Name: The Floods by just big hills.
Duration: 5 min 2 s
Description: 2nd single of my upcoming debut album Senescence out now!

From the album "Spirit Practice"
Stream/Download - smarturl.it/spirit-practice

Follow Wing Vilma:
Bandcamp: https://wingvilma.bandcamp.com/
Facebook: https://www.facebook.com/wingvilmas/
Soundcloud: https://soundcloud.com/wingvilma

www.youngheavysouls.com

Spirit Practice

Wing Vilma - Bridges

Commissioned by Deus Ex Musica as a winner in their 2020 Composition Competition

Completed 03/01/2021
Recorded 12/22/2021 by Megumi Stohs Lewis

The Psalms have always held a great degree of significance to me, both as a Christian and as an artist. Much has been written about their beautiful composition and their timeless imagery, but beyond the Psalms’ considerable literary beauty and their theological profundity, I have always been drawn in by their honesty. For such early literature, these songs are remarkable for their frank depictions of their respective authors’ emotional states, whether ecstatic joy (as in Psalm 126), deep contrition (Psalm 51), assured hope (Psalm 23), or meditative ponderance (Psalm 39). The emotional nakedness of the Psalms always reminds me of God’s pursuit of our hearts: He would know us in our truest selves, rather than our constructed, ‘religious’ selves. It was with this posture that I began to write A Mere Breath, a reflection on Psalm 39. 

Psalm 39 feels uniquely ahead of its time, prefiguring the book of Ecclesiastes with its existential themes of ephemerality and uncertainty. Its surprising emotional complexity is perhaps what has made it so enduringly appealing, appearing in pieces from Johannes Brahms’ German Requiem to Igor Stravinsky’s Symphony of Psalms. I found myself identifying with the Psalm thanks in no small part to the time in which I had begun writing my piece: as the world continued to square off against the Covid-19 pandemic, I was applying to more school and was not altogether sure where I would be the next year. I identified with the Psalm’s thinly veiled frustration and confusion that stemmed from recognizing the sheer smallness of humanity in the face of an eternal God. 

A Mere Breath casts the violinist as psalmist, contending with the depths and scale of the eternal. Wispy and capricious, the violin part gradually unfolds the piece’s main theme, a plaintive, Hildegard-like hymn of simple beauty. Pursuing it across a variety of figurations, the soloist eventually takes hold of the melody with relief, swells in thanksgiving, and ultimately vanishes into nothingness.

A Mere Breath, for violin and electronics

The new Forwind release comes courtesy of Vienna based artist Jakob Schauer. “In death I am caressing you” is a seven track twist of ghostly disruptions, glitched electronics and vaporous blasts of noise.

In death I am caressing you’s sounds are generated from a wide array of analog and synthetic sources in an attempt to build “hyperrealistic acoustic atmospheres and sonic gestures.

The latest Forwind release will be available in a limited edition Digipak and digital.

In death I am caressing you

FWD31 - Jakob Schauer - Breathing

Je Suis Karl (Original Motion Picture Soundtrack)

Lost Future

2nd single of my upcoming debut album Senescence out now!

The Floods

Timeless Harp

Sun Glitter's dreamy remix of Teen Daze's track "Treten".

Follow Teen Daze:
http://asilentplanet.com
http://facebook.com/teendaze
http://twitter.com/teendaze
http://soundcloud.com/teendaze

Follow Sun Glitters:
http://www.sunglitters.com
http://www.facebook.com/listen2sunglitters
http://sunglitters.bandcamp.com/
http://soundcloud.com/sunglitters

Teen Daze - Treten (Sun Glitters Remix)

Ladies and gentlemen, I have discovered an old hard drive with some of my old mixes, and I found them all in FLAC! Among these is an entire "liftmuziek" collection of volumes, which was the very first podcast I ran more than a decade ago (way before Headphone Commute was even born). These will be released, one at a time, on here, so watch this space for some amazing classic electronic music circa 2006! But before the unveiling, I figured I'd publish yet another beautiful selection that I dug out from the archive. This mix was made to celebrate two Native State albums from Rena Jones and Shen, which I put together to promote an event at an art gallery in Chicago. I hope you enjoy!

asmadeus - resplendent

“Hermetic” is Hypercube second release on Abstrakt Reflections this time engaging on addictive structural hypnosis, claustrophobic patterns and semi dysfunctional magmatic plasm, a visceral post-atomic IDM for the underworld robotised mass and alien population.

https://www.abstraktreflections.net/releases/hypercube-hermetic/

Hypercube - Neural Overflow (Calqa Remix)

Let 'Softness Chamber' ease your mind . 
Ambient drone for meditation and relaxation.

Listen to Vanyashi on Spotify: 
https://gate.sc/?url=https%3A%2F%2Fopen.spotify.com%2Fartist%2F2JFEbYpySnzd55ElEQ8sYa&token=488d7e-1-1606663934670

Softness Chamber, Pt. 3

released February 11, 2018

1. Quite Down
2. A Blunt Grin
3. Gorgeous Flowers (feat. Louis Jack)
4. Uptight, Uptight
5. She Never Saw Me Jammin
6. Blessings

1,50€

Circuits / Cameras / Comatose

Stream When You Forgive EP
https://collegemusic.lnk.to/when-you-forgive

"in the glow of the night, the stars observe us"

Melancholy beats
Super down for collabs

Please DM me if you want to use one of my songs.

The Floods

just big hills.

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