https://soundcloud.com/dan_eland/trenchart-techno_010

Tunes 2.0

_ENACT, Joran van Pol’s imprint, founded in 2021, brings you the third and last part of a techno trilogy, musically reflecting signs of the present time. 

‘Unforgivable’ is again, as can be expected from van Pol, a stark stripped down 132 bpm techno track. The title reflects the decisive and definitive nature of the music. 

‘Unforgivable’ is the last of the ‘Obsidian’ Trilogy. The trilogy is inspired by the dystopian nature of current world events. All three tracks have a sense of restlessness and urgency, reflecting a feeling of inevitability. 
The artwork is again made especially for this track by ‘dotting’ artist Srch_of.

Unforgivable

Scattered

Probably my deepest track yet titled ‘Polarity’ released as part of Inguma Records 5 Years VA. Available on limited cassette + digital on bandcamp + t-shirt merch.

It reflects heavily on today’s scenarios, polarising views, polarising emotions, uncertain futures, but there is a hint of hope still flickering in the darkness. Like the moment when light appears from behind a storm cloud.

I love the artwork for this, it reminds me to lean into the things that give us hope or keep us together. Even when there is a lot of evil.

@inguma_records

https://inguma.bandcamp.com/track/polarity

Yant - Polarity [Inguma - Various Artists - 5 Urte - NGM027]

Dax J - West Bank

Shades of Black LP 
Artist: Dax J 
Label: Monnom Black | MONNOM007
Genre: Techno
Released: 2015

Shades of Black LP

Dax J - Protect The Prophecy

Lost in Time

Lost in Time (Original Mix)

Explorations is a new series including well crafted, uncompromised, pure techno from exciting artists !
Explore the underground

Kamcken - Dunes

buy link : http://classic.beatport.com/track/orion-jusai-remix/10726358

audio qual : 128KPB/S 

Promos : jusai.dj@gmail.com 
Soundcloud: https://soundcloud.com/jusai
Facebook: https://www.facebook.com/Jusai.Page/
Twitter: https://twitter.com/JusaiJulien
Youtube: https://www.youtube.com/user/Jusaimovie
Beatport: http://www.beatport.com/artist/jusai/197927
Mixcloud: https://www.mixcloud.com/Jusaï
Instagram: https://www.instagram.com/jusai_julien/

Quentin Ravn - Orion (Jusaï Remix)[Flash Recordings]

The second selection of Caibu LP remixes, 'Intelligence Fetish' is reinterpreted by Rebekah and Isaac Reuben. Also including 'Five Degrees' from the album and brand new SCB original, 'Traffic On The Hyperway'.

Degrees Of Intelligence

Buy on Beatport

SCB - Traffic On The Hyperway

BEST OF STRISCTRX 005-009

Unsure

Multi-instrumentalist and deep house expressionist Giorgia Angiuli preps her debut LP, ‘In A Pink Bubble’ on Stil vor Talent. ‘Behind The Walls’ is rich and colourful with a reflective mood…

Read more: https://bit.ly/2RVuDWX

Premiere: Giorgia Angiuli ‘Behind The Walls’

Originally part of the successful "Summer Particles 2018" compilation, Trilucid and Phil Martyn found success with "Gone". Now featuring as a full release, the original track is joined by remixes from Brazilian and French artists.

A growing artist with a passion for "awakening evolving minds", Demitros and sometime collaboration partner, Dante Pippi, are rising stars in the Brazilian underground dance scene. Bursting onto the scene in December 2016 with "Demogorgon" for The Alien Gate, Demitros has since gone on to feature heavily for Particles. July 2017 marked a debut for the label with the twin-track "Cosmos", while February 2018 saw the outstanding "Quantum Tunneling" with high profile remixes from Kastis Torrau and Nicolas Rada that then saw the track featured in the Visceral compilation series. 

Joining forces with fellow countryman Dante Pippi in November 2018, "When You Get There" saw two new original productions combined with remixes from Pole Folder and Imran Khan. An August 2018 remix of Pole Folder himself is now joined by a superb reworking of "Gone" as Demitros and Dante Pippi take the elements from the original and shape them in new musical directions that sparkle with new musical riffs and counterpoint melody. A driving beat and strong percussion give further depth to an impressive new reworking.

French star, Rick Pier O'Neil, needs no introduction to the underground music fraternity. An iconic figure whose illustrious career has seen him work with such household names as Donna Summer and Stevie Wonder for the likes of Sony Music and Motown, his entrance into the world of progressive house has seen the Frenchman amass over 1000 production credits. Under the umbrella of his own RPO and Garbage Records, several hundred tracks have enlightened a growing fanbase with a distinctive and successful sound that has seen his work featured on the likes of Bonzai Progressive, JOOF and Clubsonica Records. The expertly curated "One Side of the Underground" series has seen Rick Pier O'Neil make his mark on Proton Music, while his work for Particles has seen a clutch of releases in collaboration with Desaturate.

Thus, September 2015's "Spirals" and July 2016's "Crouch / Cursed" EPs have kept O'Neil at the forefront of the scene with remixes of Kastis Torrau and Donatello and Nicolas Rada showcasing his genuine skill as a remixer. Taking on "Gone", the Rick Pier O'Neil remix is an expertly crafted affair that creates a link with the original through a dark and driving bassline that provides a menacing touch. Clever melodic touches light up the pulsating rhythmic framework hinting at the phrasing laid down by Trilucid and Phil Martyn and extended by a raft of immaculate additional production material. The result is another Rick Pier O'Neil masterstroke.

Remixes from Demitros and Dante Pippi and Rick Pier O'Neil find "Gone" very much part of the here and now.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Trilucid
Design by Ben Mautner
Text by James Warren

Gone

Gone (Original Mix)

Charlotte de Witte delivers an explosive remix of Eats Everything's intergalactic dancefloor filler...

Read more: https://bit.ly/2T9O5Qv

Premiere: Eats Everything 'Space Raiders (Charlotte de Witte Remix)'

Buy: https://WeAreTheBrave.lnk.to/1111TheAwakening

“I'm more focused than I've ever been and can feel my career start to properly take shape. I'm hugely proud of what I've achieved with We Are The Brave and I think that is reflected in this release” - Alan

Alan Fitzpatrick has been sitting firmly in the driving seat with his label We Are The Brave since it launched with his club smash hit ‘We Do What We Want’ in the summer of 2016. It’s safe to say after just over two years, the label has been at the forefront of the UK’s underground scene, with a huge catalog of releases. Gary Beck, Reset Robot, Ronnie Spiteri, Sasha, Skream and Alan have all sat alongside releases from the freshest meat around including Leonardo, A.S.H and Rudosa.

Alan’s poured his passion into every aspect of the label at a formidable force, with over 8 We Are The Brave showcases this year alone, including his landmark Alan Fitzpatrick’s Day Festival back in March, and the House Party Tour for the second year in a row - he feels now, this EP marks an exciting time for him, both personally and musically.

To welcome in the 3rd year, Alan drops his biggest release yet, with his gargantuan 7 track EP titled ’11:11 The Awakening’. “The name of the EP might resonate with the spiritual people among us but put simply, it represents a significant change in my life and reminds me to focus on new beginnings and follow what I believe in” – says Alan.

Kicking off with the pulsating low end of ‘Eleven Eleven’, the release takes you on a journey of sound exploration. Deep rolling basslines as we have come to know and love from Alan, with his trademark chunky, warm synth work. 




"I'm not hugely into the traditional idea of making an album anymore but I felt like it was time to do something a bit different for my label. I sat on these tracks for a while and realised they work really well together and make a strong, statement EP. I chose to include seven tracks because I have so much music to share at the minute and it's a shame to make people wait so long for releases” – adds Alan

It’s deep, brooding and ethereal, yet tracks like ‘Dead Beat Exile’ show a side of acid and ‘Stand Up’ makes for the most experimental and heady track of the release. Finally, ‘Toasted Pitta’ closes out the release, with its warm, cerebral tone.

“2019 is going to be massive so you can expect to see a lot more from me over the next twelve months!” - Alan

Alan Fitzpatrick - Ego

Escape EP

Ken Ishii - Escape - Industrialyzer Remix Ver1

ᴠɪꜱɪᴏɴꜱ ⁰¹ | ᴄʟᴇʀɪᴄ

---------------------------

"I wanted to do something different to celebrate the 20th release on Clergy : ᴠɪꜱɪᴏɴꜱ ⁰¹ is a mix compiled of unreleased tracks that will release later on the label.

I would like to thank all the artists involved for the trust and patience they’ve had with me during this project." - Cleric

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Tracklist :

01 | Jokasti & Nek - Grained
02 | Sept - Artificial 
03 | Kike Pravda - Curved Force 
04 | Vegim - Rule & Order
05 | Reizemann - Skirmish
06 | Roman Poncet - Traw
07 | Kwartz - Common Black
08 | Tensal - 33
09 | Setaoc Mass - Complete To None 
10 | Moddullar - Phase Shift
 11 | Stef Mendesidis - The Secret Agent’s Blunder
12 | Endlec - The Trickster
 13 | Sleeparchive - Celsius
 14 | EAS - Elected Pain
 15 | Deapmash - Penta [ Cleric Remix ]
 16 | Kontain - Spitting Blood
 17 | Kander - Insight
 18 | Remco Beekwilder & Stranger - No Limit 
19 | HAT-R - I’m Nobody
 20 | Aahan - Ours Is The Storm 
21 | Slam - Kanjo
 22 | Rebekah - Trash Talk
 23 | Leiras - Chromatic Decay

Clergy has become synonymous with a balance of atmospheric and hard hitting brand of techno ever since 2014. The boss's own music has been key to that, with carefully curated releases from guests such as Dax J, Kwartz, Reflec and Cleric himself. Helping to make the label an underground favourite. ‘Clergy Visions 01’ sees Cleric invite an array on techno heavyweights to contribute to this compilation that’s mixed by the label boss himself.

Endlec - The Trickster

Spiritual Retreat

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✤ Biography: 

[ENG] Jusaï grew up surrounded by a musical environment thanks to his family which has quickly noticed his remarkable capacities. Inspired by electronic music soon enough, he was instinctively steered towards techno whose productions codes enable him to easily cultivate his unique style which is caracterized by his background as a percussionist. As talented as curious Jusaï follows his own process when it comes to music production and proclaims his uncompromising trademark what makes his tracks easily identifiable within any sets. His natural ease to take over a various range of subgenres within the techno movement has got him to be detected by the very best veterans from the underground like Coyu, Luca Agnelli and Umek, respectively bosses at Suara,Etruria Beat and 1605 Therapy. When he's not performing in the best clubs, his music still got dancing as he's played by an uncalculable number of international acts, be it the great Amelie Lens, Sam Paganini or Rebekah and many mores
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Quentin Ravn - Orion (Jusaï Remix)[Flash Recordings]

Jusaï

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