house

The Mole : Still In My Corner (Adam Beyer Mix)
The Revenge : Untitled
Classixx : The Revenge Live Dub
Primal Scream : Invisible City (Daniel Avery Mix)
Cut Copy : Free Your Mind (Fort Romeau Mix)
Ma Spaventi : The Sick Tape Dealer
Orson Wells : Leaving
New Tower Generation : Trembelon
Bob Moses : Interloper
DJ Yellow feat. Flowers & Sea Creatures : No One Gets Left Behind (Konstantin Sibold Mix)
Phuture : Rise From Your Grave
QX-1 : I Won't Hurt You (I Swear)
The Revenge : Untitled
Regis : Unclaimed 4
Underground Resistance : Base Camp Alpha 808
Robert Hood : Detroit One Circle
Tropical Moon : Jungle House
Johanna Knutsson & Hans Berg : Donka (Joel Alter Mix)
Breach & Midland : Somewhere
Mountain People : 008.03
DJ Nibc : Leaving You
DAVI : The Time Has Come
Deetron : Rhythm (Karizma Kaytronic Mix)
Hugh Masekela : Don't Go Lose It Baby (The Revenge Rework)
Johhny Rock & Luke Solomon : Megamixx (Mr G Mix)
3 Big Men : The Time Is Now For Action

Most Haun†ed™ MMXIII

'Shake' - Released 11/11/13 with remixes from:
JD Twitch from Optimo/Simon Baker/Debukas

Buy From - iTunes UK - http://bit.ly/1aOiBqq | Beatport - http://btprt.dj/1dgmRwJ
iTunes US - http://bit.ly/1azWz4x | Juno -  http://bit.ly/1azWz4x

Taken from the debut album 'I Am Machinery'
Released 25/11/13

Pre-order the album from:

iTunes UK (bonus track version) - http://bit.ly/1fSAwxV
Amazon UK - http://amzn.to/1a4rvj1
iTunes US (bonus track version) - http://bit.ly/1a4rSu5
Juno Download - http://bit.ly/Hcz4YY

---------------------------------------------

http://debukas.com/
www.facebook.com/debukas
twitter.com/debukas

---------------------------------------------

He’s a one-man synth orchestra, that Debukas. Those beautiful layers of yearning vocals, the Detroit strings, the coruscating hi-hats and drums that speak of years at the altar of house and techno’s venerated gods. I Am Machinery is somewhat apt.

Debukas was born in 2011, though the seeds of it were sewn much earlier. Echoes of its influences go back to Gary Numan singles, teenage forays into the world of Junos and Casios, 808 State and early Warp, Transmat and Metroplex, Arthur Russell and Gino Soccio. It’s all there in the primordial Celtic soup that comprises Debukas.

John Clark was born somewhat earlier. You may or may not have heard about some of his previous exploits. He had a brief dalliance with pop infamy in Japan. There was a series of bands large and small and collaborations so brief John is still not sure they really happened.

I Am Machinery is one of the most complete electronic albums you’ll hear this year – or any other, for that matter. Those years spent toiling in bands has given him a mean ear for the killer hook, just as the hours spent in Rubadub Records in Glasgow provided him with the inspiration.

This is neither house music nor techno, though you can certainly dance to it. Debukas has taken the basic building blocks of those genres and somehow repurposed them to produce music that is vocal-based without featuring formal songs (it feels at times as though he’s sampled himself from some obscure found-sound album). When he hits his stride, you can almost imagine – in some far off, alternative universe, maybe – Debukas on Top Of The Pops performing, say, ‘Some Days’.

If you’ve been lucky enough to come across his EPs for 2020Vision, you will have heard and appreciated his unique style; it sounds like nothing else on the roster yet fits perfectly among it all. I Am Machinery is a step further; a step forward. The sound has received a slight polish though one that comes from confidence in a sure direction rather than songs with a needless sheen. And here’s confidence for you, some of the best material from the EPs has been ditched so the album has a flow, as if all of these songs were conceived to only live together communally on I Am Machinery, like brothers and sisters, or even prisoners (of soul).

On ‘Tape Symphony’, one of the newest songs, Debukas woos us with some white soul, edged with those glittery synths and an unrelenting bass figure. ‘Hold Back The Sea’, technically just a simple house groove, is imbued with his trademark multi-layered vocals which rends it startlingly and unintentionally similar to Frankie Goes To Hollywood – bizarrely, I know, but it just totally works.

I Am Machinery is that rare thing: a great electronic album. It’s where man meets machinery and they have some right old rumpy-pumpy in front of everyone. This is Debukas’s lovechild. Plug in, tune in, blast off.

Words - Bill Brewster

Shake

Track 2 from the 'Always' EP, get it here: http://smarturl.it/panama

@wearepanamatheband
www.facebook.com/wearepanamatheband
www.wearepanama.bandcamp.com
www.facebook.com/futureclassic
www.twitter.com/PANAMATHEBAND
www.instagram.com/panamatheband

On iTunes Here

Panama - How We Feel

'Shake' - Released 11/11/13 with remixes from:
JD Twitch from Optimo/Simon Baker/Debukas

Buy From - iTunes UK - http://bit.ly/1aOiBqq | Beatport - http://btprt.dj/1dgmRwJ
iTunes US - http://bit.ly/1azWz4x | Juno -  http://bit.ly/1azWz4x

Original version here - https://soundcloud.com/debukas/shake

Taken from the debut album 'I Am Machinery'
Released 25/11/13

Pre-order the album from:

iTunes UK (bonus track version) - bit.ly/1fSAwxV
Amazon UK - amzn.to/1a4rvj1
iTunes US (bonus track version) - bit.ly/1a4rSu5
Juno Download - bit.ly/Hcz4YY

---------------------------------------------

www.debukas.com
www.facebook.com/debukas
twitter.com/debukas

---------------------------------------------

Shake - A JD Twitch Optimo Mix

Taken from the Bodhi 'Imperfection / No More' 12" we put out last month. 

FREE WAV DOWNLOAD

Get the full package on iTunes: http://smarturl.it/bodhi_imperfection
@Bodhi-music
@CharlesMurdoch
www.facebook.com/wearebodhi
www.facebook.com/charlesmurdochmusicpage

Get the EP

Bodhi - No More (Charles Murdoch Remix)

Taken from the debut album 'I Am Machinery'
Released 25/11/13

Buy the album from:

iTunes UK (bonus track version) - bit.ly/1fSAwxV
Amazon UK - amzn.to/1a4rvj1
iTunes US (bonus track version) - bit.ly/1a4rSu5
Juno Download - bit.ly/Hcz4YY

---------------------------------------------

http://debukas.com/
www.facebook.com/debukas
twitter.com/debukas

---------------------------------------------

He’s a one-man synth orchestra, that Debukas. Those beautiful layers of yearning vocals, the Detroit strings, the coruscating hi-hats and drums that speak of years at the altar of house and techno’s venerated gods. I Am Machinery is somewhat apt.

Debukas was born in 2011, though the seeds of it were sewn much earlier. Echoes of its influences go back to Gary Numan singles, teenage forays into the world of Junos and Casios, 808 State and early Warp, Transmat and Metroplex, Arthur Russell and Gino Soccio. It’s all there in the primordial Celtic soup that comprises Debukas.

John Clark was born somewhat earlier. You may or may not have heard about some of his previous exploits. He had a brief dalliance with pop infamy in Japan. There was a series of bands large and small and collaborations so brief John is still not sure they really happened.

I Am Machinery is one of the most complete electronic albums you’ll hear this year – or any other, for that matter. Those years spent toiling in bands has given him a mean ear for the killer hook, just as the hours spent in Rubadub Records in Glasgow provided him with the inspiration.

This is neither house music nor techno, though you can certainly dance to it. Debukas has taken the basic building blocks of those genres and somehow repurposed them to produce music that is vocal-based without featuring formal songs (it feels at times as though he’s sampled himself from some obscure found-sound album). When he hits his stride, you can almost imagine – in some far off, alternative universe, maybe – Debukas on Top Of The Pops performing, say, ‘Some Days’.

If you’ve been lucky enough to come across his EPs for 2020Vision, you will have heard and appreciated his unique style; it sounds like nothing else on the roster yet fits perfectly among it all. I Am Machinery is a step further; a step forward. The sound has received a slight polish though one that comes from confidence in a sure direction rather than songs with a needless sheen. And here’s confidence for you, some of the best material from the EPs has been ditched so the album has a flow, as if all of these songs were conceived to only live together communally on I Am Machinery, like brothers and sisters, or even prisoners (of soul).

On ‘Tape Symphony’, one of the newest songs, Debukas woos us with some white soul, edged with those glittery synths and an unrelenting bass figure. ‘Hold Back The Sea’, technically just a simple house groove, is imbued with his trademark multi-layered vocals which rends it startlingly and unintentionally similar to Frankie Goes To Hollywood – bizarrely, I know, but it just totally works.

I Am Machinery is that rare thing: a great electronic album. It’s where man meets machinery and they have some right old rumpy-pumpy in front of everyone. This is Debukas’s lovechild. Plug in, tune in, blast off.

Words - Bill Brewster

Rings

BOOKINGS: alex@futureboogie.com
MANAGEMENT: info@dpn.lt

www.dpn.lt

Downtown Party Network - We Are Cats (Mario & Vidis Remix)

Nochnoy Dozor

The new single from Seekae's forthcoming album 'The Worry', available for preorder now June 13.

Get it Digitally: http://smarturl.it/TheWorry
Get the 12" vinyl: http://bit.ly/1p01AL0
Watch the video: https://www.youtube.com/watch?v=S78pfy37SN8

@seekae
www.facebook.com/seekaemusic
www.facebook.com/futureclassic

Australian Tour Dates w/ Special Guest Jonti:
Sat 9 Aug - Darwin Festival, Darwin*
Tues 12 Aug - The Zoo, Brisbane
Fri 15 Aug - The Gov, Adelaide
Sat 16 Aug - The Villa, Perth
Fri 22 Aug - 170 Russell St, Melbourne
Sat 23 Aug - Metro Theatre, Sydney


Tickets: www.seekae.com/live
*Tix on sale June 26th & Jonti not appearing.

Seekae - Test & Recognise

Taken from the album Ralph Lawson - Content
Pre-order the album from iTunes bit.ly/1hyimP3

https://www.facebook.com/docdaneeka
www.facebook.com/2020VisionRecordings

Doc Daneeka - One For Pidge

Seekae - Test And Recognise (HWLS Remix)

Test & Recognise is taken from Seekae’s debut album ‘The Worry’. Preorder here: smarturl.it/TheWorry

The Test & Recognise remix package will be available on vinyl and digitally soon.

Seekae - Test And Recognise (HWLS Remix)

Vinyl buy here: http://www.phonicarecords.com/product/view/104525

The Mekanism - Can't Believe (Mario Basanov Remix) 12''

Human relationship sometimes give nice results.

Here comes a preview to our remix for one of our biggest influences, authorities, and friends these days - the almighty Jazzanova crew. 

Coming soon on Sonar Kollektiv.

Jazzanova feat. Paul Randolph - I Human (Mario & Vidis Redo) - Edit

In Between

Tenth piece from the Ecclesia project.

Production: Eric Wahlforss
Mixing: Mark Bihler
Mastering: Bo Kondren

Get The App

Lux Aeterna

ON FACEBOOK: wild-culture.at/fb

a simple but detailed edit in respect of the beautiful original london grammar tune,
unmastered, just a raw recording.

http://www.facebook.com/wild.culture.offiziell
http://www.youtube.com/watch?NR=1&v=MTvHcQmKUpU
http://londongrammar.com/

London Grammar - Hey Now (Wild Culture's More Sub Remix)

Finally we can show you this!

Danish producer Kölsch unleashes what at FC HQ we've been talking about as a day-four-at-a-festival-in-belgium-as-it-starts-to-rain-and-we-were-dripping-in-lost-euphoria techno interpretation of Panama's 'It's Not Over'

Epic.

www.facebook.com/wearepanamatheband
www.wearepanamatheband.com
www.twitter.com/PANAMATHEBAND
www.instagram.com/panamatheband


Follow Future Classic

Panama - Its Not Over (Kölsch Remix)

BOOKINGS, MUSIC, PRESS: 
discoinspace@gmail.com

The Animal Planet is a follow up to Downtown Party Network’s last year’s debut on Best Kept Secret – The Machine Man EP, which sold out in a matter of a few weeks. This one is a dance floor killer of no less proportions. Taken from a recently released Silence Please! compilation, presented by Get Physical Music, and mixed by Best Kept Secret’s head honcho Vidis, Crazy Cow Bell and Owls Don’t Cry are two best selling tracks from the album. Release your inner animal.

Downtown Party Network - Owls Don't Cry [Best Kept Secret]

The Cassian Remix of Anna Lunoe & Touch Sensitive's 'Real Talk', released exclusively on Beatport on March 18, 2013 via Future Classic.

Download for FREE here: http://bit.ly/Wxtm81

In 2012, the release of 'Real Talk' saw Anna Lunoe & Touch Sensitive spend five (5!) months at the top of the Beatport indie-dance charts, establishing it as a universally recognised underground hit of the year. Now Cassian joins the party to form this holy trinity of Australian dance music identities. 

Anna Lunoe 
www.facebook.com/annalunoe
Soundcloud: www.soundcloud.com/anna-lunoe
MGMT: gmusicmgmt@gmail.com

Touch Sensitive
www.facebook.com/touchsensitivemusic
Soundcloud: www.soundcloud.com/touch-sensitive
MGMT: nathan@futureclassic.com.au

Cassian
www.facebook.com/cassian88
Soundcloud: www.soundcloud.com/cassian88
MGMT: travishayden@me.com

Real Talk t-shirts here: http://annalunoe.themerchgallery.com/

Anna Lunoe & Touch Sensitive - Real Talk (Cassian Remix)



For the fourth and final round of the Stallions compilation, Bosconi Records closes in style with Athena:
muscular four tracks that run between Detroit and Chicago sounds, Dub and Ambient aiming at the discovery of new, unexplored horizons. Selected big stallions, which feature the best of their talent trying to cover up unknown journey and territories but leading to surprising results. The Oliverwho Factory with a rousing Mind Free, Nick Anthony Simoncino of an entrancing and picturesque Tramonto Techno, Nicholas with a soaring and disruptive From Somewhere Else and Ennio Colaci on beautifully nuanced Hinterland, close one of the most interesting art projects in recent years increasingly raising even more Bosconi Records in the Olympus of globality.

Worldwide Distributed by Syncrophone
for preorders contact: Didier Alline - dalline@syncrophone.fr
Published by Bosconi Westbury Music Publishing
(P) & (C) Bosconi Records 2013


house

Justa Pliuškevičiūtė