Of Twilight Skies

Music for piano.

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Arabesque

was IT something I said 
that made you wall off like this
was it somethiNg i did
that made you step back in regret

tell me why i should stay here
you're talKIng yourself out of us 
MAking lies and faking love
oh, i just neeD you to lEt me know 
should i keep on wanting this 
or, should i just let it go

we used to wear each other like skin
now, we're oceans - oceans apart
i couldn't tell where i started and you'd end 
now, we're oceans - oceans apart

did i hold yoU too close
Suffocate what i wanted most
did yoU think leaving through 
rationing out what i didn't mean to you

tell me why i should stay here
you're talking yourself out of us
making lies and faking love 
oh, i just need you to let me know 
should i keep on wanting this
oh, should i just let it go

we used to wear each other like skin
now, we're oceans - oceans aPart
i couldn't tell where you started and i'd end 
now, we're oceans - oceans apart

don't let me go, don't let me go 
just hold me close, just hold me close

we used to wear each other like skin
now, we're oceans - oceans apart
i couldn't tell where you started and i'd end 
now, we're oceans - oceans apart

we used to wear each other like skin
now, we're oceans - oceans apart
i couldn't tell where you started and i'd end 
now, we're oceans - oceans apart


Ocean

Standing at the brink of silence — “edge of nothingness” by instagram.com/lysscen.music is a cinematic ambient descent into vast emptiness.

✨ other platforms https://go.ambiqo.nl/l-edgeofnothingness

lysscen - edge of nothingness

A Waste Land Companion is, as its title implies, an addendum to Boris Rogowski‘s
album The Waste Land which was released in February 2023 on Piano and Coffee
Records. A meditation on the infamous eponymous 1922 poem by T.S. Eliot, The
Waste Land traces its psychological journey through a barren world in search of lifegiving
water as well as its physical journey through London on the zenith of
Modernism.

During the recording sessions for the album—whose sound is characterised by the
interplay between a string quartet, flute and a collection of specifically created,
deeply warped and tape-weathered samples—over 20 pieces were recorded.
Rogowski had originally intended to use all of them in chronological order, beginning
with the famous part about April being the „cruellest month“. However, it turned out
that a shorter playlist and a strictly musical order worked better for the album.
Rogowski decided to focus on the string-centred pieces to give the album a dreamlike,
hypnotic pull. However, as he valued the shorter, piano-based pieces just as
much, the idea for a companion (mini) album was born almost immediately.

It was a most sensible decision: Chamber gems like „The Hyacinth Girl“ and „A
Wicked Pack of Cards“, mixing English folklore with nods to Richard Wagner’s Tristan
and Isolde, might have gotten lost between the dark, monolithic soundscapes of the
album. Here, however, framed by works for solo piano and harmonium, they are
allowed to shine. A Waste Land Companion begins and ends with two piano pieces
only loosely connected to T.S. Eliot’s poem: „Dear Jessie (to Jessie Laidlay Weston)“ is
an ethereal miniature in reverence of the brilliant English medievalist whose book
From Ritual to Romance, a historical examination of the King Arthur legend, greatly
influenced Eliot while working on The Waste Land. „Universe on a shoestring“ is even
serener, a kind of exhalation after a long and arduous journey. It was the last piece
Rogowski composed during his concluding writing session in the mountains of the
island of La Palma. Here, close to the GTC, the world’s largest optical telescope, the
universe seemed closer than anywhere else on earth—and the grim world of The
Waste Land already a distant memory.

Bandcamp

Universe on a Shoestring

original score for documentary by Eliot Rausch
A World Unseen
Airing on FX, National Geograhic Channel
now on 20thCentFox's channel: https://youtu.be/pJfTfsXFbLk

Cello by Chris Coleman
Viola, Violin by Laurann Estevez

a World Unseen

Happy Piano Day!
#JulienMarchal #PianoDay 

Trying To Get By

Classically trained pianist and composer Carlos Cipa returns with Sculptures, a piano-solo mini-album, right in time for some calm and quiet winter days.
Most of 2017, Carlos has been working on his next full-length album, a colourful record combining piano and other key instruments with a variety of orchestral instruments and electronically processed soundscapes, which will see the light of day in 2018. In between writing scores for musicians and long recording sessions, he often found himself sitting on his upright piano late at night, messing around with simple melodies or patterns as a distraction.
Recorded in his very own Beatschuppen Studio over a couple of days in November, Sculptures brings a few of these raw, intimate song fractures to life and places them alongside three brand mark pieces of Carlos Cipa’s second album, re-recorded on his peculiar Upright piano for the first time.

Nowhere To Be Found

Full album on #Spotify here: https://spoti.fi/2SxSC27
Full album on #AppleMusic here: https://apple.co/2I5YxaW
Get the Sheet Music here: https://bit.ly/2EwuIfH
Celebrating #PianoDay #PianoDay2019

Following on from the success of their first improvised album ‘Piano Project’, the latest offering from The Daydream Club sees the duo take the idea a step further by fully immersing the fans in the creative process and offering personalised improvisations.

The duo shares a passion for improvisation, in the early days of their relationship they would often stay up through the night improvising on the piano. “Music speaks to the soul. It connects people, evoking an emotional response. For us, the ability to communicate through improvisation is something quite magical.”

Struck with a desire to share their passion and to make more meaningful connections with fans of their music, Adam and Paula hosted a series of live-streamed performances, inviting audience members worldwide to submit their own thoughts, feelings and memories, which they would turn into spontaneous piano improvisations. “You feel a huge pressure and sense of responsibility when attempting to interpret a meaningful moment in a persons life. The opportunity to put yourself in someone else’s shoes and play for a while was so special and we’re incredibly grateful to all of those who shared this experience with us.” 

Throughout 2018 the duo will be releasing a series of singles created from these live improvisations. The singles will form part of an album entitled ‘Piano Project // With You In Mind’. The first single, ‘Piano Project // For the Lost Ones’ was requested the day after a London terror attack in 2017, the dedication "in memory of anyone affected by the recent terror attacks anywhere in the world" (from Mark).

Piano Project // For the Lost Ones

Drifting Among Strangers

Delicate Transitions

"Transitions II" is the second chapter of the "Transitions" trilogy concept which began with the previous EP, back in November 2019. 
All these songs, mostly around 1 minute and half of length, are part of the "piano microstores" project, which has been developed last year on my IG profile consisting in releasing one short piano story per day during all the summer season.

That Feeling, Though

Pianist, Composer & Producer. 
Creator and Director at Whales Records.

Trying To Get By

Julien Marchal

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