Bring All Your Love To Me

My New Album Delta Dusk & Soul will be releases on a streaming platforms November 6th. This is a sneak preview for SoundCloud only. Let me know what is your most memorable song!

Lone Road Home

PUPPIES & RAINBOWS

Murder Ballad

Come As You Are (Country Version) - Nirvana

Get back to your country roots with this track!

Country at its Roots

Buck Ramble is older now—but not finished.
He’s traded horsepower for a rocking chair, the open range for a north-facing porch, and the need to run for the grace to stay. Across the River Stones is the final chapter in a life lived hard and redeemed slowly, where every song feels like a lesson learned the honest way.

He sings about summer storms on tin roofs, unsent letters that became fuel instead of regret, and the kind of dancing only a worn-out body can do with total freedom. He gives fatherly advice to sons both real and imagined. He revisits old legends—like Doc Holliday—not to retell history, but to bless the men who never got the peace he found.

This album is not about dying. It’s about finally living right, even if you came late to the lesson. It’s about choosing joy over bitterness, letting humor outlast pride, and knowing when to put the past down so you can still move your feet when the fiddle kicks in.

There’s no final showdown here—just acceptance, gratitude, and a groove that somehow keeps getting faster at the end. The porch still faces north, the rain still falls, and Buck Ramble is still singing—maybe softer now, but truer than ever.


Every man carries something—
this is the sound of learning what to lay down
and what to dance with anyway.

Pitter-Patter on the Porch Roof

A Buck Ramble Christmas: Festival of Lights 

A lost rider and a singing companion are swept into the oldest story ever told.

After a desperate ride through a midnight storm, Buck Ramble and his faithful tenor companion arrive on the outskirts of Bethlehem just as the angel appears to the shepherds. They were never meant to be there—yet somehow they are. Their arrival shifts the story, and the angel turns to confront them. If they want the world to remain whole, they must remain and make it right.

What follows is a sacred western journey seen through the eyes of a man and his horse who never expected to witness a miracle. They follow the angel’s command to Jerusalem, where the Festival of Lights fills the Temple with fire and song. There, in the arms of an old man named Simeon, they behold the Child who would someday call Himself the Light of the World.

The encounter changes everything. They ride back not with answers but with peace—carrying a quiet flame that was never theirs to earn. The final songs are not about what happened, but what remains: light for the weary, mercy for the broken, and peace for every stranger still out on the road.

Part Christmas album, part biblical epic, part sacred western myth, Festival of Lights is the story of a man and his horse who stumbled into prophecy by accident—and stayed long enough to be transformed.

Summary Themes:

Doubt & faith

Accident & providence

Smallness & glory

Light carried through darkness

The gentleness of redemption

The way God works in ordinary men

Tone:

Cinematic, reverent, frontier, mid-century hymn, sacred Americana, biblical poetry, quiet emotional catharsis.

This isn’t just a Christmas album.
It’s a pilgrimage.
And somewhere in its journey, the listener finds themselves in the story too.

We Rode Back Through the Wind

Small Town Rhapsody

A wanderer who doesn’t stay anywhere long enough to leave footprints. He moves because stopping feels like dying. The horizon keeps its distance, and he likes it that way. No roots, no promises, no audience—just a man, a machine, and the miles that keep him honest.

Boots on the horizon

Used To Be Tennessee 
(c) Jackie Wayne White/ Phil Pantall, Bob White Music, Inc., ASCAP 

Vs 1
King James Bible on the dashboard
Jim Reeves on the radio

Gran Daddy’d gun that ol’  Chevy
hit ev’ry pothole in the road


To me that was the truest livin’ 
Listnin’ to him tell his tales

Ev’ry window rolled slap down
shirt sleeves blowin’ like a sail

Chorus
Used To Be Tennessee 
You Can’t Take That From Me
Those Hills of Irish Green
Roll my mind endlessly 

I ain’t cryin’ tears
For that Country ‘Tis of Thee
I Still Walk The Fields
Of used to be Tennessee 

Instrumental 

Vs 2
That ol’ man would laugh
Son, live within your means

Be good to everybody 
God made ‘em, don’t you see

Try to love your neighbor 
Like he was yourself

Don’t stumble on regrets 
It’ll wreck your mental health

Chorus
Used To Be Tennessee 
You Can’t Take That From Me
Those Hills of Irish Green
Roll my mind endlessly 

I ain’t cryin’ tears
For My Country ‘Tis of Thee
I Still Walk The Fields
Of used to be Tennessee 

Bridge

Hand me that King James Bible
let’s roll down this country road

Chorus
Used To Be Tennessee 
You Can’t Take it From Me
Those Hills of Irish Green 
Roll my mind endlessly 

I ain’t cryin’ tears
For My Country ‘Tis of Thee
I Still Walk The Fields
Of used to be Tennessee 

Instrumental

Used To Be Tennessee

Volant Records is a story-driven label and shared universe: cinematic concept albums, stutter-house, western sagas, haunted pop, and hymn-like instrumentals. Home to Jupiter Morrow, Avaline Ingels, Shadow Face, Buck Ramble, Choralith and more. All Worlds Reserved®.

We Rode Back Through the Wind

Volant Records

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