"Hearing how other artists evolve material I created three years ago is a truly unique experience. In a way, it feels like what should happen with art: it continues, evolves, and finds new directions. The remixes reveal a beautiful diversity in production approaches. Interestingly, most of them lean towards a clubbier sound, which contrasts with the more atmospheric character of the originals — something I find fascinating. I’m deeply grateful to have artists I admire so much expanding on my vision."
— Chewlie
credits
released July 24, 2025

Original tracks written and produced by Julia Häller
Spring features vocals from Julie Valmond
Remixed by @b_mcqueen, @alanjohnsonmusic, @juicy_chewlie, @janloup, @fearful x Mtwn, @circular_square, @yotahh, @djstrawberrymusic, @granul
Mastered by Precise
Set free into the wild by @yukumusic

Creature (Remixed) {YUKU}

Listen to 'Run Thru' by Dedman taken from VA 'Sounds From The Block' out on October 31st via Flatblock Audio

"Vol.1 sets the standard of whats to come in the near future from Flatblock Audio as a brand new, organic and home grown grime label both sonically, thematically and also what is to come from the artists that the label represents.

Showcasing that there is a new wave of sounds coming from the genre and that grime indeed does have longevity within the underground music space

We have welcomed both new and seasoned artists in onto this compilation from names such as C-Rank, KOROstyle & Moscow Legend who have all had massive acclaim and support from DJ's such as Slimzee, Spooky Bizzle, Sir Spyro & More, and have also featured on pioneering labels such as Slimzos Recordings

All the way over to some of the freshest names on the block like DES0 who just released an incredible project via our friends in Jah Tek, and Humph who has seen great success after becoming a fan favourite on DJ Big Mikee's DJ Edition of prizefighter.

All together we have made inclusivity, versatility and variety our biggest aims as a label, and we feel this debut compilation incapsulates it very well"

Links:
Dedman
https://soundcloud.com/dedmandnb
https://www.instagram.com/dedmansounduk
Flatblock Audio
https://soundcloud.com/flatblockaudio
www.instagram.com/flatblockaudio
https://linktr.ee/flatblockaudio


flatblock audio sc

Dedman - Run Thru (Flatblock Audio)

SFX 5 YRS, a collective release and sample pack for Palestine

Each purchase on Bandcamp also unlocks an exclusive pack of 30+ samples rendered directly from the tracks — fragments of the compilation ready to play with.

From experimental bass music, lush sound design that will throw you on the wall, irreplaceable warm ghetto house energy, nerdy syncopated additive synth sounds, intimate analog dub sounds, holistic and dreamy footwork, downtempo hip hop jams made with four hands on a mobile phone in Armenia, and beatbox vocals encountering rollercoaster club-ready slammer. Here's a large panel of styles by producers from all around the world.

50% of proceeds will go towards Network for Palestine, a grassroots network of Cairo mothers helping displaced Gazan families.

Mastered by Nima Aghiani
Artwork by Ludwig Wandinger
Curated by Zoë Mc Pherson

Buy
https://sfx-space.bandcamp.com/album/sfx-5-yrs-comp-sample-pack-sfx11
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Marie Tjong Ayong - future mary in good company

'Aorta' by I7HVN for Yuku's 5th Anniverary Compilation

Yuku 5th Anniversary

I7HVN - Aorta [YUKU 5TH ANNIVERSARY]

"Hearing how other artists evolve material I created three years ago is a truly unique experience. In a way, it feels like what should happen with art: it continues, evolves, and finds new directions. The remixes reveal a beautiful diversity in production approaches. Interestingly, most of them lean towards a clubbier sound, which contrasts with the more atmospheric character of the originals — something I find fascinating. I’m deeply grateful to have artists I admire so much expanding on my vision."
— Chewlie
credits
released July 24, 2025

Original tracks written and produced by Julia Häller
Spring features vocals from Julie Valmond
Remixed by @b_mcqueen, @alanjohnsonmusic, @juicy_chewlie, @janloup, @fearful x Mtwn, @circular_square, @yotahh, @djstrawberrymusic, @granul
Mastered by Precise
Set free into the wild by YUKU

Am Berg (Fearful & Mtwn Remix)

5 Twigs (VIP Root Mix)

Die Berge, Sie Schweigen (Alan Johnson Sunder Remix)

Alpine (Jan Loup Eternal Frontline Mix)

Die Berge, Sie Schweigen (B. McQueen Remix)

Listen to "Tester" by Nangdo & GEEGEE taken from "Kotti Ballet EP" out on November 14th via Ten Toes Turbo

This is a collab between german producers Nangdo (releasing new music after long hiatus) and GEEGEE where they create straight juke aesthetic EP

Links:
Nangdo
https://soundcloud.com/nangdo
https://nangdo.bandcamp.com
https://www.instagram.com/nangdo_
GEEGEE
https://soundcloud.com/gee_gee_91
https://www.instagram.com/i.geegee
Ten Toes Turbo
https://soundcloud.com/tentoesturbo
https://tentoesturbo.bandcamp.com
https://www.instagram.com/tentoesturbo

ten toes turbo bc

Nangdo, GEEGEE - Tester (Ten Toes Turbo)

Hypnotic and futuristic techno rubs shoulders with rolling jungle and heads-down bass music on Shapes, the latest V.A. from Of Paradise. An immersive collection of textural explorations and rhythmic experiments, Shapes unites an assemblage of new and existing label artists, each one brimming with freakish levels of talent.

Featuring immaculate new cuts from How Du, Pod & Danimoto, Stave & Karim Maas, Synkro, Mercy System, Tano, Silent Era, and Jan Loup & Trois-Quarts Taxi System, Shapes is an immersive trip through captivating and distinctive soundscapes from a collection of artists constantly pushing the boundaries of electronic music.

@mercysystem
@ofparadiserecords

https://ofparadise.bandcamp.com/album/shapes

PREMIERE: Mercy System - Dionysus [Of Paradise]

Pre-order

ELCT08 | Portway - Ghost in the Shell II (Previews)

Returning to the Waystation once again; many occupants pass through this space on their separate travels, each creating their own line of intention and purpose. Sequence II is another snapshot of this moment in time. Cultures, influences and individuals have since changed, with a handful of remnants of the past enduring, perhaps the same in title but vastly different in substance and spirit. We see fourteen audio artists present their works for the Nostro Hood, representing their respective worlds.

Disparate styles, sound palettes, emotions and impacts span the collection; a magnified, intricate look into the lineage of each artist's personal exploration and conception of an aural pinnacle. Diverse in nature, yet wholly homogenous through the motivation to create movement in the body of organism. This compilation serves as an offering of said insight gathered by the NHS Xenologists.

Tracklist:

1. Yotah – Forever Chemicals
2. A-Tweed – Krokodilmumie
3. Musuama – Plakamadre
4. Matteo Coffetti – Echoes Resonance
5. Product Toss – Double Tap
6. Dayzero – Lustar
7. Ovid – That Can’t be Right
8. SHALT – Xed
9. Galtier – Gharial
10. Steel traxx – Skeleton Crew
11. Kahter – Cacodemon
12. Radeco Domar - Ensueño
13. Matthew Laundro – Defunct Schema
14. Druid – Weather Control

https://soundcloud.com/dayzero_jp

Artwork by Karnn Bhullar
Mastered by Fausto Mercier

Buy NHSCOMP002

Dayzero - Lustar [NHSCOMP002]

@maelitaa ⊹⊹ @qqantt

Support & Buy: https://virtualforestrecords.bandcamp.com/album/diplopia
_____________________________________

𝕍𝕒𝕣𝕚𝕠𝕦𝕤 𝔸𝕣𝕥𝕚𝕤𝕥𝕤 - 𝔻𝕚𝕡𝕝𝕠𝕡𝕚𝕒 [𝕍𝔽𝕆.𝟙𝟜] 

Strange autumn rains are falling, revealing hidden pathways.
Time for 𝕍𝕚𝕣𝕥𝕦𝕒𝕝 𝔽𝕠𝕣𝕖𝕤𝕥 ℝ𝕖𝕔𝕠𝕣𝕕𝕤 to bear a new twin fruit.

𝔻𝕚𝕡𝕝𝕠𝕡𝕚𝕒 is a celebration - of our beloved corner of the underground, of community beyond geographical borders, of creative interconnection. Thirteen masterful collaborative tracks from all corners of the world, by spearheads of the underwater avant-garde, ranging from the darkest dubstep to the most abyssal tribe. The soul and essence of tomorrow's hybrid deep-end scene, condensed into a timeless gemstone.

French elegance on call, 𝕄𝕒𝕖𝕝𝕚𝕥𝕒 & ℚ𝕒𝕟𝕥 conspire together to produce 𝘔𝘪𝘴𝘴𝘪𝘯𝘨 𝘕𝘰𝘵𝘦𝘴 - atomised dubstep with point-cloud drums and scattered shards of light. 
Sound design as a statement, composition as a science.

w & p -- @maelitaa & @qqantt
artwork -- hypereikon
mastering -- AES Dana at @ultimae studios
distribution -- Underscope

© 2025 Virtual Forest Records, France
_____________________________________

Support & Buy

Maelita & Qant -- Missing Notes [VFO014]

MNC008 is a three track release titled 'Cut That' from Australian producer Elbarto

Buy: https://midnightcutuk.bandcamp.com/album/cut-that-mnc008

PREMIERE: Elbarto - Cut That [Mid:night Cut]

Digital & Vinyl: https://djobeka-music.bandcamp.com/album/a-world-no-more
https://soundcloud.com/djobeka

The rhythmic dynamics and emotive attitudes of A World No More captures the density of soundsystem culture in Obeka’s ancestral roots. YUKU presents the Bermudians debut album capturing a Neo-Colonial dystopia, protest and Afro-Futurism hyperextended through decaying sonic structures of a dark past and its grievances which very much exist today.

Growing into adulthood within the walls of British and European Colonial systems meant the disconnection and lostness in a new country hid me from the world at a young age. Unlike London’s vast and culturally engaging migrant communities, the industrial milling town of Stockport introduced a coldness towards people from other countries I experienced in my first year after relocating from Bermuda. I couldn’t understand why. Whether cold words thrown towards me or actions upon other people who look like me, it has shown to be a dooming societal virus with no cure. The most comfort was found through what was familiar - drums and rhythmic spirituality of my homeland. It was a safe-haven, a place to empty the anger and confusion. It’s been 15 years since relocating and as my sound evolved, it seems classism, racism, oppression and civil control of ethnic peoples has become worse - even now more legalised and normalised. Ogun (a powerful Yoruba deity associated with anger, justice and war) acts as the opening sequence of the record and its symbolism. Using distorted bass frequencies and dissected Regga-Dub immersed in live-sampled ghostly voices of the lost ones. This sonic exercising is also applied in Drillaman - a stampede of industrial framework and metallic instruments wielded over moody Dancehall MC’ing, magnifying two parallel worlds in cocooned evolution. The resurrection of Transatlantic African cultures and identity have never been silenced, rather carried elsewhere through trade routes of enslavement, which was pivotal when composing and completing the album upon returning home to the Caribbean for the first time ever. After reconnecting with my heritage my blurred vision of what's wrong in the world became so clear. Guidance in empty plains seek truth throughout the pain - A statement of finding oneself expressed on the poetic closing track A World No More.

On Fawohodie (A West African Adinkra symbol that represents independence, freedom, and emancipation stamped on the album cover) the motive and atmosphere begins to change. Afro-Caribbean idealism which refers to the philosophical concept that emphasizes the interconnectedness of individuals and the importance of community, often contrasting with Western individualism, begins to take shape in a new universe. We can co-exist. The track framework uses machine-led software forming frequencies we have no control over, then manipulated through decomposing soundscapes, scattered hand-drums and human-made weapons of control - exposing the hidden disparity that’s been carried over generations whilst balancing hopeful and musical foundations towards equality and peace. On Pressure and Kuduro! the writing direction attempts to wake people up. Not settling for a composed approach like in past projects, quite the opposite. A call for native sonic awareness, dismantled vocals of protests, eroded percussion using chains, gears and motorised harmonies sculpted in challenging abstract behaviors far outside my comfort zone. A direct abrasiveness and weight I want people to feel, whilst finding hope and solace through enchanting choirs and hypnotic basslines in complete synchrony.

“Purity in sound manifests when you least expect it. The smallest memory or feeling grows from a seed into a sonic language that you, and only you can interpret and release back into the world.”

Get Me

02. Obeka - Drillaman [YUKU]

Chewlie (she/none) is a Bern-based producer, visual artist, and DJ navigating the fringes of bass music with a fondness for asymmetry and atmosphere. Her sound is rooted in Leftfield Bass, Deconstructed, and Ambient - exploring the balance between weight and space, tension and release. Both meditative and floor-focused, her live sets and productions drift through eerie textures and fractured rhythms, always with a quiet, deliberate intensity.

1/2 of @streikthrough
1/10 of @crttrcollective

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booking/inquiries – hi.chewlie@gmail.com

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Backslash Festival (Zürich), Palace (St. Gallen), Dachstock (Bern), Soso Space (Bern), PROGR (Bern), Neubad (Luzern), Kapitel Bollwerk (Bern), Kegelbahn (Luzern), Schüür (Luzern), Zentralwäscherei (Zürich), Helsinki (Zürich), Aether Festival (Bern), AmBach Festival (Luzern), TRNSTN Radio (Fribourg), Radio Bollwerk (Bern), Radio 3 Fach (Luzern), Sender GDSFM Radio (Zürich), Ablette Records (Fribourg), L’ecurie (Genf), Brasserie Lorraine (Bern), Elbar (Zürich), Gummizelle (Solothurn), Garage Emma (Luzern), Parkplatz (Zürich), B-Sides Festival (Luzern), Electronic Tipi Festival (Luzern), Spinnerei (Bern), Lunaria Festival (Bern), Schwing & Stampf Festival (Uri), Kunstraum Aarau (Aargau), Boschbar (Zürich), Les Digitales (Biel), Alte Schreinerei (Bern), Echolot Festival (Luzern), Positive Education (St Etienne), Kraftfeld (Winterthur), FriSon (Fribourg), Gaskessel (Bern), Petit Bain (Paris), Einbaumöbel (Wien), Fuchs 2 (Prague), Wumsi (Basel), Sedel (Luzern), Kauz (Zürich), Kreuz Kultur (Solothurn), OHM (Berlin), Kiosk Radio (Brussels), TAG (Chengdu), ChunYou Festival (Chengdu), ATP Club (Xiamen)

Am Berg (Fearful & Mtwn Remix)

Chewlie

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