Another visit to the absent detective for Disquiet Junto 

This weeks instructions were to use a recording of typing as the rhythmic basis of a track. For some reason despite not having taken part for sometime this grabbed my imagination.

Most of the track apart from the solo is a supercollider program. Using machine listening to derive the timing from my typing. Despite my original intentions being very different the combination of typing and the patterns somehow got me in a blade runner/noir kind of mood and I leaned right into that. Indulgent but sod it 

If you are wondering what I'm typing it is this nonsense - I didn't want to have too big gaps between lines so I just kept typing. I think we can all agree it is complete bollocks: 

"The door swung open. It hadn’t been locked

I cautiously went in. The place was in disarray, chairs tipped over, rubbish everywhere. One window slightly open.

I surveyed the scene - was the occupant just a very messy person or had the place been turned over. I was never to find out. 

I heard a noise outside and before I had chance to react a woman came bursting through the door. 

“Ah there you are” she started 

She was kind of out of place, well dressed, a nice dress, furs. Classy - not like this dive 

“Look I’ve been phoning all week. I simply must know how you are getting one” 

“I’m not who you think I am” I said 

She stopped and looked at me

“And who do I think you are?” 

“well…” 

“God man - focus. Now look about the case - I need to see some progress. Not you dithering about here in this office. Get out there. Get some work done. I’m paying you enough” 

And with that she left "

disquiet0483  Absent Words

My breath and our cat, Lulu's, purring. The original recordings are subjected to distortions, gatings, and convolution and blackhole reverbs. They are also filtered with frequenies and resonances modulated by envelope followers on the breath/purr. The original breath is allowed into the mix here and there.
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More on this 539th weekly Disquiet Junto project – Control Breath (The Assignment: Let your slow breathing guide a piece of music) – at: https://disquiet.com/0539/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0539-control-breath/

with gated breath (disquiet0539)

Made for Disquiet 0539.  The Assignment: Let your slow breathing guide a piece of music.

It's fascinating that music, like breathing, can help us into transformed states. So I loved the idea of trying to create a piece of music that begins with, and evolves from calmly breathing. I expected to make something very mellow, some low pulsing and droney pads that compliments the breath, but once I started creating, I came up with something a little different. Added a little more energy, inspired by breathing, and observing the backyard. 

I sat in the backyard, half reclined in a chair, with the Zoom recorder on my chest, breathing. As thoughts came into my head, instead of waiting for them go away and going back to breath, I vocalized the thoughts. I noticed how some birds are living in a thorny rose bush, finding safety from predators (like my cats unfortunately) in a dangerous place. I noticed a new fence in the neighbors yard to separate a wild overgrown garden from a manicured lawn. Noticed plants growing tall, spreading seeds in the spring, and I wanted to let them all grow, to stop cutting it all back. With our gardens, and with life we build some fences, but the order may be just an illusion, it's still chaos underneath, and there's a kind of peace knowing that. 

Finished song in Ableton by listening to the breathing, adding things that came to mind, lots of Hybrid Reverb. Then did my first every recording with the circuit monostation through a talkbox pedal, which became the lead  part in this. That too was an exercise in breathing, and kind of messy. Looking forward to playing with that more. 

As someone weekly beats pointed out, this song itself has a bit of illusion of order - there's some chaos bubbling around underneath some calmer vibes.

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More on this 539th weekly Disquiet Junto project — Control Breath (The Assignment: Let your slow breathing guide a piece of music) — at: https://disquiet.com/0539/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0539-control-breath/

Illusion Of Order [disquiet0539]

An electronic sequence created around a simple rhythm track in 5/4 time.

More on this 540th weekly Disquiet Junto project – 5ive 4our (The Assignment: Take back 5/4 for Jedi time masters Dave Brubeck and Paul Desmond) – at: https://disquiet.com/0540/ 1

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0540-5ive-4our/

Metronome Morph (disquiet0540)

More on this 540th weekly Disquiet Junto project — 5ive 4our (The Assignment: Take back 5/4 for Jedi time masters Dave Brubeck and Paul Desmond) — at: https://disquiet.com/0540/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0540-5ive-4our/

VHF Alfie

halF fivE [disquiet0540]

Disquiet Junto Project 0541: 10BPM Techno
The Assignment: Make some snail-paced beats.
Option 1: Record some 10BPM techno.

For this weeks project I chose option 1. 
I used Logic Pro (it goes all the way down to 5BPM), two instances of SonicVibes Microtonic, time stretched samples and various synth plugins. Trying to make something this slow was interesting, the space between things is more apparent and made the sound selection more important, the space needed "space". Its only 16 bars long but runs for just over 7 minutes.... It's quite the dirge, with a few moments that reminded me of a certain soundtrack.....

APOB - 10BPM (A Clockwork Lozenge) [disquiet0541]

For the Disquiet Junto this week, I chose the option to "Record what you imagine it would sound like to attend a club event of 10BPM techno, including crowd noise."

I wrote a sequence at a normal-ish techno tempo, then slowed down the master tempo in my DAW to 10bpm. Techno typically evolves slowly, in blocks of 16 or so bars, and while I didn't quite stick to that, I thought it wouldn't feel really like it was 10bpm if I messed with the structure. So I decided to focus my efforts on making it sound at least a bit like being in a club.

I used convolution to feed the whole mix through a night club's PA,  using these free impulse responses. http://www.balancemastering.com/blog/free-funktion-one-impulse-responses-ir-irs-convolution/

I mixed the music with a couple of crowd / bar noise recordings from freesound.
https://freesound.org/people/Pfannkuchn/sounds/457606/
https://freesound.org/people/Tomlija/sounds/100904/

I faded the thing in and out, to give a bit more of a feeling of just a captured recording of a club night. I don't think the result is convincing, but it was fun to do.

More on this 541st weekly Disquiet Junto project — 10BPM Techno (The Assignment: Make some snail-paced beats) — at: https://disquiet.com/0541/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0541-10bpm-techno/

Image used thanks to this license: Creative Commons Attribution-Share Alike 3.0 Unported: https://en.wikipedia.org/wiki/File:Grapevinesnail_01.jpg.

Jet Jaguar - Slow Night [disquiet0541]

Tough assignment… This could have being called horror vacui since I couldn’t avoid filling with delay effects and adding some free form pianoforte arpeggios to escape that emptiness of 10bpm. I need to talk about this to my psychotherapist :slight_smile:

Tried playing it at 12x speed after recording it and doesn’t sound techno at all, so I guess it doesn’t fit the assignment very well. I am posting it anyway since at least it is at 10BPM.

Made with NI Maschine+.

More on this 541st weekly Disquiet Junto project – 10BPM Techno (The Assignment: Make some snail-paced beats) – at: https://disquiet.com/0541/ 1

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0541-10bpm-techno/

Ogni 6 Secondi (disquiet0541)

I'm uploading this for Disquiet Junto Project 0543: Technique Check. My technique that I'm sharing is I use sound memory instead of actual samples for my composition. Even when it's "incorrect," I find how I remembered the sound to be more interesting than using a direct quote. 

I think this comes from the fact that I was a classical pianist who refused to learn how to read for years. I memorized everything until I finally was forced by my teachers to learn to read. This was my first rebellion against the schooling of music. In honor of my youthful protest, I wrote this all in my head.

As I composed the main theme,  it kept blending in my head with the song, "You Are My Sunshine," probably because of C-D-E-F-A ("you ne-ver no-tice [how much I love you]"). So I put the song in my transition sections.

The Bach-like counterpoint isn't a real counterpoint. I just thought of the sound in my head and didn't carefully count intervals, chase fugues, or anything "formal." Everything in this piece is from sound memory. In the end, it seems like the materials will weave into some magical counterpoint, but shimmer away. It's a total sham! Or is it?

Hearing Things (disquiet0543)

Disquiet Junto Project 0544: Feedback Loop
The Assignment: Share music-in-progress for input from others.

More on this 544th weekly Disquiet Junto project — Feedback Loop (The Assignment: Share music-in-progress for input from others) — at: https://disquiet.com/0544/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0544-feedback-loop/

Mysterious Passage v11 [disquiet0544]

the feedback sentence, which i found remarkable:
"Don’t think it “needs” anything else"(Daniel Diaz to track from lazenbeeindustries)

the trio: dfam, mother 32, subharmonicum

When the flood comes(disquiet0545)






Update: All my music is now Creative Commons licensed. This means if you want to use it in a video or an app then go for it. All I ask is that you credit me and link back here to my soundcloud (http://soundcloud.com/junklight). It would also be cool if you could let me know you've used it. 


I love listening to music. I love making music 

I love technology, but only as a means to an end when it comes to music making. 

I'm after music that has life not music that is perfectly constructed 

Here is my music 