THANK A NEW DAY IN COMPOST PLANET

Humans are the only species who preserve a lasting relationship from parents to children and vice versa after the offspring has reached adolescence. This can be curse and blessing at the same time in some cases, but overall it is a gift in my view. We will stay the children of our parents for a lifetime obviously. Once you have realized this and don't consider it a threat anymore you are given the chance to close the circle in a peace- and beautiful way.


Photo (c) Laurent Bayeux

One Day When it was Time to Come Home

This is an original arrangement from the original soundtrack movie “A Nightmare On Elm Street” (1984).
 All instruments, effects are performed, recorded, and mixed by myself. 
For more information, see my public Profile

A Nightmare On Elm Street Tribute - Charles Chambaz

Original music, arrangement, piano, organ, bass guitar, drums, J.J. Terrell on.soundcloud.com/ErEWw3bHuvBBFXuw7
Guitar (Nylon electro-acoustic guitar Cordoba GK studio) and final mix by Neno J.

Tango passionato (Collab with J.J. Terrell)

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

Burnin Daylight (from the half-life project on bandcamp)

-> https://andersson-arte.com

Bandcamp [ https://mkandersson1982.bandcamp.com/album/mamamuski-remix-prerelease ]
Kindle eBook [ https://www.amazon.com.au/Unadulterated-Thought-Mechanism-Andersson-Arte-ebook/dp/B0DBP4WJL7 ]
-
I took an old demo I recorded and tinkered with it in some apps to see what I could come up with. I dare say this is a bit of silly fun, lol.
-
Mamamuski is an exuberant and incredibly catchy remix of one of my old bedroom recordings. This single will be available as a free Bandcamp exclusive up until its official release to major music platforms on November 30, 2025.

… Have you seen him?

Marty Andersson: Mamamuski (Remix) | Free Bandcamp Exclusive (Exp. Nov 30, 2025)

Tiristor

Wonderful dawn atmosphere nearfield recording by The Night Owl🦉

The Deep Forest

Saturday 4:30 a.m.

Guitar, vocals, arrangement - Lizzie Taypen
Photo - Dunavon Woods - Lizzie Pentland
Recorded early this morning on my phone, a simple take when it was quiet.
I am finding it quite difficult to play my guitar now because of my arthritis, so  good to play a little. 
Happy Solstice to all of you!!

She moved through the fair ( Trad Cover)

■概要(overview)
自分の中の夏をイメージしました。
It was inspired by the summer inside me.

■歌詞
過ごした夏の数
まどろみの岸辺で
さざ波の記憶を
たどっているような気分
それは潮の綾

太陽を吸い込んだ
波の揺らめきが
瞼の裏で
揺れているずっと
寄せて返す幻

誰かが名前を呼んでいて
僕は浮かんでいるだけなのさ
時間が海に溶けはじめたころに
夏の風が冷たく感じて岸に向かった


モノクロームの夏
音の無い岸辺で
光の名残に
触れていたいような気分
夜が近い

波間に溶けていった
夏の幻が
瞼の裏で
僕を呼んでいる
その音で目を覚ます

誰かが波間に石を投げて  
小さな輪が広がっていった  
光と影をまといながら  
ちゃぷ　という音が胸に残った

いつまでもここにいたいな
浮かんでいたいよな
名前も忘れてしまったような
誰かに会いたいような

■Lyrics(google translate)
The number of summers I've spent
On the shore of my slumber
I feel like I'm tracing the memories of the ripples
It's the tides
The swaying of the waves that absorbed the sun
Swaying behind my eyelids
An illusion that keeps on ebbing and flowing
Someone is calling my name
I'm just floating
When time started to melt into the sea
The summer wind felt cold so I headed for the shore
Monochrome summer
On the silent shore
I feel like I want to touch the vestiges of light
Night is approaching
The illusion of summer that melted into the waves
I'm calling to me behind my eyelids
That sound wakes me up
Someone threw a stone into the waves
A small circle spread
Clad in light and shadow
The sound of splashing remained in my heart
I want to stay here forever
I want to float
I feel like I've forgotten my name
I want to meet someone

ちゃぷ(chapu)

While I was in the hospital, I was surrounded by the warmth of many people and was able to quietly regain my body's homeostasis. At one point I couldn't think of anything. I was that tired. Then I recovered and, like a miraculous jackpot on a slot machine, I got myself back. This is a treasure that cannot be exchanged for money.

I was reborn as myself. It was a very coincidental event (326)

I have always been fascinated by the first Planet of the Apes movies so I thought I'd write a song about it. Special thanks to David (Hand on the Rock) for inspiring me to write this song and for helping me with the chorus lyrics.
***
In the planet of the ape’s movie in 1968
Astronauts crash landed on a planet that was in a sorry state
They stumbled across a society intelligent of apes who could speak
And there were humans, but they were mute and weak
They’d been asleep in their hibernation pods and 2006 years had elapsed
And somewhere during that time humanity had collapsed
And the astronauts didn’t realize they were on the planet where they’d been born as the apes hunted them and they hid in a field of corn
Just like Charlton Heston, we could be walking on that beach
To late to save our Lady Liberty, she’s been toppled sunk and breached
You maniacs you blew it up will we rant and rave like Chuck
Hope it’s not too late, who wants that monkey fate, hope we smarten up
I wonder what those apes are thinking as they’re sitting in their cages at the zoo
Are they biding their time, making plans for what they’re goanna do
Are they dreaming of the day when they’re on the other side of that glass wall
Are they patiently counting the minutes, waiting for humanities downfall
The apes killed one of the astronauts and they stuffed him and put him on display j
Just like trophy hunters do with animals today
The Astronaut named Taylor, he got shot in the throat
He was unable to talk, so he got a pen and showed the apes what he wrote
The apes realized he was intelligent, and it shook them to their core
And the forbidden zone was a place they weren’t supposed to explore
Taylor met a girl he named Nova, she couldn’t talk but she was pretty.
A couple of apes helped them escape to what used to be New York city
And they rode together on a horse on a beach that looked like the west coast
Until they found that statue and realized humanity was toast
Just like Charlton Heston, we could be walking on that beach
To late to save our Lady Liberty, she’s been toppled sunk and breached
You maniacs you blew it up will we rant and rave like Chuck
Hope it’s not too late, who wants that Monkey Fate, hope we smarten up
The planet of the ape’s is supposed to be science fiction
Let’s hope it doesn’t turn out to be an accurate depiction

Planet of the Apes

drums by https://soundcloud.com/plex-auchta
vocals and guitar by andrew salvner (aka lil' spaceman)

compost the oligarchy

Mark says - 
In the 5 years I have been working with Rod, I have been encouraged to reach as far as my experience allows me to, with complete support at all times. So far we have completed 11 songs and have experimented with several others that made for a great learning curve for me, with several more at other stages of development... Watch this space, however as we are methodical and patient, therefore it may take some time to get them off the ground.

The subject matter of this song may be based on a different scenario but it is also a token of my gratitude to my inspirational collaborator and friend Rod, who has given me much confidence to rise to the ambition of his musical creativity and meticulous arrangements. Thank you all for giving this song your time.

Rod says - 
This song was conceived a long time ago to be sung in Spanish, but Mark did a magnificent adaptation with his English lyrics, and the meaning is 100% faithful to the original spirit, even though he hadn't heard the original song in Spanish. Technically, there are three voices together, consolidating a multi-vocal performance. The synth sounds emulate my old analog and FM synths, and the guitars were routed through an old console to achieve the vintage sound I was looking for.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix - @rplanes
Me - Vocals and lyrics
Image by Douglas Corrance

Thank You (Rodolfo Planes/Mark J Bennett)

I would like to tell you just how grateful I am,
And also how important you’ve been here in my life.
I know I don’t need to draw you a diagram,
Thank you for being there all this time as my wife.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
 
No need to show me all of your gratitude,
I already know how much you show that you care,
When you were prepared to move to my latitude,
Then I was convinced I was ready to share,
My life with you whatever it threw at the both of us.
I know that it’s true, no matter what you care to say.
I’ll always need to express all of my thanks to you 
This will always be true on that I swear.
 
I would like to tell you just how grateful I am,
And also how important you’ve been in, in my life.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
Then I was sure that I was ready to share,
My whole life with you, whatever that meant for the both of us.
I know that it’s true, whatever you say.

This song on Continental Collision's own cloud - https://soundcloud.com/user-517923604/thank-you

Thank You - Continental Collision (Rodolfo Planes & Mark J Bennett)

Lumbertubs

Inner

The Soul you didn't Know

Julius Granell , born in july. It has been 13 years that he lives on the Island of El Hierro, Canary Islands.origen Barcelona
There, his life and music is inspired by nature, people and animals of this region. In his home studio he works on sounds , develops and records them.
His musical evolution is based on strings and their fascinating behaviour.
After having played in several bands in Barcelona, he nowadays creates his sounds, primarily ambient, in solitary. 
contact: roskotrosko@gmail.com
https://juliusgranell1.bandcamp.com/
artwork of profile head image by stella hagemann 
https://www.instagram.com/stellahagemannn/?locale=us&hl=am-et
https://www.flickr.com/photos/132613441@N02/

(Don't follow me here, best on my main page ;)

Tiristor

Julius Granell

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