This is a pretty good song but the two lines where the kids chant "Ate, kuya, unsa ning maoya" and the other one ruins it for me. It's a bit cringe worthy. Can you please do a remake without those two lines? It would make a world of difference.

kasayang, di ko kadownload :((( mayor gyud ni bah 

"Magsige ra tag hatag bisag wa gyud tay madawat. Sige tanga nako, tanga nako, tanga nako." Mao ni gi.ingon na unconditional ang gugma. Pero nganong single pman japon ko hantod ron? ahahaha  ^_^

75  ang pagibig kong ito - sheryn regis

Bumuhos Man Ang Ulan - Jericho Rosales - Green Rose OST FULL STUDIO VERSION

"Song of the Open Road" is a poem by Walt Whitman from his 1856 collection “Leaves of Grass”. It has 15 sections, each with 3-4 stanzas. For the lyrics of the song that I have composed, I have chosen the most famous of these sections, which is the first. At the end of this introduction I have attached the lyrics of this section.

The intention has been to compose a small song to continue delving into the use of the singing voice synthesis software, Vocaloid. Since this software only sings in the English language (which is not one of my usual languages) I thought that it might be interesting to use a poem by an author of that language as a text and I decided on this American poet.

On the other hand, the most important issue in the harmonic-melodic aspect has been that I have considered it as an exercise in Modal Harmony. I have used a different mode for each of the stanzas of the poem and in this order: Phrygian, Dorian, Mixolydian and Lydian. It is an order that fulfills the elementary principle of going from less to more musical "brightness." I have also dispensed with the Ionian and Aeolian modes to get away from the tonal environment and enhance the modal color. In the use of each of these modes I have introduced a "strange" note, that is, it does not belong to the scale of the mode. In all cases this note is the one that corresponds to a semitone lower than the base note of the scale of the mode; it is also located in the last position of the melody of each stanza, closing it and coincides with the first note of the following stanza, but in this case it is not strange, on the contrary, it coincides with the characteristic note of the new mode. This is the way the different modes are chained together.

I attach the lyrics of the poem to facilitate your understanding: 


Song of the Open Road

Afoot and light hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.

Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.

The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.

(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I go,
I swear it is impossible for me to get rid of them,
I am fill’d with them, and I will fill them in return.)




Esta introducción en castellano:
https://drive.google.com/file/d/1OqX5rUbuEkHBFP8MlUnpJfH2LaJIynP9/view?usp=sharing

Aquesta introducció en català:
https://drive.google.com/file/d/1fKxXa2Ms5qZES9MdmYOnRT3894_cdC2r/view?usp=sharing

Song Of The Open Road

Vispop 3.0 Finalist No. 5: PANGANDOY
Words and music by John Stephen Cadelina and Irving Ladanan Guazon
Performed by Daryl Leong

Vispop 3.0 - 05 Pangandoy

Vispop 3.0 Finalist No. 3: BUWAG BALIK
Words and music by Lourdes May Maglinte
Performed by Lourdes May Maglinte

Vispop 3.0 - 03 Buwag Balik

Move On Na by: Celine Carpenter (One Last Time Bisaya Version)

Move On Na By - Celine Carpenter (One Last Time Bisaya Version)

ANG PINAKA-MAOY'NG KRISMAS SONG
Written by Jude Gitamondoc and Rowell Ucat aka Medyo Maldito
Piano arranged and performed by Jude Gitamondoc
Guitars arranged and performed by Henrick James Pestaño
Caroler's chant by Wylfred Lhaz Nadela, Kie Zyhra Nadela and John Anthony Joacquim Calo 
Recorded and mixed by Jad Bantug at 1032 Recording Studios
Produced by Jude Gitamondoc

Wala man unta'y snow
Nganong pagkabugnaw ba's gibati ko
Dili ba siguro
Wa pa ko ka-move on nimo?

Wala man unta'y Santa Claus
Nganong naghuwat pa man gihapon ko
Nga ikaw mahimong
Akong Krismas wish come true

Sige, tanga na ko
Tanga na ko
Kung forever mong duha
Forever sad ba kong matulog?
Pukawa na lang ko...

Kini na sigurong
Pinakamaoy'ng Krismas song
Kung ikaw susama namo
Won't you come and sing along
Maayong past ko sa tanan
Magbag-ong tuig na nalang
Maoy lang gihapon
Unta sugod karon
Magdungan ta'g move on

Disyembre na man unta
Pero ikaw ra gihapon Agusto ko
Unta simbang gabi pud ko
Aron kompletohon nimo

Woah, mag exchange gifts unta ta
Imoha na ko ug akoa ka
Magsige ra ta'g hatag
Bisag wa gyud tay madawat

Sige, tanga na ko
Tanga na ko
Tanga na ko
Kung way forever
Og forever sad kong magpaabot
Di ba forever man sad na

Kini na sigurong
Pinakamaoy'ng Krismas song
Kung ikaw susama namo
Won't you come and sing along
Maayong past ko sa tanan
Magbag-ong tuig na nalang
Maoy lang gihapon
Unta sugod karon
Magdungan ta'g move on

Woah, woah…
(Ate, kuya, unsa ning maoya)
Woah, woah…
(Dili s'ya isnatcher ug di s'ya kawatan)
Apan iyang gikawat akong kasingkasing
HAHAHAHasula, join us as we sing
Unsaon ba pag-let go sa tanang
Wala nimo makuptan...

Kini na sigurong
Pinakamaoy'ng Krismas song
Kung ikaw susama namo
Won't you come and sing along
Maayong past ko sa tanan
Magbag-ong tuig na nalang
Maoy lang gihapon
Siya lang gihapon
Ang akong wish unta sugod karon
Magdungan ta'g move on

Kini na sigurong
Pinaka-maoy'ng Krismas song…

Kurt Fick and Jacqueline Chang - Ang Pinakamaoy'ng Krismas Song

Agot Isidro - Iisa pa lamang

Ronnie Liang - Nag-iisang Ikaw

BISAN PA - Music by Jude Gitamondoc Words by Jude Gitamondoc and Eugene Tan. Performed by Raki Vega
For mor info about VISPOP, www.artistko.com/vispop 

Bisan Pa - Raki Vega (For VisPop)

It Takes A Man And A Woman - Sarah Geronimo

JUDE GITAMONDOC is a multi-awarded songwriter. He has bagged the top prizes in many songwriting contests, among which are the 1st, 3rd and 5th Venerable Master Hsin Yun Songwriting Contest held in Taiwan, the Dream Songwriting Competition conducted by ABS-CBN Broadcasting Corporation and the highly prestigious Cebu Popular Music Festival, wherein he garnered both the Grand and Second Prizes for his songs "Pasaylo-a Ako" and "Bisan Pa" all in the same year.

His professional songwriting career made a remarkable debut in 2006 when five of his songs were recorded by Mr. "Pure Energy" Gary Valenciano, and released in his album "Relevance" under Universal Records, his song "Wait Forever" being the carrier single of the album. The second single of the album, "In Another Lifetime," likewise became the theme song of the movie "Eternity," produced and released under GMA Films. Last 2007, the same track bagged for him his first Awit Award, winning in the Best Ballad category. Since then, many his songs have been recorded by some of the country's top entertainers, among whom are Erik Santos, Juris, Ariel Rivera, Rachel Alejandro, KC Concepcion, Piolo Pascual, Toni Gonzaga, Gretchen Espina, Aljur Abrenica, Chad Peralta and Raki Vega.

His body of work likewise includes musicals (Siddhartha, Zephyrin, Song Of Bernadette, etc.), product/event jingles (Casino Rubbing Alcohol, Happy Booster Hotdog, the Mantawi Festival Theme Song, etc.), and even wedding songs.

Currently, he continues to write and produce songs for a number of OPM artists while giving songwriting and creative thinking workshops on the side.

Kurt Fick and Jacqueline Chang - Ang Pinakamaoy'ng Krismas Song

Jude Gitamondoc

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