I love your work - Asperities and Green and Grey have been on heavy rotation in recent years. This is utterly beautiful.

When It Hurts to Remember

2022-01-18

NLS - 2022 - 01 - 18 Where Pluto Disappeared

⏲ Remember wonderful times in your own home. A warm nostalgia comes over me when I remember the old days. A mellow peaceful cinematic ambient soundscape with gentle pads, spacious guitars, melancholic strings, and beautifully sprinkled piano melodies with a mix of euphoric, melancholic, and nostalgic undertones.
🎧 Stream: https://open.spotify.com/track/1ycAQSRVLp3I0lnSmpAUDH
🌆 Spotify Ambient Playlist: http://bit.ly/AmbientSpotify

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🧡 Bahrambient
https://soundcloud.com/bahrambient
https://open.spotify.com/artist/15y9zAEE8UaiSmdmbG6gja
https://www.youtube.com/channel/UCM7JyMAeZLUyBuvtbbDcasg
https://bahrambient.bandcamp.com/
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🧡 Retland
https://open.spotify.com/artist/3dIuop1jVvVHVqOdB7mDMj
https://soundcloud.com/retland
https://www.instagram.com/retland_music/

💿 Suggested track: https://youtu.be/x_XDD0bQAoc

🎶 YouTube Mixes Playlist: https://amg.fanlink.to/Mixes

🎵 More Spotify Playlists
Cinematic Paradice: https://amg.fanlink.to/CinematicParadice
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Downtempo Vibes: https://amg.fanlink.to/DowntempoVibes
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Watch on YouTube 🧡

Bahrambient & Retland - Last Letter Home

The other day, I was discussing with my good old friend the constant fluctuation of the music release pendulum that I follow, oscillating between my absolutely favourite artists and labels [where sometimes it can feel like I am inside an echo chamber] and chasing the latest and new [where sometimes I am guided by marketing trends of PR]. As usual, the sweet spot is somewhere in the middle, and I will still chart my own course. Today is an immensely gorgeous example of the former, where I am eagerly celebrating a brand new release from my favourite artist – Ben Chatwin. And this is a perfect model of balance, where Chatwin does not simply sharpen his skills but projects them another leap forward, creating another new style that one day, I’m sure, will stand out as prime. If you peruse these pages you’ll be sure to find nearly every release from Ben Chatwin going back to 2015, and then, once again, even further in time, to 2008, when he was recording under another named project. But with his latest releases on Village Green, the last of which was The Hum (2020), Chatwin managed to evoke the voice of the inorganic, blending melodic beauty with intense sonics and tense, edgy rhythms. “Obsessed with the physicality of sound, Chatwin utilises modular synthesis to imbue life and instability into the recordings. Pushing his exploration of analogue textures, audio is passed through an arsenal of compressors and saturators to build layers of grit and grime around this new set of tactile compositions.” So yes, I’m a massive fan of his compositions, and yes, I have even secured a coveted remix of his for an upcoming single I intend to release any day now [more on that later!]. For his new album, titled Verdigris, Chatwin set up his own imprint, Disinter, to take us down his forward-thinking evolution of sound.

Verdigris

Dolmen

TRACK PREMIERE : Ben Chatwin - Dolmen

ISTID I

impression on Paul Delvoux Pt. 6

From the new album Asperities.


http://juliakent.com
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Asperities

The Leopard

One of four bonus tracks from the limited edition release. 

A Small Balloon and a Great Mountain (feat. Hammock) [Bonus Track]

Recorded live @ Oceanway Studios A in Nashville with 30 string players.

License song here: https://www.musicbed.com/songs/summer-suite/27705

Summer Suite

This track is quoted from the album 'Trivial Treasures'.
Listening to all tracks of the album and purchasing are available on the link below.

https://tehnofonika.bandcamp.com/album/gallery-six-trivial-treasures

Smell of watery soil stay in the back in the nose. 
Close your eyes, take a deep breath and bring back memories... 

Written and produced by Hidekazu Imashige. 
Audio mastering by Goran Geto. 
Cover art design by Fonika Media Group.

The Leopard

Julia Kent

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