Julio Moreno Trio: Gran Patagonia, Volume 2

Stratocaster Boogie

Julio Moreno Trio, Volume 1

Chino Capuchino

Pace Blues

08 - When My Baby She Left Me (Sonny Boy Williamson)

Evangelina Baronio - Bajo
Alejandro Briglia - Batería 
Pablo de la Loza - Teclados
Julio Moreno - Guitarras eléctricas,lap steel.



01 Chino Capuchino (Julio Moreno)

Evangelina Baronio - Bajo
Alejandro Briglia - Batería 
Mario Gimenez - Percussão
Julio Moreno - Guitarra eléctrica
Gravado no dia 17 de Maio do 2007 no Teatro Municipal de Bahia Blanca, Patagônia Argentina.

10 Cissy Strut (The Meters)

Diego Orrico: Voz, Gaita 
Julio Moreno: Violão e Slide


02 - It Ain´t Easy   (Sonny Terry)

In his most recent complete acoustic work, album Road Trip Guitars, the musician presents an album with influences of North-East Brazilian Music  and styles such as folk-rock, country, blues and Americana, where the guitars accompany an epic adventure in the desert, full of unique figures; western cowboys, wandering gauchos and cangaceiros engaging in a dialogue with the landscape, in an imagery that turns them into characters of underground mythologies.

Baguales

The Patagonian plain evokes  melodies which in their journey merge cultures. Thus, in Camino a Piedra del Águila, the "cuatreros"  will play to the cattle at the at sunset, through ancient Welsh trails.

Cuatreros

The Patagonian plain evokes  melodies which in their journey merge cultures. Thus, in Camino a Piedra del Águila, they will play to the cattle at the at sunset, through ancient Welsh trails, while mixing in thought surreal images, such as  those produced by the same amanita that inspired the theme of the old Nordestino hunter, "of long boots, of long beard "in Avôhai.

In his most recent complete acoustic work, album Road Trip Guitars, the musician presents an album with influences of North-East Brazilian Music  and styles such as folk-rock, country, blues and Americana, where the guitars accompany an epic adventure in the desert, full of unique figures; western cowboys, wandering gauchos and cangaceiros engaging in a dialogue with the landscape, in an imagery that turns them into characters of underground mythologies.

Special entries by Jorge Itacaranha (rabeca)

Avohai -  Zé Ramalho

The slide guitar in Rio Colorado together with the steel strings in Trelew and the melodies that seek the 
White sea from the plateau, merge a road trip where our "Trinity" rides whistling the tune Blowin in the Wind, and maybe, help us from the window of a bus, to find the answer that hangs in the wind.

Rio Colorado

In the desert, full of unique figures; western cowboys, wandering gauchos and cangaceiros engaging in a dialogue with the landscape, in an imagery that turns them into characters of underground mythologies. In this road trip, where our "Trinity" rides whistling the tune Blowin in the Wind, and maybe, help us from the window of a bus, to find the answer that hangs in the wind.

Trinity

The Patagonian plain evokes  melodies which in their journey merge cultures. Styles such as folk-rock, country, blues and Americana, where the guitars accompany an epic adventure in the desert, full of unique figures; western cowboys, wandering gauchos and cangaceiros engaging in a dialogue with the landscape.

Real Life

The cult of the horse and the death dialogues with rivers, mountains, seas and plateaus giving rise to a music of inclemency, whose cadence shines in intimate memories of sad passions and ruthless stories.
The Patagonian plain evokes  melodies which in their journey merge cultures. Thus, in Camino a Piedra del Águila, they will play to the cattle at the at sunset, through ancient Welsh trails, while mixing in thought surreal images, such as  those produced by the same amanita that inspired the theme of the old Nordestino hunter, "of long boots, of long beard "in Avôhai.

Trelew

Viola

Blowin In The Wind - Bob Dylan

White De Tarde

The cult of the horse and the death dialogues with rivers, mountains, seas and plateaus giving rise to a music of inclemency, whose cadence shines in intimate memories of sad passions and ruthless stories. 

The guitars accompany an epic adventure in the desert, full of unique figures; western cowboys, wandering gauchos and cangaceiros engaging in a dialogue with the landscape, in an imagery that turns them into characters of underground mythologies. The Patagonian plain evokes  melodies which in their journey merge cultures. Thus, in Camino a Piedra del Águila, they will play to the cattle at the at sunset, through ancient Welsh trails, while mixing in thought surreal images.

Camino A Piedra Del Aguila

Guitar player from Bahia Blanca, Buenos Aires, Argentina living and playing professionally in Salvador da Bahia, Brazil since 1991.

O guitarrista Julio Moreno sempre manteve, paralelamente aos seus trabalhos profissionais, projetos alternativos e dentre eles, este trio onde experimenta uma mistura de rock, blues, country e funk. Atualmente mora em Salvador, Bahia, onde atua há 23 anos  como músico freelance, tocando guitarra elétrica e acústica, slide e nos últimos anos faz parte da nova safra de instrumentistas de guitarra baiana.

Julio Moreno

Popular tracks