Crystalline is a piece meant to exploit the metallic, resonant nature of crotales. This is my first in-depth use of Max/MSP in a piece.

Performed by Shaun Cayabyab
Von der Mehden Recital Hall, University of Connecticut, April 1, 2017.

Crystalline - for Crotales and Live Electronics

[Visuals are an important component of this piece and a video of this performance can be viewed here: m.youtube.com/watch?v=5Df4NONJUrY# ]

A percussion quartet concerto celebrating renewable energy. 
OO:00 I. Water
O4:14 II. Wind
10:04 III. Solar

Sandbox Percussion with the Kaleidoscope Chamber Orchestra
Live performance in Santa Monica on February 11, 2018
Recording mixed by Nathan Alef

This piece was commissioned by GE Renewable Energy and the Albany Symphony, David Alan Miller, artistic director, for the 2017 American Music Festival.

Re(new)al - sinfonietta version

Blue Glacier Decoy performed by LSU Chamber Winds, Julia Tatum, conductor.

For more information, please visit https://www.jenniferjolley.com/blue-glacier-decoy

Blue Glacier Decoy

Performance at CCM on 3/26/19 by Jenny Lehtonen (flute), Sara Renner (oboe), Jessica Lombardo (horn), Shelby Jones (bassoon), and Alexandra Doyle (clarinet)

For more information on the piece, check the link below:
https://www.julienmonick.com/wind-quintet-in-five

Wind Quintet In Five (2018)

I'm a composer currently working in Cincinnati, OH. If you want to know more about me and what I do, check out my site below:
https://www.julienmonick.com/

Wind Quintet In Five (2018)

Julien Monick

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