Name: High Frequencies For Low Level by Julien Héraud
Duration: 8 min 6 s
Description: Exploration de feedbacks ténus sur synthétiseurs analogiques.

d'incise - Hocchiku+Organ _ draft _ jan21

Extract from "KNVF" released on Erratum Musical on March 19th 2021. 

Following the release of her 2018 solo tape, Ggggg (Anticausal Systems), vocalist Charmaine Lee returns with her debut LP, KNVF, for Erratum Musical (Paris, France). In just two years, the album marks a considerable evolution from the austere concentration of Ggggg towards expansive sonic worlds. Inspired by the arcs of popular music, Charmaine freely and fearlessly navigates a wide range of aesthetics, digging beneath each surface to disclose a highly personal sense of musicality. Microphones of varying fidelities, contact mics placed on the throat, and amplified hair combs are used to simulate polyphony and a dialogue between the inner and outer body. With Charmaine’s unique vocal articulations atop a bed of feedback and extreme frequencies, form follows expression in an ever-evolving context built on the traditions of noise, vocal, and improvised music. KNVF is a powerful statement in modern vocal music and a thrilling new development in Charmaine‘s artistry that will reward those who listen for the journey.

Charmaine Lee (b. 1991) is a New York-based vocalist from Sydney, Australia. Her music is predominantly improvised, favoring a uniquely personal approach to vocal expression concerned with spontaneity, playfulness, and risk-taking. Beyond extended vocal technique, Charmaine uses amplification, feedback, and microphones to augment and distort the voice. She has performed with leading improvisers Nate Wooley, id m theft able, C. Spencer Yeh, and Ikue Mori, and maintains ongoing collaborations with Conrad Tao, Victoria Shen, Zach Rowden, and Eric Wubbels. Charmaine has performed at ISSUE Project Room, the Kitchen, Roulette, The Poetry Project, and MoMA PS1, and participated in festivals including Resonant Bodies, Huddersfield Contemporary, and Ende Tymes. Her work has been featured in group exhibitions including The Moon Represents My Heart: Music, Memory and Belonging at the Museum of Chinese in America (2019). As a composer, Charmaine has been commissioned by the Wet Ink Ensemble (2018) and Spektral Quartet (2018). In 2019, she was an Artist-in-Residence at ISSUE Project Room and is currently a 2021 Van Lier Fellow at Roulette. Charmaine is a member of the Editorial Board of Sound American.

Artist Website: www.charmainelee.com 
Bandcamp: www.charmainelee.bandcamp.com 
Instagram: @charmainelee
Twitter: @charmainelee
CHARMAINE LEE - KNVF 
EM025 - 2021

LP available on 
http://erratum.org​ 
http://erratum.bandcamp.com​
http://www.facebook.com/erratummusical​
http://soundcloud.com/erratum_musical​
http://www.instagram.com/erratum_musical

KNVF

Monstas' Marriage

re-musicalisation du film "Plus Tard" de Eric Oriot. Pour regarder le film: vimeo.com/77448707

Intersticios 3,99 - Acousmatic (Extrait)

Huellas Entreveradas

La Ba-Balle du Chien-Chien a la Me-Mere

Steve Roden_Stratégies Obliques Ø [extract]

Exploration de feedbacks ténus sur synthétiseurs analogiques.

High Frequencies For Low Level

A road with 3 roadsides.
3 amps, 1 instrument

Controls: 
• Channel 1: Volume, Bright Switch, Treble, Bass, Middle
• Channel 2 : Gain, Treble, Bass, Middle, Volume
• Channel 3 : Normal Volume, Brillant, Bass, Treble, Middle, Presence, Master Vol
Shared Controls : Reverb, Speed, Intensity, Presence
Switches : Channel Select, Standby, Output Switch 
Power on/off.
 
Louis Schild: bass, middle Antoine Chessex: middle, treble Nina Garcia: bass, treble

NINA GARCIA, LOUIS SCHILD, ANTOINE CHESSEX - LUFF 2020 - Samedi 17 octobre

Yvan Etienne has developed a work which takes shape as “things” made of sound. Designed like spaces, moments to experiment, his work is generally linked to certain contexts, climates induced by the specificity of sites and/or by invested materials. Made with electronic and acoustic instruments, his arrangements explore the processes and the states of sonar perception. As extension of his research, he co-directs the “Oh cet écho” series at Presses du Réel and teaches the sound practice and intermedia at HEAR.

YVAN ETIENNE - LUFF 2020 - Samedi 17 octobre

Sweetly My Blacken Doll is released in an edition of 24 screen printed boxes containing a cassette, 4 art prints, and a hand made companion.

Dead Mind Records 
https://www.blutistzeit.nl/

Digital version available
https://alicekemp.bandcamp.com/album/sweetly-my-blacken-doll

Sweetly My Blacken Doll

Sweetly Mein Fettal Worm

Simone Keller: Grand Organ
Dominik Blum: Hammond B3 Organ, Gong

Recorded at St-François Church, Lausanne, October 2020 during the Label Suisse Festival. 
Short excerpt of the piece.
Live Recording by RTS/Espace 2, Swiss Radio

Mixed and decomposed by AC

High Frequencies For Low Level

Julien Héraud

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