Written in 2018
Performed by smoked poets in 2020
Music by @kareemsamaramusic

Warriors - Music by Kareem Samara

Lively Latin Beats courtesy of WIff & Bengi.

Bengi - Vocal, Piano & Guitar
Alex Rizzo - Drums, Percussion, Programming
Produced by Alex Rizzo

Skeewiff In Brazil (2014)
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Skeewiff have never been short of a bossa or two. Since the early days, their love for wild fusions of exotica, lounge, funk, breaks and electronics has meant that they are no strangers to the wonderful palette that is the music of Brazil. Early flirtations with the subject included their Epic battle against Big Les, their cover of Quincy Jones’ Soul Bossanova, and of course their take on Esquivel’s Miniskirt :wolf whistle:
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But it wasn’t until after they were commissioned to co-write and produce Brazilian artist Pat C’s fourth album “Romantic” by Rambling Records in 2006 that things got serious. It became a love affair, and a year later, after they completed Pats album, they set about making a Brazilian inspired album of their very own.
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Naturally, this meant that any of the large and growing Skeewiff family that were also that way inclined simply had to get involved, which explains the gargantuan musician and featured artist list!
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Obviously Rayna had to feature again. She is of Brazilian descent and their collaboration on the Ghetto Latin &amp; Broken Ballroom was simply legendary. Dead cert to feature. Then of course there is Skee-veteran Daniel Hewson who first appeared on the Man Turns animal album. He simply had to be called in, as he has a doctorate in bossa nova. The hip-hop legend that is Bam from The Jungle Brothers is however, a little more unexpected, but not a surprise when you realise that Skeewiff have co-written and produced Jungle Brother albums in the past.
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New members to the skee-family include the wonderful voice of Catarina Dos Santos who features as a vocalist on many of the tracks on this album, but is also an incredible samba percussionist, composer and producer herself. Then there is Bengi, another multi talented musician who sings, plays bass, gutar and keys on a couple of tracks. Even Sol Galaretta, bossa nova singer on previous Skeewiff alter-Ego IKON re-collaborates to add the final icing to the already abundant cake.
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This album, that started its humble voyage back in 2008 with the co-incidentally titled track Sailing boat being written in a modest studio in Acton, West London, has culminated in tracks like Blame it on Rio, written and recorded in 6 different studios across the world. It is an homage to all the music that have inspired all the artists that appear on it. A musical pilgrimage for Skeewiff and all who sail in her.
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#Brazil #GetSome

Skeewiff Feat Bengi - Samba Furiosa

Girl Lost

A lira do samba 4. Apresentado por Vandrigo Tavares Bastos. O melhor do samba você encontra aqui, certo?

A lira do samba 4

'Military' performed by a  3 piece percussion ensemble called Bam Bam Drum Band.
Check out their LED Glow Show: https://vimeo.com/142853257 


Breaks - HipHop - Samba - Live Drums

'Breaks' performed by a  3 piece percussion ensemble called Bam Bam Drum Band.
www.bambamdrumband.com
https://vimeo.com/142853257 


Breaks -  Funk - Live Drums

Primera producción de la agrupación mexicana de Latin-Flamenco La Forja.

Sevillanas del romero

- exaltasamba 2009 - no samba a gente bota pra quebrar

Gostou do que ouviu? Fortaleça a música independente compre aqui o disco:
www.laboratoriofantasma.com/loja/

itunes.apple.com/br/album/o-glori…unca/id683438010


Samba do fim do mundo (Emicida/Felipe Vassão)
BR-X6F-13-00031 - Laboratório Fantasma

Somos a contraindicação do Carnaval
Nagô do tambor digital
Fênix da cinza de quarta, total
O MST da rede social
Sabendo de onde vêm as crianças, alarma
Assim como cê sabe de onde vem as armas
Grana de judeu, petróleo árabe, negócios
Mas sangue e suor são sempre nossos, chefe

Vai ter 157 e 12 lá
Enquanto a Unicef vier depois das HK
Sem blefe ou teoria 
CDF do que não presta, olha pra esse lugar
E os rapper brinca de cafetão, vim tipo um afegão
Estoura o champanhe, ri da própria extinção
Corremos como Alain Prost 
E o prêmio? Frustração, pondo pra baixo, tipo a sombra do Ghost
Nova Tropicália, velha ditadura
Nossa represália, fuga da vida dura
Ação necessária por nossa bandeira
Que isso é a reforma agrária da música brasileira

Quantas noites cortei
É importante dizer
Que é preciso amar, é preciso lutar
E resistir até morrer
Quanta dor cabe num peito
Ou numa vida só
É preciso não ter medo
É preciso ser maior

Somos a bomba, redenção, Napalm
Miséria, cartão-postal
Brasilândia, Capão, Vidigal
Estopim da guerra racial
Foi Amistad, pouca idade, hoje Jihad, problema
Revolução morena
Que se descobre
Quando vê no sistema essa máquina de moer pobre
Os porco reina, orgia
Favela queima como congresso deveria
Eu falo de suor e calos, traumas e abalos
Almas e ralos, São Paulo

Fumaça feia
Capitães do mato versus capitães de areia
Tristeza, pé no chão
No país referência em arma antimanifestação
Ódio na íris, drogas num pires, terra brasilis
Ambição, olhos de Osíris
E só parar quando pôr uma faixa preta no arco-íris

Quantas noites cortei
É importante dizer
Que é preciso amar, é preciso lutar
E resistir até morrer
Quanta dor cabe num peito
Ou numa vida só
É preciso não ter medo
É preciso ser maior
Ê,ê,ê,ê...
 
Ficha técnica
Voz: Emicida
Participações especiais: Fabiana Cozza e Juçara Marçal 
Percussão: Carlos Café
Viola 10 (caipira), sanfona e programação: Felipe Vassão
Synths: Felipe Vassão e Maurício Fleury
Gravado no Parede e Meia por Bruno dos Reis, na Timbre e na Loud por Felipe Vassão e no C4 por Luis Lopes e Gabriel Bueno


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