running classical

Get ready for Chopin's 3rd Ballade, Op. 47, a sunny and optimistic tale with a side of dance and mischief. It's like a feel-good movie compared to the darker, stormier siblings in the Ballade family.

Featuring two main themes that play "opposites attract," our first melody soars sky-high, before echoing left-hand responses. Then, a burst of celebratory arpeggios adds some fireworks. The second theme? A flirty dance number, dipping into minor keys but never fully embracing tragedy.

Watch as the dancelike theme gets all dressed up, while the first remains elegantly unchanging. And let's not forget the flamboyant, keyboard-spanning joyride in between.

Written in 1841, the 3rd Ballade proves that Chopin's final decade was nothing short of musical genius. We might never know the exact story behind this lyrical piece, but its narrative roots and natural flow make it the most romantic of the set.

So, sit back and enjoy this delightful Chopin adventure, where epic narration meets warm-hearted charm, and let your imagination fill in the blanks! 🎹📖💃🌞

Live from the National Concert Hall in Dublin, Ireland, 11th October, 2010. Please comment and share!

Unedited
My SoundCloud Channel: https://soundcloud.com/archie-chen
Official Website: http://www.archiechen.com
Youtube DIPF https://www.youtube.com/c/PianofestivalIe
Youtube Archie https://www.youtube.com/c/ArchieChenPianist
Festival Website: http://www.pianofestival.ie
Teaching Website: http://www.pianoacademy.ie

Piano: Hamburg Steinway D
Piano Technician: Paul Wade
Recording Engineer: Darby Carroll

Frédéric Chopin Ballade no. 3 In A Flat Major, op. 47

Conga del Fuego Nuevo - Arturo Márquez - OFUNAM

Mazurka in E Minor, Op. 41 No. 2

Mazurka in C Sharp Minor, Op. 63 No. 3

Mazurka in a Minor, Op. 68 No. 2

Composer: Manuel Ponce (1882–1948)
Piece: Intermezzo No. 1 (1909)
Piano: Carlos Márquez

Forgotten Piano Gems Vol. 1

Intermezzo No. 1

Manuel Ponce: Intermezzo No. 1

Waukesha North Symphonic Winds & Percussions, Spring 1991, WSMA Large Ensemble

Dmitri Shostakovich - Festive Overture

AYRE “... a song-like vocal or instrumental composition."
And with that, The Oxford Dictionary of Music, has easily summed up the
wide selection of music found on David Lanz and Kristin Amarie's latest
masterwork, AYRES.
Herein you will find, intimate vocal and solo piano performances along side
sweeping orchestral arrangements in support of vocals, choir and several
instrumentals centered around the piano and cello.
Award-winnning soprano, Kristin Amarie, and Grammy Nominated pianist,
David Lanz, are beautifully supported by Emmy winning arranger and
composer, Kurt Bestor, conducting The Utah Film Orchestra.
Danish classical guitarist, Lars Hannibal and American Game Of Thrones
cellist, Cameron Stone, are among those who offer their masterful musical
gifts in enhancement of these works.
Bach's classic Air on the G string, is reborn within an engaging Amarie vocal
in this contemporary orchestral rendition. AIR features very special quest,
original Procol Harum organist and composer of A WHITER SHADE OF
PALE, Matthew Fisher.
PADRE NOSTRO (The Lord's Prayer), and GLORIA IN EXCELSIS DEO, two
ancient prayers are performed here in Italian. Of note, the UK's premiere
singing group, Apollo Five, join Kristin Amarie and American tenor, Dallyn Vail
Bayles, and together they elevate GLORIA IN EXCELSIS DEO, in heavenly
fashion. A third prayer from AYRES, the classic, AVE MARIE, is performed in
it’s classic Latin text, supported by Libera's English boy star treble, Luca
Brugnoli. All three hymns retain their original texts, but have been
recomposed by Lanz and Amarie and cast in new musical settings.
AYRES also features newly composed vocal and instrumental music, written
and arranged for piano, cello, classical guitar and orchestra. All are given a
modern Classical Crossover treatment. In particular, DEMAIN DES L'AUBES
(Tomorrow at Dawn). A hauntingly beautiful piece, composed around Victor
Hugo's poem about the tragic death of his daughter, Léopoldine. Sung in
French by Kristin and supported with piano and chamber orchestra.
Over the last decade, Kristin Amarie and David Lanz, have forged a musical
union that is truly inspired. Performing, composing and producing in
collaborative and solo recordings, this musical power couple has amassed an
impressive body of work.
And now with AYRES, their latest collaboration, they are once again hitting
new heights! Here is a rich and beautifully conceived album. An album who's
spirit invites the listener to immerse themselves in a very personal and soul
soothing musical experience.
CREDITS
All music produced by Lanz/Amarie/Bestor except * produced by Lanz/
Amarie
1,2,3,5,7,9
Utah Film Orchestra arranged and conducted by Kurt Bestor
Orchestral Engineer - Michael Greene
Funk Studios, Salt Lake City, Utah
Piano and vocals recorded by Nicolas Ntimas
Lanz Home Studios, Pafos, Cyprus
Mixing Engineer - Don Murray
Los Angels, California
1,2,5,7,9,10
Mixing Engineer - NN Music Production, Nicosia, Cyprus
3,4,6,8,11,12
Mastered by - NN Music Production, Nicosia, Cyprus.

AYRES

AVE MARIA

PIETRO MASCAGNI - intermezzo  from cavalleria rusticana

The String Quartet No. 16 in E flat major, K. 428/421b, was composed by Wolfgang Amadeus Mozart. This is the third of the Haydn Quartets, a set of six string quartets he wrote during his first few years in Vienna and later dedicated to Joseph Haydn.

It is in four movements:

I. Allegro non troppo
II. Andante con moto
III. Menuetto & Trio
IV. Allegro vivace

The first movement is highly chromatic, with the chromaticized bridge theme in the exposition being one of several examples, the end of the exposition being another.

The slow movement "invokes ... the slow movement of Haydn's Op. 20 No. 1. The ostentatious dissonances of its opening almost have an antique flavour, caused by the collision of semitonal ascents and descents, and this strongly suggests the opening subject of the first movement, so surprisingly isolated there."Other commentators hear it as pointing forward to Johannes Brahms.

Retailers:

Deezer:
http://www.deezer.com/album/11116224

Tidal:
http://listen.tidal.com/album/53171424

Amazon:
http://www.amazon.co.uk/Mozart-Project-Mozartisan/dp/B014MVAV7Y

Rhapsody
http://www.rhapsody.com/artist/mozart-2/album/mozart-symphonies-sonatas-serenades-concertos-and-overtu

MediaNet
http://www.mndigital.com/content-experience/music_content/albums/378851987/Wolfgang_Amadeus_Mozart/Mozart_The_Essential_Collection/

Mozart - The Essential Collection

Napster

Quartet No. 16 in E-Flat Major, K. 428: II. Andante con Moto

Pyotr Ilyich Tchaikovsky - The Nutcracker Suite, Op. 71a. III. Waltz of the Flowers

9. Brad Mehldau: Love Sublime [arr. Patrick Zimmerli]

Chopin may have first dabbled in the world of Impromptus in 1834, but it wasn't until six years after his death that his "Fantaisie Impromptu" hit the streets (and eventually inspired the Tin Pan Alley classic "I'm Always Chasing Rainbows"). His earliest published Impromptu was in A-flat Major, written in 1837, the same year he met the one and only George Sand. Dedicated to Countess de Lobau, one of his fancy-pants pupils, it was published in December.

Fast forward to the summer of 1838, and Chopin's health was in serious decline. In a move that would make anyone question his judgement, he decided to spend the damp Parisian winter on the sunny, fresh-aired island of Majorca (which his friends, who had never been there, assured him was delightful). Spoiler alert: it was not delightful. Terrible weather, shabby accommodations, and a distinct lack of a piano meant that by the time he was diagnosed with TB, things were looking pretty grim. But a piano finally arrived from Paris, and by the end of December, Chopin was well enough to start composing again.

The Impromptu No. 2 in F-sharp Major, which was sketched during his unfortunate stay with George on Majorca and completed at her country house in Nohant, has the chill vibes of a nocturne. The opening section has two contrasting melodies, and the central episode is all about a more assertive theme with a dotted-rhythm ostinato in the bass. The big surprise comes at the end, when the opening phrase returns in the unexpected key of F Major, delaying the reappearance of the second theme with some sweeping figurations in the right hand.

Live from the National Concert Hall in Dublin, Ireland, 11th October, 2010. Please comment and share!

Piano: Hamburg Steinway D
Piano Technician: Paul Wade
Recording Engineer: Darby Carroll

My SoundCloud Channel: https://soundcloud.com/archie-chen
Official Website: http://www.archiechen.com
Youtube DIPF https://www.youtube.com/c/PianofestivalIe
Youtube Archie https://www.youtube.com/c/ArchieChenPianist
Festival Website: http://www.pianofestival.ie
Teaching Website: http://www.pianoacademy.ie

Conga del Fuego Nuevo - Arturo Márquez - OFUNAM

juliocastromx

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