琵琶与云锣《时光的眼泪》 Tears of Time (Pipa and Yunluo)

《入戏》
- 为唢呐与小乐队而作
赵俊毅 作曲

马玮谦委约创作

唢呐：马玮谦
指挥：马文麒

Enter the Stage
- for suona and ensemble

Commissioned and premiered by Ma Wai-Him
Conducted by Ma Man-ki

《入戏》唢呐与小乐队 "Enter the Stage" suona and ensemble

A Little Night Music (2023)
- for Soprano Saxophone, Alto Saxophone and Baritone Saxophone

Conner Yoshimoto, soprano saxophone
Gustavo d'Amico, alto saxophone
Dalen Wuest, baritone saxophone

A Little Night Music

NOW! NOW! NOW! for cello solo

Composed by JunYi Chow

Dalen Wuest, shamisen
JunYi Chow, cello

Azure Encounter for Shamisen and Cello

Jack Diamond - The Curious Messenger

Lei Pupu 'o Ni'ihau

阿里郎 (古筝重奏) midi

秋叶（古筝独奏）

An Impression Of Kampung Life

Kampung Night 甘榜之夜

未知的專輯 (22-Jun-17 04:19:39 PM)

Kampung and the City

This piece describes the life of the Malay villages in South East Asia. It is composed using the unique tonality and the rhythm of Gamelan music and the joyous rhythm of the Malay Kompangs (Malay hand drums) was also used to bring out the regionalism. The chorus also performed body percussion and made use of small percussive accessories such as tambourine, triangle, shaker etc. while singing to further portray the joyous and happy occasions of the villages. This piece was awarded the first prize of the 2009 Palatino Awards which was organized by the Beijing Central Conservatory of Music, China.

作品以南洋一带的乡村风情为创作背景,分为慢-快-慢三个部分。作者在创作上不仅运用了嘉美兰音乐的音调等特 征,而且在快板中还巧妙结合马来音乐的节奏,使作品富有浓郁的地域特色。同时,为了充分体现热闹的喜庆场面,作者 还在创作中特意安排了合唱参与打击乐部分的形式,如:跺脚、拍手及演奏一些小型打击乐器等方式。此作品荣获2009年 由中央音乐学院主办的第四届帕拉天奴杯(合唱与艺术歌曲)合唱作品一等奖。

Spirit of the Rattling Earth 舞动的土地

Neon Nightfall

City Of Tomorrow

Deep In The City

Janger/ Chasing the Light

Jasmine 茉莉花

《幻想曲》Fantasia
- 为二胡与钢琴而作 for Erhu and Piano

赵俊毅 曲
Composed by JunYi Chow

演奏：
杨雪（二胡） Yang Xue (Erhu)
原丁（钢琴） Yuan Ding (Piano)

Fantasia 幻想曲

The Dancing Fish 鱼跃
- 为两把笛子与钢琴而作 
- for two Dizis and Piano

赵俊毅 曲
Composed by JunYi Chow

笛子：杜益兴、林栩权
钢琴：赵俊毅

The Dancing Fish 鱼跃

Getaran is a Malay word, which means the shaking, vibration, or even the feeling of pulse in this nature. However, my intent is to express the excitement emotion and the deepest expression in our inner self.

Music has always be the art of sound. As for me, music is not only to convey composer’s personal idea, but it is some kind of way that could connect and impress everyone, from composer to performers and finally the audiences. “Getaran” is the energy of nature, but I hope in here, by music, it became the medium or energy to bring everyone unite together, and communicate with each other with a different “language”.


Getaran for Orchestra

二胡与大提琴《幻化成风》
Becoming the Wind
- for Erhu and Cello 

二胡：张重雪
大提琴：张天进

Zhang Chongxue, erhu
Chang Tin Chun, cello

幻化成风 Becoming the Wind

Born and raised in Kuala Lumpur, Malaysia, started learning the piano and music theory at the early age of 5, Chow passed his grade 8 piano with merit and a received a distinction in music theory from The Associated Board of the Royal Schools of Music (ABRSM) as well as a performance diploma from the Yamaha School of Music. 
In 2005, Chow gained his admittance into Central Conservatory of Music, Beijing and received tutelage from WenChen Qin, Gang Chen and JianPing Tang. After graduation in 2011, currently Chow is taking master degree in Jacobs School of Music, Indiana University under P.Q. Phan.
In July 2010, Chow received the sponsorship by Goethe Institute of Malaysia to attend the 45th Darmstadt International Summer Course for new music in Germany. He organized open-space project “Sharing Idea of Chinese Wind Organ Instrument-Sheng” during the summer course.
Chow is now the composer-in-residence of Vivo Experimental Orchestra.  In the August 2010, together they organized “Homegrown Talented-The Three Musketeers” Concert, and premiered Chow’s Chinese Orchestra Piece “Vivo”(Dalele). Later in December 2010, Chow’s first symphony work - “Getaran”, commissioned and premiered by Malaysian Philharmonic Youth Orchestra, is performed in “Past & Present” concert that toured Kuantan, Penang and Kuala Lumpur  (Malaysia). In May 2011, Chow’s ensemble piece “A Night without Voices” was performed in “Malaysian Voices” concert, which is curated by Malaysian composer, Kee Yong Chong and presented by New Music Concerts in Toronto, Canada. In Oct 2012, Chow organized his first composition recital in Bloomington, United States.


JunYi Chow

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