. Says Lage, “Here are twelve songs that represent this opening into my world, a musical and personal aesthetic I haven’t yet had the opportunity to express in full on record. This music, these explorations, this overarching narrative -- taken together, they represent one of my long times dreams, to create music for one guitar, played by one person, for you.”

- Michael Hill
credits
released February 3, 2015

Produced by Matt Munisteri and Julian Lage
Engineered and Mixed by Armand Hirsch
Assistant Engineered by Teddy Tuthill
Mastered by Dan Millice at The Engine Room
Design: Matt Pfahlert for www.thesilentp.com

Recorded June 16-17, 2014 at Sear Sound in New York City, with the exception of "Double Stops" and "Where or When" which were recorded March 19, 2014 at Echo Mountain in Asheville, NC with Assistant Engineer, Jon Ashley. Mixed at Sterling Studios in NYC. 

Lullaby

Double Stops

Ryland

Lovers

Beautiful Love

Solos: 
Juan Cruz de Urquiza - tpt
Daniel Kovacich - cl

Dirección, adaptación y arreglo:
Daniel Camelo

Grabación en vivo:
Walter Morena

"Boo-dah" (Comp. Billy Strayhorn / Arr. & Adap. Daniel Camelo) by Boris Big Band

Travesía

Atahualpa

No Te Olvidaré

Santiago Costanza - Tpt
Bernardo Monk - Alt
Camila Nebbia - Ten
Martín Pantyrer - Bari (solo)
Daniel Camelo - guit & arr
Andrés Dulcet - bass (solo)
Ezequiel "Chino" Piazza - dr (solo)
Walter Morena - sonido, grabación y mezcla

Ausencias

Juanpa Naula

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