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(m)Egoless [version]

Santa Baby

I've Never Been Able To Wedge My Smiles And My Panic Attacks

Words, vocals & vocal mix Mariam Zohra D : Myrh @myrhyum @tariqa-kali @myrhyummy
Sonic structures & audiable fragments Lars Björk: @larbjo

...then you thought it was in the making [a Myrh & Larbjo collab]

Disconnection

Each Morning of the World #04
South American Phonographic Mornings #03/20
Puerto Saavedra ~ South Chili
Lafken Kürüf  de Julie Rousse

~~~~~~~~~~~~~

The piece - Lafken Kürüf - has been composed from recordings taken in the south of Chile in 2015. Mixing various sounds of the wind and the ocean, as well as glimpses of voices, those emblematic sounds from my stay there are composed in a short piece transcribing the powerful sonic landscape that has accompany me during the three months spent in the Mapuche Lafkenche community of Traïtraïko Leufu. The noise of the wind on the rooftop of my house and the rumble from the Pacific Ocean close by kept me from sleeping at night as i would imagine it coming out from its bed, like in the Mapuche Lafkenche mythology.

~~~~~~~~~~~~~~

Crédits
de l’album South American PhoNographic Mornings
ce titre est sorti le 6 mai 2018
Credit photo : © Julie Rousse 2018

Lafken Kürüf

LAFKEN KÜRÜF

Huggle 523 [olops]

Sheep Police [Jack]

second excerpt from Ludovic Medery | Les pierres sèches cd on Unfathomless.

In its regular version, this release is limited to 180 hand numbered copies and packaged in clear vinyl sleeve with folded insert and additional art card on 350gr satin paper. 

There is a special edition strictly ltd to 20 numbered copies coming with a different packaging (see website/Bandcamp page for details).

Les pierres sèches

U65 | Ludovic Medery | Les pierres sèches_excerpt2

Idm Hobbyist 81620

Conscience Empty

itwasthewires : modular synthesizers
Marco Lucchi : found sounds, Mellotron, synthesizer and mix down

26 agosto 2020

itwasthewires & Marco Lucchi - Charlotte [first encounter]

Splinters as a composition has a dream like quality, dark and enigmatic. Electronic noise colours the drone and bubbling soundscapes of a somewhere. Repeating musical phrases mix with recognisable sounds from life - a spoken utterance, a rumbling train. As a listener you drift with the current through misty scenes, on a journey down a river towards some marshland on the edge of an urban sprawl.

Made in response to an invitation from TACO! - an artist space in Thamesmead in South East London - Splinters documents Kate Carr’s relationship with that space, and the area of London it is located in. Over an 18 month period Kate kept a growing sonic diary of her journeys to the space from her home, her construction of work in the gallery, her wanderings around the green spaces and urban architecture, the coming and goings of visitors and the artistic material from other artists and musicians working at the space. This work is a sonic portrait of a time and a place, and the actions and events within it.


Splinters includes audio samples from concerts and exhibitions held at TACO! Featuring material from live sets by Liz Helman, Tom White, Rebecca Lennon, Pouya Ehsaei, Jonathan Higgins and Hannah Dargavel-Leafe, and audio material from the exhibitions Scratch! by George Barber, and Heavy View by Laura Yuile.

Mat Jenner, director, TACO!
--------------------------------------
Mastered by Simon Scott at SPS Mastering.
Design by Louise Mason.
A huge thanks to Liz Helman, Tom White, Rebecca Lennon, Pouya Ehsaei, Jonathan Higgins and Hannah Dargavel-Leafe for permission to use short excerpts of audio material from their wonderful live sets, and to George Barber and Laura Yuile for access to audio from their installations. 
Also massive thanks to Mat Jenner for inviting me to TACO in the first place!

Detritus Clouds from Splinters out Sept 3

Table Of Elements Volume 5​.​0
by M-tronic compilation

Nearfield - Beauty Of The Sea World [alt.ver]

GRFTPS004
@tetenoise - Sea of tranquility
PRE-ORDER > limited edition cassette / digital - now on bandcamp
https://giraffetapes.bandcamp.com/album/sea-of-tranquility

video for "Stratosphere [part II]" here - youtu.be/xwNqgU8lnpk

"This tape contains string and wind instruments which accompanies tape loops and field recordings.

Tracks on side A are named after moon craters, the seas of Serenity, Knowledge and Tranquility are the craters where Apollo 11 and 12 was landed and so would Apollo 13 if it wouldn’t fail at launch.

Field recording of stratosphere is done with Tascam DR40-x aprox. 45000 meters up under the framework of the project “Exhibition in space”.

Side A is recorded with Elfa 332, Dynacord and Pioneer CT-W
Side B is recorded with Tascam DR40-x and Panasonic RN102

Field recordings:

Side A
Stratosphere at approx. 45000m
Flies on shit (Tusheti, Georgia)
Port (Poti, Georgia)

Side B
Underground station (Rustaveli, Tbilisi)
Stratosphere approx. (8000m-45000m)

#giraffetapes #GRFTPS004 #tetenoise #piano #tapeisnotdead #stratosphere #fieldrecordings #preorder #album

Sea of Tranquility

Sea of tranqulity

B3. Tete Noise - Stratosphere [part II] (GRFTPS004)

O.V.  https://soundcloud.com/noirmoderne/espace-negatif

Noir Moderne - Espace Negatif (Senglar Space X Rmx)

JULIE ROUSSE (1979) lives and works in Paris // Sound artist, improviser performer and electroacoustic composer. Her work is diverse and expressed through many different projects : live performances, electroacoustic composition, sound installations, music scores for film, dance and video art.
Before all she is a nomad phonographer and a noise lover.
She has played in many different venues and festivals around the world - from Afghanistan to Chile.

LAFKEN KÜRÜF

Julie Rousse - JlR

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