Music for Advent/Christmas

Here is an inventive and stirring setting of the Christmas carol "O Come, O Come, Emmanuel" (VENI EMMANUEL) for SATB choir with optional strings. The choral edition is available in either English or Latin. Composed in a Neo-Renaissance style, it sets all seven verses modulating into four keys while passing the melody from voice to voice before concluding with sudden and surprising key changes that lead to a powerful cadence on the altered note of the Picardy third. It may be performed a capella, with keyboard, or with instruments. The instrumental parts are published separately as Fantasia on "O Come, O Come Emmanuel" in the following editions: String Quartet, String Ensemble/Orchestra, and Woodwind Quintet. This motet is the first of Three Motets on Latin Christmas Hymns. The other two motets are "Of the Father’s Love Begotten" (CORDE NATUS EX PARENTIS) and "O Come, All Ye Faithful" (ADESTE FIDELIS), both available in English or Latin. For more music and information visit www.jubalslyre.com/music.

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O Come, O Come, Emmanuel (SATBdiv and/or Strings) - Martin Dicke

This setting of "Of the Father's Love Begotten" is the second of Two Motets on Latin Christmas Hymns dedicated to the American Kantorei of St. Louis, Missouri and their founder the Rev. Robert Bergt. Musically, this setting intertwines two manifestations of the God incarnate: that which occurred with the birth of Christ and that which happens every time believers celebrate the Sacrament of Holy Communion. The primary textual and musical element is the ancient and beloved Christmas hymn “Of the Father’s Love Begotten.” This hymn is accompanied by an ostinato chant on the text "Divininum mysterium" ("Divine mystery"), which is the name given to the tune. The tune name comes from the first two words of the tune’s original text, a Sanctus trope that in the early church would have been sung during the celebration of Holy Communion. This motet is available in both an English and a Latin version.

Review Copy:
http://jubalslyre.com/wp-content/uploads/2013/02/Dicke-Of-the-Fathers-Love-Begotten-Latin-WebReviewCopy.pdf

Of The Father's Love Begotten (SATBdiv) - Martin Dicke

Originally composed for piano, this setting of the tune FREU DICH SEHR by Robert Schumann has been arranged for a three-octave handbell choir. It is an easy Level 1 setting that may also be played by tone chimes. The tune is often sung to the Advent text "Comfort, Comfort Ye My People" or to "Praise to You and Adoration." it was first published as No. 4 in Schumann's Album for the Young, Op. 68. Arrangements are also available for four or five-octave handbell choirs. For more music and information visit www.jubalslyre.com/music.

Chorale (3-Octave Handbell Choir) - Robert Schumann

Ding Dong! Merrily On High (SATB with 3 Octave Handbell Choir) - Martin Dicke

An original setting of the Advent hymn "Savior of the Nations, Come" (NUN KOMM, DER HEIDEN HEILAND) is combined here with arrangements of two chorale harmonizations of the hymn by Bach. Together they provide a time for thoughtful introspection on the true meaning of Christmas. The arrangements can be played on piano or harp. This publication is part of the series CAROLS FOR PIANO that contains more Bach chorales and other original and delightful settings and arrangements for your Christmas celebrations, recitals, or worship services. For more music and information, visit www.jubalslyre.com/music.

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Savior Of The Nations, Come (Carols For Harp) - Martin Dicke

Here is a serene. joyful, and triumphant setting of the Christmas carol "O Come, All Ye Faithful" (ADESTE FIDELIS) for SATB choir with optional strings. The choral edition is available in either English or Latin. The work may also be played by stings alone (String Quartet, String Ensemble, or String Orchestra). The first verse is taken from an arrangement by 19th century composer Samuel Webbe (1740-1816). The other stanzas are original. The choral version begins with a soloist inviting the faithful to join a great, joyful, and triumphal procession to Bethlehem. The full choir joins by repeating the last part of first stanza, a lost tradition that is evident in early hymnals and arrangements of this carol. In successive stanzas, each voice part takes a turn leading the joyous procession by singing the melody. Pivot modulations, interesting harmonies, soaring descants, and unique vocal textures characterize this arrangement. It will move both performers and audiences alike. This motet is the first of Three Motets on Latin Christmas Hymns. The other two motets are "O Come, O Come, Emmanuel" (VENI EMMANUEL) and "Of the Father’s Love Begotten" (CORDE NATUS EX PARENTIS), both available in English or Latin. For more music and information visit www.jubalslyre.com/music.

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O Come, All Ye Faithful (SATB and/or Strings) - Martin Dicke

This short setting of the tune CONSOLATION was originally composed for the Advent hymn "The King Shall Come When Morning Dawns," but it can also be used with the hymn "What Hope An Eden Prophesied." Featuring an ostinato and quasi-canon at the fourth, it is a great piece for featuring the contrasting solo stops on any organ.  For more music and information, visit www.jubalslyre.com/music.

The King Shall Come When Morning Dawns (Hymn Intonation) - Martin Dicke

This energetic and imaginative setting the Advent hymn "Hark the Glad Sound" (CHESTERFIELD) uses the first four notes of the hymn as the inspiration for a Trumpet Tune that is interspersed between statements of the hymn. It can be used to introduce the singing of the hymn or as service music. Congregation and audiences will delight in the majesty and excitement it generates. Organ students will find it to be a worthy but rewarding challenge. For more music and information, visit www.jubalslyre.com/music.

Hark the Glad Sound (Hymn Prelude) - Martin Dicke

Helping musicians to "Join the Eternal Song."

Music for Advent/Christmas

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