Over & Over

The Bones Of What You Believe

Lungs

Available now on iTunes!
http://smarturl.it/10K

Produced by Kennedy http://kennedykarate.com

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Candy

10,000 Emerald Pools

that's sad

[Intro]
[Drop]
[Music]

පය දුවපු තැන හිත දුවන විඳි ගැන
Where the feet once ran, the mind still keeps running.

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

නැටවෙන ගති ගැන හිතුවද හිතුනද
When habits stir and old patterns dance within, did you notice, did you think of it?

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සෙලවෙන ගත අනුව සිතුවිලි හැදුනද
As moods sway and shift, thoughts are shaped and formed.

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

මොහොතින් එහාට හිත පැන ගියාද
Did the mind leap beyond the moment, running ahead?

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

Artist Note

This song is built around a single, simple reminder: “සිහියෙන් ඉන්න” — be with awareness.
Each line reflects the natural drift of the mind — running where the feet once ran, moving with old habits, carried away by thought and mood. But every drift becomes a chance to return, to notice, to observe the moment as it is.

The progressive flow of the music mirrors this movement of the mind: rising, shifting, echoing, then settling back into presence. It is not about forcing silence but about witnessing how thoughts arise and fade. In this way, every beat, every pause, becomes an opening into stillness.

The song is a practice in itself: listening with awareness, feeling with awareness, and returning to awareness. A reminder that in the dance of thoughts and sensations, liberation begins with observation.


At the end of this version , the shifting tempo itself becomes part of the reflection. By altering rhythm mid-note, the listener’s perception of the voice is unsettled — what seemed like “someone” singing is revealed as just sound, just vibration. The familiar sense that a voice must belong to a person begins to blur.

This  technical blend showcase how Dhamma can be mirrored in audio form. It shows how easily the mind generates the thought of “a person” or “a self” behind an experience, even when all that is truly present is sound, changing and passing. In this way, the music becomes a direct demonstration: the “singer” is only a momentary construction, and awareness is free when we see through that veil.

In The Morning

junior_boys

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