mister water wet sample https://soundcloud.com/ninaprotocol/nina-night-007-mister-water-wet
ssaliva sample https://ssaliva.bandcamp.com/track/extra-space

「 taken from 'Give up Chanel' 」
https://mappa.bandcamp.com/album/give-up-channel

🐾

Julek ploski’s ‘Give up Channel’ is on mappa. It’s the follow-up to the Poland-based FL Studio demon’s ‘Hotel *****’, released via Orange Milk in 2023.

It’s an album that wrestles against a shadow self. It’s about shelter from the hailstorm of unwanted memories and guilt pangs and serrated blades of thought. It’s about clinging on to some semblance of hope, knuckles taut and teeth gritted.

The fragmented drift of opener ‘Naysayer’ flows forward like an anxious daydream, pad eddies and piano plinks anchored by Trapaholics drops and bursts of guaracha drums. It’s a mess of mind: the bleakness of ‘Truth’ is punctuated by gun cocking and bullet spray and sudden jester-like blasts of unhinged, schizo-whimsical melody. An internal war without a clear winner.

Shame snakes through this music like venom through an emaciated body. Blue screenlight in a dark bedroom, pulsating temples, lockjaw. ‘Titanic’ hits like the thrashing resistance of a being built for love grappling against the scalding vengefulness it’s forced to contend with, the song’s abstracted rave synths giving way to warped voices and spiralling derangement. ‘Hollywood’ is a scarred battleground, the martial bludgeoning of a tightly wound hardstyle stomp blistering and shredding a delicate piano-and-string arrangement.

This music is about deep solitude, a meditation on simmering, slow-marinating hatred. But it’s ultimately about prevailing. It doesn’t revel in negativity, it roils and twists and writhes against it. Dots of light in oppressive darkness. Clarity and purpose against chaos and filth. It’s a struggle worth waging. 

Composed, recorded and mixed by Julek ploski
julekploski.bandcamp.com
www.instagram.com/julekploski/

Additional production in Earth Trax / Bartosz Kruczyński
www.instagram.com/earthtraxonline/

Mastered by Adam Badí Donoval
abdonoval.com

Artwork and design by Julek Ploski

Words by Madjestic Kasual
www.instagram.com/madjestickasual/


Released by mappa as MAP055 in 2025

「Buy」

Crippled

Give up Theme

order a physical / digital copy
https://mappa.bandcamp.com/album/give-up-channel

— ♘ — 

Julek ploski’s ‘Give up Channel’ is on mappa. It’s the follow-up to the Poland-based FL Studio demon’s ‘Hotel *****’, released via Orange Milk in 2023.

It’s an album that wrestles against a shadow self. It’s about shelter from the hailstorm of unwanted memories and guilt pangs and serrated blades of thought. It’s about clinging on to some semblance of hope, knuckles taut and teeth gritted.

The fragmented drift of opener ‘Naysayer’ flows forward like an anxious daydream, pad eddies and piano plinks anchored by Trapaholics drops and bursts of guaracha drums. It’s a mess of mind: the bleakness of ‘Truth’ is punctuated by gun cocking and bullet spray and sudden jester-like blasts of unhinged, schizo-whimsical melody. An internal war without a clear winner.

Shame snakes through this music like venom through an emaciated body. Blue screenlight in a dark bedroom, pulsating temples, lockjaw. ‘Titanic’ hits like the thrashing resistance of a being built for love grappling against the scalding vengefulness it’s forced to contend with, the song’s abstracted rave synths giving way to warped voices and spiralling derangement. ‘Hollywood’ is a scarred battleground, the martial bludgeoning of a tightly wound hardstyle stomp blistering and shredding a delicate piano-and-string arrangement.

This music is about deep solitude, a meditation on simmering, slow-marinating hatred. But it’s ultimately about prevailing. It doesn’t revel in negativity, it roils and twists and writhes against it. Dots of light in oppressive darkness. Clarity and purpose against chaos and filth. It’s a struggle worth waging. 

— ♘ — 

Composed, recorded and mixed by Julek ploski
julekploski.bandcamp.com
www.instagram.com/julekploski/

Additional production in Earth Trax / Bartosz Kruczyński
www.instagram.com/earthtraxonline/

Mastered by Adam Badí Donoval
abdonoval.com

Artwork and design by Julek Ploski

Words by Madjestic Kasual
www.instagram.com/madjestickasual/


Released by mappa as MAP055 in 2025

Naysayer

Cruise Control

As The Wind Blows

Pod8 (Unknown Remix)

'just a touch of your love is enough to take control of my whole body' - Jesy, Jade, Perrie, Leigh-Anne, 2016.

@niko_demus1 x @little-mix = touch of flare

touch of flare (nikodemus x littlemix)

A song with an interview: https://madjestickasual.substack.com/p/fatshaudi-an-interview

From 'Feel It All Around You', out April 25th. @fatshaudi 🪁

NOW BUY NOW: https://fatshaudi.bandcamp.com/album/feel-it-all-around-you

We should've listened. We should've heeded your words, feebly and frankly idiotically uttered as they were. Who knew the disjointed wordspew of a simpleton could be so prescient. We weren't to know. But we should've. Here we stand not having known what you said in a facile warble. But it's not too late for others. Listen to me. Take my word. Take my word where I didn't: listen to Fatshaudi's 'Places You Only See Once', premiered on Madjestic Kasual, from 'Feel It All Around You', out April 25th. Like and repost and share it widely. Do it. Don't ask me why. Know that it matters more than anything. You will have listened.

now buy now

Fatshaudi - Places You Only See Once [MK PREMIERE]

@wa-ste222 & @grasps

Hyperlink surfaces again with Global Tides, a compilation born from trust, instinct, and the sheer joy of making something together.

…What happens if we stop trying to make sense, and start trying to make contact? …What if a compilation was a séance? What if we told you Global Tides started as a ripple in the fabric? A strange invitation passed between frequencies, across borders, through the fog of daily mess? 
Built on friendship, instincts, laptops, and late nights, this one’s about opening doors and seeing what rushes in. Global Tides is a love letter to collaboration. To letting go of the map and building something you couldn’t draw in advance (even if your collaborator’s on the other side of the world). A shaky bridge built between cities, timezones, feelings. Each track is a little rift, a meeting point where two (or more) worlds rub against each other until something spills out. Sometimes it’s raw, sometimes it’s cinematic, sometimes it’s a noise that wasn’t supposed to be there, but we kept it anyway, because it felt like a truth. At the end, all of it feels real. 

This is a drift. A gathering of scattered thoughts and tangled dreams, shaped into music by people who trusted the process. There were no rules. Just collisions and alignments. No plan. Just a low, shared hum: let’s try. Some tracks dissolve, others erupt. One of them might haunt you.

The proceeds on Bandcamp go back into this machine made of glue and guts : mastering, artwork, promo... Hyperlink’s still powered more by feelings than funding :’)

We didn’t expect to end up here…. But we did ! Together.

Mastering : @bademjan
A&R : @fannuze
Artwork : otieno

Wa?ste & Grasps - Generation Loss

@fayt1
@bewareilive
@hyperlinkfr

Hyperlink surfaces again with Global Tides, a compilation born from trust, instinct, and the sheer joy of making something together.

…What happens if we stop trying to make sense, and start trying to make contact? …What if a compilation was a séance? What if we told you Global Tides started as a ripple in the fabric? A strange invitation passed between frequencies, across borders, through the fog of daily mess? 

Built on friendship, laptops, and late nights, this one’s about opening doors and seeing what rushes in. Global Tides is a love letter to collaboration. To letting go of the map and building something you couldn’t draw in advance (even if your collaborator’s on the other side of the world). A shaky bridge built between cities, timezones, feelings. Each track is a little rift, a meeting point where two (or more) worlds rub against each other until something spills out. Sometimes it’s raw, sometimes it’s cinematic, sometimes it’s a noise that wasn’t supposed to be there, but we kept it anyway, because it felt like a truth. At the end, all of it feels real. 

This is a drift. A gathering of scattered thoughts and tangled dreams, shaped into music by people who trusted the process. There were no rules. Just collisions and alignments. No plan. Just a low, shared hum: let’s try. Some tracks dissolve, others erupt. One of them might haunt you.

The proceeds on Bandcamp go back into this machine made of glue and guts : mastering, artwork, promo... Hyperlink’s still powered more by feelings than funding.

releases July 2, 2025

credits:
❖ Mastering : Antoine Wolfermann (@bademjan)
❖ Artwork : Otieno (ok.tieno)
❖ A&R : Fanny Cahu (@fannuze)

Pre-save : https://fanlink.tv/hyperlink13
Pre-order : https://hyperlinkfr.bandcamp.com/album/global-tides

Naysayer

Julek ploski

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