techno

Metaroots 2

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[SCOM047] Victor Fernandez - The Beginning Of The End (Original Mix)

★THE BEST★NYC Underground 80's 90's ♫ Classic House Music Mix (Club Paradise Garage The Loft)

Legacy Feedbacks

Thrive- Mixed

09 - Matthew Dekay vs. Proluctors - The Deep Show

release date (vinyl / cd / digital): 30th of October 2015

Take a look over Ashley Burchett’s back catalogue and you’ll find the Greater London resident has played an understated yet influential role in purporting British techno. Fifteen years ago Burchett’s prevailing Ø [Phase] project debuted on Sheree Rashit and Steve Bicknell’s Cosmic Recordings before providing Cosmic ID with its final record in 2002, and since 2007 Burchett's helped mould and define the sound of Token by becoming the label’s marquee artist.

In 2013 the Belgian imprint finally coaxed the debut album from Ø [Phase], Frames Of Reference, described in Tony Naylor’s 4/5 review for Resident Advisor as, “a techno album of real imagination and depth that, when it needs to be, is brutally functional.” Almost two years since its release Ø [Phase] is back with Alone In Time?, his second studio album which adds to the continuous slew of unrivalled long players Token has put out of late. Token spreads the 11-tracks on Alone In Time? across three heavy weight discs, and the music further demonstrates Burchett’s deft skill in linear arrangements shaped to fit the warehouse frame, while painting a colourful, Detroit influenced side to his productions yet to really be heard to this extent before.

This uncharted sound of Ø [Phase] can be found in tracks like “Remote”, the album’s homage to electro, to the jittery, alien grooves of “Spacialize”, “Mo_del” and “Nep-tune”. There’s big room domination on productions like “Orbitron” and “R-Mash”, while the album’s title-track is a journey through Burchett’s conceptual references to cosmology, time and isolation. Burchett explains, "it was always an intention to make another album and now just felt like the right time. Life moves on, we change and grow. As lessons get learned and ideas form, the desire to express them gradually manifests."

Furthermore, Burchett adds, “Frames Of Reference was about overcoming personal struggles and challenges, while Alone In Time? is more forward facing.” With an extensive back catalogue in his wake, Ø [Phase] has become a relied source for the discerning techno DJ and these new, expertly crafted club cuts add to his ever-expanding pool of productions for selectors to choose from, and it’s clear, if the bouncing rhythm of “Blind Eye” and orchestral epic of “The Maze” is anything to go by, Ø [Phase] isn’t only head strong, but standing tall.

TRACKLIST
A1 Spacialize
A2 Orbitron
B1 Increment
B2 Blind Eye
C1 Nep-tune
C2 Alone In Time?
D The Maze
E1 Remote
E2 Mo_del
F1 R-Mash
F2 Astryx

www.tokenrecords.com
www.facebook.com/tokenrecords

Alone In Time?

Mo_del

Ø [Phase] - Mo_del

Matrixxman - Sector I: Rhythm - Dekmantel - DKMNTL039

a1.	Matrixxman - Process
a2.	Matrixxman - Mainframe 2.0
b1.	Matrixxman - Glyph
b2.	Matrixxman - Instigator

Vinyl: http://shop.dekmantel.com/release/5338/sector-i-rhythm
Digital: https://matrixxmandekmantel.bandcamp.com/album/section-i-rhythm

Matrixxman has been a Dekmantel regular for a couple of years now. The San Francisco producer continues to impress with a new triptych for Dekmantel Records. Over the course of three EP’s (Rhythm, Acid, Polyphony), Charles McCloud Duff displays his versatile and original take on house and techno. The concept of the triptych is to explore the range within the confines of a particular limitation.

The first scheduled EP is called “Sector I: Rhythm” and is, obviously, an exercise in rhythm. Just because a track is entirely composed of drums does not mean it has to be lifeless or devoid of feeling. Given the right approach, drums can be symphonic and even tell an exciting tale in their own right. The four-tracker serves up classic rhythms tracks and is a party from the crust to the run-out, checking off Plastikmanesque styles with ‘Process’ and proper Spartan rhythmic patterns on ‘Mainframes 2.0’. Matrixxman never overstuffs his tracks, ‘Glyph’ being the perfect example of a flanging and spacious rhythmic rundown. ‘Instigator’ rounds things of in style, melting layers of drum effects and bone-rattling
machine rhythm.

DKMNTL039 // Matrixxman - Section I: Rhythm

@CariLekebusch / @H-Productions

http://deathtechno.com/2017/12/08/dtp-cari-lekebusch-full-spectrum-1/
https://youtu.be/pswXmcs02XM

H-Productions label head releases the final piece to his recent puzzle, completing the collection of a unique coloured and exclusively vinyl series with the tenth and final piece.

Swedish pioneer Cari Lekebusch is at the helm and a relentless release schedule continues to keep him on top, where his music is no stranger to imprints such as Luke Slater’s Mote-Evolver, Adam Beyer’s Drumcode, The Advent’s Kombination Research or Hans Bouffmyhre’s Sleaze.

For this DT:Premiere we selected the leading track “Full Spectrum 1” that is executed with perfection. An uncompromising rolling groove and insistent energy make this an instant dancefloor destroyer. Its raw kicks have an old school and analogue flavour that is a huge attraction, where the occasional whipping forray of sounds add some edginess alongside other hypnotic, sonic textures.

Order the 12″ vinyl at Juno Records
https://www.juno.co.uk/products/cari-lekebusch-full-spectrum/665412-01/
Deejay.de
https://www.decks.de/track/cari_lekebusch-full_spectrum/caw-ce
Discogs
https://www.discogs.com/label/8649-H-Productions

Buy the Digital release from Bandcamp
https://h-productions.bandcamp.com/album/full-spectrum-hyb036

LABEL: H-Productions

CAT#: HYB036
ARTIST: Cari Lekebusch
TITLE: Full Spectrum

FORMAT: Vinyl & Digital

RELEASED:
Vinyl - 20 December 2017
Digital - 10 May 2020

A. Full Spectrum 1
B. Full Spectrum 2

Full Spectrum EP

DT:Premiere

DT:Premiere | Cari Lekebusch - Full Spectrum 1 [H-Productions]

80s 90s  Dj Mix 2000 Dance club mega mixes

(Club Remixes)Oldies 70s, 80s, 90s remix medley - Disco Dance Mega Mix

Planet Rhythm:
www.planetrhythm.audio
www.facebook.com/planetrhythmrec
www.discogs.com/label/347-Planet-Rhythm-Records

Follow us on Spotify to: goo.gl/wxITRf

All Planet Rhythm releases appear first as exclusive on Bandcamp:
planetrhythm.bandcamp.com
Beatport:
https://www.beatport.com/label/planet-rhythm/3022

Vinicius Honorio - Get Em  (PRRUKD20038)

We are really happy to present Manuel De Martino's new EP "The Gold Of Napoli" a new 4 tracker Ep that contains all the influences received over many years, from artists to clubs in this magical and unique city.

From a deeper and more melodic techno, with vocals passing through hypnotic arpeggios to more solid and dynamic grooves.

Manuel Di Martino - The Gold Of Napoli (Original Mix)

Out now on Rekids: rekids.fanlink.to/REKIDS168

Detroit pioneer Robert Hood joins Radio Slave’s Rekids label with a fourteen track album entitled ‘Mirror Man’ this November.

A founding member of Underground Resistance alongside Mad Mike Banks and Jeff Mills, Robert Hood is one of techno’s originators and his decorated career spans three decades. The American artist and his M-Plant label laid down the blueprint for minimal techno and 1994’s ‘Minimal Nation’ on Axis was a definitive album that further cemented Hood’s reputation as one of the greats to emerge from the Motor City.

Since then, Hood has gone on to release on many of electronic music’s best labels like Tresor, Peacefrog, Music Man Records, Dekmantel and more. After a busy few years making music and touring as Floorplan alongside his daughter Lyric, Hood now joins Rekids with an album showcasing his innate knack for crafting paired back but intricate rhythms that deliver punch and soul.

Opening with the cinematic ‘Through A Looking Glass Darkly’, the album quickly flows into precise, powerful four four. There’s mesmerising cuts such as ‘Fear Not’ with its throbbing bass and spectral vocals, the twisted and off-key ‘Run Bobby, Run’, not to mention muscular tracks designed to light up dancefloors like the machine driven ‘Ignite A War’ or the robust and rumbling ‘The Cure’.
Hood also breaks things up with downtempo and mind bending interludes, including the tranquil yet spooky ‘Black Mirror’ and the beatless and murky ‘Freeze’. Each of these are aural feasts that demonstrate his vast musical pallet.

From start to finish ‘Mirror Man’ is an education in finesse from one of techno’s most heroic artists, landing on one of electronic music’s most important labels.

Robert Hood - The Cure

Indefinite Uncertainty

Will Clarke - Let’s Rave EP

Available here  https://lnk.to/TRICK019

Will Clarke debuts on Trick this November with ‘Let’s Rave EP’, featuring Daddy Dino and remixes from new talents Ammara and Meg Ward. Will Clarke’s catalogue has marked him out as one of house music’s hottest names in recent times, with releases for Kneaded Pains, We Are The Brave, Drumcode, and of course his own All We Have Is Now all causing huge damage on dance floors and sales charts. Here, on Patrick Topping’s increasingly essential Trick imprint, Will Clarke dives in with the aptly titled synths-and-stabs driven ‘Let’s Rave’ before teeing up the first of two collabs with Trick mainstay, Staten Island’s Daddy Dino. ‘Negativity (feat. Daddy Dino)’, one of the hardest tracks to grace Trick to date, is a thundering techno number punctuated with anxiety-inducing builds and Dino’s pitched down vocals, while ‘Die With Me On This Dancefloor (feat. Daddy Dino)’ takes a trippier, groove-based vibe and features one of the years most infectious hooks from Dino. ‘Let’s Rave EP’ is rounded off with a set of quality remixes from two relative newcomers, Ammara and Meg Ward. London’s Ammara twists ‘Let’s Rave’ into a no-messing acid assault that displays her love of seriously big sounding tracks while Newcastle’s Meg Ward uses the 303 to take things in a slightly deeper yet no less heavy direction.

Indefinite Uncertainty

Julia Govor

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