Name: Head Bowed, Voice Quiet, In The Warm Wind by junklight
Duration: 5 min 55 s
Description: a piano improvisation with uncertain loops

a piano improvisation with uncertain loops

Head Bowed, Voice Quiet, In The Warm Wind

QUIET YOUR MIND Relaxing Stress Relief SPA Music

This channel is on Relaxing Music, Reiki Music, Healing Music, Study Music, Space Music, Sleep Music, Instrumental Music, Mantras, Meditation Music, Piano Music, and Nature Sounds. Our music will help you relax, unwind, and rejuvenate through better sleep, reduced stress, greater concentration, and improved mental wellness.
 
HEALING VIBES can help you:
🔔 Fall asleep fast at bedtime.
🔔 Secret Manifesting Tools can help you put an end to occasional insomnia
🔔 Calms down the mind and release tension 
🔔 help you in Releasing negative emotions 
🔔 Boost Brain Development 
🔔 Pain Reduction
🔔 Quiet the nervous system 

If that sounds like it could be helpful for you, please join me! 
Feel better, be better, and do better 😁

QUIET YOUR MIND Relaxing Stress Relief SPA Music

A tale of a forest.

Limited edition boxes with photographs and wooden stick USB: https://bit.ly/48DxCev

Meierkord’s trademark rich, textured cello is punctuated with Ni!'s meandering saxophones, clarinet, and trumpet, mirroring both the sturdiness and ornate beauty of the woodland.

Ekosystem

Download

Henrik Meierkord & Ni! - Болото / Träsk

Luis Miehlich is a composer originally from Heidelberg in Southern Germany, who moved to the small town of Trossingen to study music design in a rural conservatory. He has previously released music through labels such as Archives, Hibernate, Inner Space Travels and also Whitelabrecs with Timecuts in 2019 and the final edition of our Home Diaries series back in 2020. He has also contributed to albums and compilations on eilean rec, Shimmering Mood Records, Ambientologist and El Muelle Records.

Through his studies, Luis has had the opportunity to develop formats for the concert hall and has been able to realise numerous concert projects, bringing together instrumentalists, experimenting with pieces from classical and early music, electronics and visuals. This developed into a further opportunity, in which he had the chance to perform live Ambient sets during a 3-stop mini-tour of japan. These live performances became the backbone of this album.

‘Re-Cartographies’ is based upon a three step process: first the music was sketched out to be played by an ensemble made up of fellow students. It was then rehearsed, developed and finally recorded. Luis then used these recordings to make new ambient pieces, using processing such as granular synthesis, rearranging and looping the material and using spatial effects.

The opening ‘Cartographies’ pieces developed upon the Home Diaries project, adding long silences to the approach to further explore the idea of slowing down time. Then around the same time, still during the Covid-19 pandemic, Luis started sketching small watercolour scores every morning. These later became the base for the two ‘Small Score’ tracks; photographs of these original paintings have been included inside the CD sleeve. These sketches left a lot of freedom to the musicians playing, only notating the contour and structure of the melodies to be played with no set pitches being specified. The charm of the resulting music stems from the fact that everyone interpreted the sketches differently.

At Trossingen, Luis became interested in revisiting these concepts and turning them into a concert programme and this album is made of music recorded in preparation for the concert, which had the subtitle Halbschlafkonzert, which translates to ‘half-asleep concert’. Luis enjoys the state of listening to music whilst almost dozing off to sleep, and wanted to create a stream of music that fits this somewhat subconscious listening-mode. 

Whilst compiling the material for this album, Luis was trying to work with space: The pieces, or blocks, often start out very intimately and end in big ambient spaces. Often, artists will approach ambient music using either synthetic or reverb-led drones, or through more traditional sound sources such as Modern Classical sound. Luis wanted to combine dry chamber music and enveloping ambient in one record and the result is something which feels half-asleep, yet focused at the same time, as Luis aimed to slow down the world.

Credits:
Elisa Wörner - Violin (5-10)
Viola Bürck - Violin (9-10)
Tristan Dorn - Viola (5-10)
Kevin Santana - Cello (9-10)
Haeseong Seo - Alto Flute (9-10)
Manuela Pinto - Clarinet (2-5)
Laura Mingo Perez - Piano (9-10)
Marius Jentschke - Guitar (3-5)
Luis Miehlich - Electronics (1-10) and Piano (1-8)
Franziska Kewes - Vocals, Lyrics and additional Composition (10)

Written and produced by Luis Miehlich
Audio Engineering by Luka Swoboda
Mastered by James Edward Armstrong
Cover art reinterpreted by Harry Towell
Original cover concept by Luis Miehlich
Art and design by Andrew Heath

Re-Cartographies

wlr153 Luis Miehlich - Re-Cartographies

MOS - Royal Piano - 25.JULY.2024
whisper TWISTS

Composed & Recorded 25.JULY.2024
PIANO SOLO

Antique Grand Piano LIVE
Piano music by Alpha-Do L&A
Album cover image by AI

CC:
Mic:
2 x SHOEP MK21
2 x AKG C414 XLS
1 x BAYER M130
Design:
Adobe Photoshop

alphado.ch

MOS - 6 - 25.JULY.2024

Enjoy the free download :)

YouTube link: https://www.youtube.com/watch?v=5R8XpL9Doog

I haven't released any music for quite some time now but I have been working on a lot in the background. 

I recently decided to work on a super chill track with intention that you listen too it while relaxing/mediating/working. I was unsure on what mood I wanted to convey so I've decided to leave that open for you guys to decide.

Finally,
I appreciate each and every one of you who takes time to listen to my music, it means a lot to me : )

Thanks,
 Harry

Milieu

"Adnasjur" - large wave or waves, coming off a succession of lesser ones

Music by Hammock
Artwork by Gregory Euclide

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: stationarytravels.wordpress.com/place-language/

Hammock - Adnasjur

[Ambient] - "Backwards From 10"

Free download http://bit.ly/2ECB8t0
Download 20 Must Have Tracks In 1 Click: bit.ly/20essentialspack

You can find the actual and current Terms of Use on the official website here:
https://olexandrignatov.com/termsofuse/

Lovely Romantic Piano And Strings - (Inspiring Beautiful Sentimental Music For Videos) FREE DOWNLOAD

track 6 on “Wilder Paths” by @BlackBrunswicker
currently name-your-price: 
https://blackbrunswicker.bandcamp.com/album/wilder-paths

Wilder Paths

Black Brunswicker - Light Returning

Summer Clouds#3






Update: All my music is now Creative Commons licensed. This means if you want to use it in a video or an app then go for it. All I ask is that you credit me and link back here to my soundcloud (http://soundcloud.com/junklight). It would also be cool if you could let me know you've used it. 


I love listening to music. I love making music 

I love technology, but only as a means to an end when it comes to music making. 

I'm after music that has life not music that is perfectly constructed 

Here is my music 

Head Bowed, Voice Quiet, In The Warm Wind

junklight

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