Young Miss Saeki (Unga fröken Saeki)is the second movement of four in From the Bottom of a Well (Från botten av en brunn) based on Haruki Murakami's novel Kafka on the Shore. The the sounds were designed from, and the music was written from a grounded theory analysis of the book. The piece was performed and recorded on the 16th of December 2021 by Robert Ek, clarinet; Kevin Kirs Verstege, cello; and Rikard Vilhelm Lindell, eurorack at the Royal College of Music in Stockholm. Photography by Hannes Häfele.

Robert Ek's portfolio: www.remusik.se/
Hannes Häfele's portfolio: luminea.eu/

Video recording from the concert is available here: https://vimeo.com/716682374

Unga fröken Saeki / Young Miss Saeki

Radios. transistors, primitive people, rock'n'roll, intrusions, transitional points, noise of the environment.....
Anthropology and sociology of the contemporary musician in the 60s and 70s.
Unaware actors and protagonists of the last moments of the 20th century avant-garde. 
Before the collapse and the genetic mutation of the listener and the user of the daily / contemporary culture.

INTRUSIONS [disquiet0552]

Consider this chord:

E5
A#4
E4
D#4
Db3
C3
Produce a loopable drone (duration between one and three minutes) of your own based on that chord.

Caged Bird - disquiet0554

A session done originally in Nanoloop made in the last year and edited in ableton on the fly.

version update of 22/09/2022 edited in cubase 
i think that is more accurate than the first in ableton.

Work in progress

Many Thanks to the freesound.org users: 
https://freesound.org/people/benjammin2006/
https://freesound.org/people/Mystikuum/
https://freesound.org/people/koutino/
https://freesound.org/people/Jagadamba/
for their rainstick samples

Night prayer © 2022 by Nadir is licensed under CC BY-NC-SA 4.0

Night prayer

night prayer

free improvisation for electric guitar + self-generating modular patch

Session 221022 - #1

"the world through your polaroid glasses" is a collection of transitional ambient pieces recorded between 2019 and 2022. this is an album about healing, about growth, about spirituality, about gaining a new perspective on things once thought lost. a peek at a spinning looking glass, through lenses carried from generation to generation. this album is about the changes and transitions i have gone and continue to go through, the ones we all go through, big and small- and our eternal quest for acceptance.

you are not alone, and you are not broken. making these songs has brought me solace in some of my worst times, and i hope they might be able to lighten up your life a little bit <3

on the train tracks, over the river

next door the loss

Johanna Vargas, soprano
Ensemble Linea
Carolina Santiago Martinez, piano
Keiko Murakami, flute contrebasse
Louis Siracusa, double bass
Jean-Philippe Würtz, conductor

IV. Gradual Abruptness
ooo –– ooo –– oo –– o 
gradual abruptness 
french 		(mr., rhythm acuto intros.) 
ital 		(riposante musica, ritmo meno acuto, adattabile)   
                 o                   –– 
non avete da mostrarmi un’altra macchina? (repeat rhythm) 

[…]

(– oooooooo – )

[…]

tu pensi:   
 –  o o  –  o o o  – o o o  –  o 
ha una macchina ancora da mostrarmi? 

Un poco di buon ordine feroce
Aspettare in tempo

	Évidemment

		si tu ne peux
Poétiser
	il te faudra
Cohabiter
Rime e accenti allineati
Évidemment 
Si tu ne peux
		analyser
Il te faudra
		coaliser
Io vado di solito a letto alle undici
o – o o – o o – oo – oo
La poésie du succès 
Le succès du sexu

Bisogna sfruttare i buoni momenti
o – oo – oo – oo – o
– o oo – o ooooo –

Autumn is a season of which I am very fond [about]

Regarde
Au moins
Ce qui est
Écrit
Sur le bout
De ta langue chérie
In nous faudra
Que tu y vas
(synthèse-douleur)
tu parles en prose  

V. Allons, plongeons
Allons, plongeons dans le réel (il le faut)
l’Esthétique Jaune dans son lit de Mort 
l’Esthétique Jeune dans son Lit Subtil
ou bien  
Nous sommes 
[dans son lit de la mort subtile
dans le lit de son jeune mort
dans la mort du lit du son
dans le son subtil de la jeune mort] 
 
(dans la gaze de la réalité). 
Nous passons dans la gaze du réel. 
Arrive l’enfer. L’impératif 
de la[…]
[…]réalité
(nous sommes en communication).

4. Gradual Abruptness 5. Allons, plongeon

Live recording (excerpt) of 'Wildfires' as performed at the WFS festival on June 5th, 2022 in the New Music Lab at Sonology. 

Stereo reduction from the 192 speakers used during the performance.

Wildfires - (Live WFS, excerpt)

one of my pedagogical pieces for guitar trio "introduction au timbre et à l'énergie"

Guitare1: Rafaël Carosi
Guitare2: Gonçalo Cordeiro
Guitare 3: Antoine Morinière

Introduction Au Timbre Et À L'énergie Chap. 4 (2014)

photo by Elseh
www.flickr.com/photos/187686180@N02

"Wait For Dark" (Alternative Version) by D'ark Tha Murky

malaussena.julien@gmail.com
https://enmossed.bandcamp.com/album/articulated-sound-energy
List of Works:
2022     -Introduction au timbre et à l'énergie chap.IX for double bass, fl, sax
              -De lignes impures (b) for 2 ondes Martenot and accordion
              -De lignes impures for 2 strings and accordion

2021       -De toucher de lignes for E-guitar
               -Portrait étendu d'une plaque de metal flexible for Vn, fl and perc.

2020     -The reciprocal nature of everything, for fl, cl, ob, accordion, piano, vlc 
              -8 minutes after boiling, for fl, cl, perc.,violin and a voice with a mic.

2019     -De distance et toucher, pour Sax and Koto
              -Déséquilibre Ambigu, for fl, cl, piano, V, Vlc
              -2min de souffrance (approximativement) for piccolo, sax, piano

2018    -inner space (on outer space) for sax, e-guitar, percu, piano
             -A view on Michelle Agnes Ritual for fl,bass cl., sax, piano
            -introduction au timbre et à l'énergie chap.VIII, for 2 fl. and 2 cl.
            
2017     -Les Ateliers portatifs, for 2 microtonal accordions (long version)
             -Ateliers modulables, for 2 microtonal accordions (modular version)
             -introduction au timbre et à l'énergie chap.VII, for 4 violins
             -Louis Bona in a day of indecision, for amplified ens.(fl,ob,cl,hrn,trp,trb)

2016      -Elusive Voice/Неуловимый голос, for Cello solo
               -Face her/him, for clarinet Bb and tenor sax

2015      -Exigüe (contigüe), for guitar, violin, viola and cello
              -Odd music, for 13 Alto saxophones 
               -Interlaced (Interrelated), for flûte, piano and Cello

2014     - Introduction au timbre et à l’énergie VI, for clarinet et trompet 
             - V-Idiom, for electronic
             -(a)side (b)side, for flûte, Cello and accordion 
             - Concerning articulated sound energy, for fl, clar, perc,violin, cello
             - Introduction au timbre et à l’énergie I - V, for 3 Guitars
	
2013 .   -(Ëp)Creap’ng, for flute, Violin, Piano (or percussion)
             -(Ep)Scra’p, for solo amplified classical guitar
             -(Lp)Skel’ton, for solo amplified saxophone 

2012      -Sara. K, for 2 Saxophone and voice
              -Micro-ballet, for flute, clar, sax, percussion and choregrapher 

2011       -	Orage d’enfants, for 14 guitars 
               -Quatre études pour Octuor, for fl, cl, sax, perc, v, viola, cello, cb
               -2 pièces sur des poèmes de Charles Bukovski, for Flute and voice

2009      -Sur-mesure 1, for solo flute

Introduction Au Timbre Et À L'énergie Chap. 4 (2014)

Julien Malaussena

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