Written over a span of 30 years, Jupiter Morrow's music looks for truth in the pain, with eyes wide and a heart that is open. An album for our time.

Jupiter Morrow | 30 Years in the Waking

Jupiter Morrow’s Run Into the Sky begins with a vision of the incorruptible, then plunges into the grit of the earth — anthems, chaos, and fractured voices — before circling back toward light. It’s an album of transformation, where skin, sound, and even the universe itself are shed like old clothing. Modern rock collides with electronic fusion, avant-garde surrealism, and cinematic crescendos in a journey that breaks apart only to rise again. A modern rock odyssey of shedding the corruptible and rising into the incorruptible.

Run Into the Sky

A cinematic western-folk requiem told in twelve parables — from desolation to communion, from dusk to dawn.
Harlan Crowe’s baritone carries the grit of the desert; Sora’s soprano carries its light.
The Spanish classical guitar is the road itself: steady, unbroken, eternal.

The Long Goodbye of Light

The Four Horses is a prophetic folk epic by Jupiter Morrow, tracing the rise and fall of mankind through the Four Industrial Revolutions — each one a rider in disguise.
From steam to silicon, from gospel to algorithm, humanity mistook invention for redemption, until the Pale Horse rode and silence followed.

But out of that silence come these songs — laments, prayers, and flickers of mercy still burning in the ruins.
They are not songs of despair, but of remembrance: the voice of those who saw the fire fall and still believed in light.

“We built the light that burned our days,
And still we kneel, and still we pray.”

This album is both warning and benediction — a cinematic hymnbook for the last age of men, and the dawn that follows.

The Four Horses

Buck Ramble — When the Money Ain’t Never Over

Found in dusty reels marked “Goodnight Trail Sessions,” these are the long-lost recordings of Buck Ramble — the saloon singer turned silver-screen storyteller who lived long enough to see cowhands become celebrities.

Every track is a campfire sermon in rhythm: part truth, part tall tale.
He sings about lawmen, outlaws, faith, denial, women, whiskey, and the strange mercy of knowing too much.
By the time the record closes with the title track, Buck’s world has shifted from trail dust to camera lights — but the heart’s still out there under the same sky.

Restored by Volant Records (All Worlds Reserved®).

Genre: Frontier Folk / Western Blues / Spoken Americana

“Stories are cheaper than bullets — but hit just the same.”

When the Money Ain't Never Over

Is It Wrong That I Didn't Cry?

Psalms 106

Psalms 109

Totem Pole Politics

White Knuckle Cruise Control

Homeworld

The Salt-Stung Oracle

Crackle of Departure

Leftover Coffee Rings

Proficient to the Day

If Only My Words Were Written

The Voice from the Storm

Bones of the Old World

A Little Higher Ground

Here it Comes, There it Goes

In the End You Die Alone (Radio Edit)

Your Best Life Now

Written over a span of 30 years, Jupiter Morrow's music looks for truth in the pain, with eyes wide and a heart that is open

Here it Comes, There It Goes

Manifest Us

The Last Days of My Youth

In the End You Die Alone

Let There Be Light

American Eyes

Eclectic Saints

Gravity Falls Up

Ashes in Stereo

My Girlfriend's Got Wires

Jesus Christ - 2005

Open Up Your Ears

Breath and Time

She Walked into the Sun

Morning Breaks the Stone

Where Mercy Lands

The Road to Galilee

The Morning Road

Dust in the Air

The Gentle Man

Miracles Still Happen

The Everlasting Gospel

The Fifth Horse

An instrumental odyssey through the infinite. *The Endless Symphony* translates the mathematical beauty of π into music — patterns without repetition, harmony without end. Each movement explores a facet of infinity: creation, balance, entropy, and return. Through orchestral textures, ambient electronics, and minimalist design, Avaline Ingels constructs a sonic architecture that feels both divine and human — precision guided by emotion.  
Piano, harp, and strings trace circular motifs while choirs breathe in golden ratios. Tempos shift by Fibonacci values, phrases extend by digits of π, and melodies evolve like galaxies forming. The album’s structure loops perfectly: the finale’s final drone blends into the prelude’s first chord, forming a seamless circle of sound.  
*The Endless Symphony* is not a story but a mirror of eternity — a composition that, like π itself, continues forever, revealing meaning only through motion.

Song of the Great Circle

This double-cycle work is the living scripture of Oblige — a continuous journey through mourning, memory, forgiveness, and union.
The album begins in the humid streets of New Orleans, where the dead are carried by brass and rhythm, and ends in a private universe where two bodies merge into one breath — heaven not as a place, but as perfect sync.

It’s both a funeral and a birth, a sermon and a confession.
Every track evolves sonically, emotionally, and spiritually — moving from earthly brass and drum to industrial gospel storms to chamber intimacy and, finally, into silence glowing with life.

Nothing repeats.
Each song transforms what came before — the tuba becomes thunder, the thunder becomes breath, and the breath becomes love.

Second Line to Heaven

Ride Slow, Sheriff Stiltskin

I'll Be Obliged

I Ain't Your Angel, Honey

We Don't Stay Anywhere

The Man Who Sang to Outlaws

The Prairie Sings a Hymn

Let Evil Men Judge Evil Men

The Luminous Descent is a cosmic oratorio chronicling the fall, transformation, and rebirth of a star-soul. It begins high in the trembling architecture of heaven and plummets through ruptured light into the depths of a crater older than memory. Across twelve movements and a final ascending coda, the piece follows a sacred cycle: collapse, revelation, purification, and return.

The journey opens with the catastrophe of The Orbit Breaks, where ancient equilibrium fails and gravity claims the star. Through the Rupture drags the listener through the torn mantle of the cosmos, into a corridor of pressure where sound bends like molten metal. In Where the Veil Cools to Glass, the descent slows long enough for the star-soul to touch the dimming membrane between realms, condensing its radiance into crystalline form. Halo of Dark and Light reveals a suspended equilibrium—half illumination, half shadow—preparing the soul for what waits below.

With Canticle from the Hollow Sky, faint hymns echo from unreachable altitudes, fading as the soul sinks further. Pressure Cathedral marks the entry into the core-chamber where cosmic weight becomes sacred architecture, every chord a stone column forged from collapse. The Starbone Reliquary uncovers what remains when brilliance calcifies: relics of ancient light preserved in the dark.

Touching the Crater Floor brings the soul to stillness, where impact becomes silence and silence becomes revelation. The Silence That Remembers Fire awakens memory—a distant echo of the star’s earliest light. As the soul ascends toward Shoreline of the Last Radiance, its form becomes diffuse, rejoining the luminous boundary between ruin and renewal.

The final movement, The Luminous Return, reclaims the upward path. The star-soul rises through the strata of its own unraveling, transformed not back to what it was, but into what it must become.

Then comes the coda.

Ember Throne Ascension erupts like a final breath of defiance—a molten electric guitar solo over a cathedral of cosmic sound. It is the spark that refuses extinction, the last ember erupting into brilliance before dissolving into the quiet beyond creation. The oratorio ends uplifted, electrified, ascending: not a fall, but a coronation in fire.

The Luminous Return

Halo of Dark and Light

Shoreline of the Last Radiance

The Starbone Reliquary

The Silence That Remembers Fire

Through the Rupture

Canticle from the Hollow Sky

Pressure Cathedral

The World Behind the World is Shadow Face’s most transcendent journey yet—
a glowing, surreal stutter-house odyssey through visions, fear, faith, and revelation.

The album begins in the neon-shadowed forest, where reality glitches, breath stutters, and the ground bends beneath trembling footsteps. What starts as a dreamlike mushroom trip becomes something deeper: a slow unveiling of the Presence behind everything. Track by track, the hallucination peels back until something holy steps through the colors.

By the midpoint, the album becomes a spiritual awakening wrapped in shimmering pads, chopped vocal echoes, and warm pulsing bass. The world cracks open. The sky breaks. And what pours through is light.

The final three tracks mirror the moment of stepping into the real world behind the shadows: running further up and further in, ascending the radiant hills of a realm more alive than anything before. Each chorus blooms brighter, each build hits harder, each lyric reaches higher.

This is an album about reality—
not the one outside your window,
but the one beneath your ribs,
behind your thoughts,
and beyond your final breath.

A dream.
A trip.
A revelation.
A breakthrough.

Welcome to The World Behind the World.

THE WAY YOU BEND THE NIGHT

THE ONE WHO WALKS IN LIGHT

Volant Records is a story-driven label and shared universe: cinematic concept albums, stutter-house, western sagas, haunted pop, and hymn-like instrumentals. Home to Jupiter Morrow, Avaline Ingels, Shadow Face, Buck Ramble, Choralith and more. All Worlds Reserved®.

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