Dancehall| Skillibeng | Kyodi |Intra | Intence | Alkaline | Nation Boss | Yaksta | 10Tic | Shot Dog

Reggae Lovers Rock Mix 2022 | Roots Rock Reggae Mix | Justice Sound

Justice Sound  The Foundation Of Reggae Ska 2022

Mighty Diamonds Best Of Mighty Diamonds - Justice Sound

Jah Walch Tribute To Brigadier Jerry & Daddy U Roy / Justice Sound

Dancehall Reggae Hip Hop / Justice Sound Dubplate Mixx

90s Dancehall Reggae Mix / Justice Sound

Reggae Lovers Rock  ((((Love Story 2))) Justice Sound

Justice Sound" I am a motivator , a light of Joy , a musical revolutionary , without a doubt , Music can set you free if you let it, Blessed Love..

JUSTICE SOUND, 80S 90S REGGAE DANCEHALL ROOTS MIXX 2013

JUSTICE SOUND, JAMAICAN GOSPEL MIX # 2 Church Songs & Hymns 2.

JUSTICE SOUND. SANCHEZ REGGAE MIX, TRIBUTE TO THE REAL SINGER

Justice Sound " I am a motivator , a light of Joy , a musical revolutionary , without a doubt , Music can set you free if you let it"

JUSTICE SOUND, 100%  REGGAE LOVERS ROCK ROOTS MIX.

Justice Sound " I am a motivator , a light of Joy , a musical revolutionary , without a doubt , Music can set you free if you let it" Music For The People..

Stone Love Rory LS Justice Sound. 2006 Madd Vybz

Justice Sound " I am a motivator , a light of Joy , a musical revolutionary , without a doubt , Music can set you free if you let it" Music For The People.

Justice Sound, 70s 80 REGGAE Roots & Culture Mix, Old School.

Justice Sound Booking & CDs 904 444 9444.
 

JUSTICE SOUND, JAMAICAN GOSPEL MUSIC MIX # 1Jamaican Church Songs & Hymns # 1.

Justice Sound - Waggy Tee Movements - Rolling Thunda {Early Juggling}

waggy Tee

Justice Sound - Selecta Ajah { Vybz Fridays Early Juggling }

TASCAM DR-05

Justice Sound Booking & CDs 904 444 9444
JUSTICE SOUND, JAMAICAN GOSPEL MIX 3 & 4. THE REVIVAL EDITION.

JUSTICE SOUND, JAMAICAN GOSPEL MIX 3 & 4 Jamaican Church Songs & Hymns # 3 & 4

Justice Sound REGGAE ROOTS CULTURE LOVERS ROCK MIX 2014.

REGGAE ROOTS CULTURE LOVERS ROCK MIX 2014. Justice Sound

REGGAE INSTRUMENTAL. SMOOTH RELAX JAZZ MIX. JUSTICE SOUND.

JUSTICE SOUND. REGGAE INSTRUMENTAL. SMOOTH RELAX JAZZ MIX. DUB WIZE STYLE.

Reggae Dancehall SoundClash Florida Oct. 2023

Waggy Tee Vs Mighty Disruption Sound FL 2023

Waggy Tee Movements Vs The Mighty Disruption Sound FL 2023 (Official Audio)

Justice Di President, Sound Clash At It's Best, Reggae Dancehall Music

Jah Mikey One Vs City Heath

Jah Mikey One Vs City Heath Sound. Ball Head Vs Rastafari

JUSTICE SOUND 1998 - 2008 Reggae History,Ultimate DanceHall Mix. (ExplicIt)

JUSTICE SOUND 1998 - 2008 Reggae History,Ultimate DanceHall Mix. (Explicit)

JUSTICE SOUND, 2OO0s Reggae History, Ultimate Reggae Roots Culture & Lovers Rocks

JUSTICE SOUND, 2000s Reggae History, Ultimate Reggae Roots Culture & Lovers Rocks

JUSTICE SOUND, 80s 70s Reggae History, Ultimate Reggae Roots Rockers Mix.

JUSTICE SOUND, 1980s-1970s Reggae History, Ultimate Reggae Roots Rockers Mix.

Sizzla (Hosanna)
Reggae Roots and Culture
Producer Justice
Reggae Central Records

SIZZLA - TALK ALL YOU WANT

Justice Sound Booking & CDs 904 444 9444.
Justice Sound, Jamaica Gospel Mix # 5 & 6.

Justice Sound, Jamaica Gospel Mix 5 & 6. Jamaican Church Songs & Hymns 5 & 6.

Pinchers - Heathen - Promised Land Riddim One Drop 

Bob Marley
Best Of Bob Marley & The Wailers and Interview.
Justice Da Great.
Justice Sound.
Peace & Love from Justice.
01 Intro - Twin of Twins, 02 Bob Marley & The Wailers- Could you be Love, 03 Bob Marley & The Wailers- Buffalo Soldier,04 Bob Marley & The Wailers- Is this Love, 05 Bob Marley & The Wailers- Satisfy my soul, 06 Bob Marley & The Wailers- Exodus, 07 Bob Marley & The Wailers- Pimpers paradise, 08 Bob Marley & The Wailers- Three little Birds, 09 Bob Marley & The Wailers- stir it up, 10 Bob Marley & The Wailers- get up stand up, 11 Bob Marley & The Wailers- one love, 12 Bob Marley & The Wailers- no woman no cry, 13 Bob Marley & The Wailers-waitingin vain, 14 Bob Marley & The Wailers-so much trouble in the world,15 Bob Marley & The Wailers-i shot the sheriff, 16 Bob Marley & The Wailers-natural mystic, 17 Bob Marley & The Wailers- trench town rock, 18 Bob Marley & The Wailers- redemption song, 19 Bob Marley & The Wailers- bobylon system, 20 Bob Marley & The Wailers- time will tell, 21 Bob Marley & The Wailers- give thanks praise, 22 Bob Marley & The Wailers- zimbabwe, 23 Bob Marley & The Wailers- zion train, 24 Bob Marley & The Wailers- rastaman live up, 25 Bob Marley & The Wailers- want more, 26 Bob Marley & The Wailers- who cap fit, 27 Bob Marley & The Wailers- chant down babylon, ////JUSTICE DA GREAT//
Robert Nesta "Bob" Marley OM (6 February 1945 – 11 May 1981) was a Jamaican reggae singer-songwriter, musician, and guitarist who achieved international fame and acclaim.[1][2] Starting out in 1963 with the group the Wailers, he forged a distinctive songwriting and vocal style that would later resonate with audiences worldwide. The Wailers would go on to release some of the earliest reggae records with producer Lee Scratch Perry.[3] After the Wailers disbanded in 1974,[4] Marley pursued a solo career which culminated in the release of the album Exodus in 1977 which established his worldwide reputation and produced his status as one of the world's best-selling artists of all time, with sales of more than 75 million records.[5][6] He was a committed Rastafari who infused his music with a sense of spirituality.[7Robert Nesta Marley was born on the farm of his maternal grandfather in Nine Mile, Saint Ann Parish, Jamaica, to Norval Sinclair Marley (1885-1955) and Cedella Booker (1926-2008).[8] Norval Marley was a European-Jamaican of British heritage. Norval claimed to have been a captain in the Royal Marines, though at the time of his marriage to Cedella Booker, an African-Jamaican then 18 years old, he was employed as a plantation overseer.[9][10] Though Bob Marley was named Nesta Robert Marley, a Jamaican passport official would later reverse his first and middle names.[11][12] Norval provided financial support for his wife and child but seldom saw them as he was often away. Bob Marley attended Stepney Primary and Junior High School which serves the catchment area of Saint Ann.[13][14] In 1955, when Bob Marley was 10 years old, his father died of a heart attack at the age of 70.[15]

Marley and Neville Livingston (later known as Bunny Wailer) had been childhood friends in Nine Mile. They had started to play music together while at Stepney Primary and Junior High School.[16] Marley left Nine Mile with his mother when he was 12 and moved to Trenchtown, Kingston. Cedella Booker and Thadeus Livingston (Bunny Wailer's father) had a daughter together whom they named Pearl, who was a younger sister to both Bob and Bunny. Now that Marley and Livingston were living together in the same house in Trenchtown, their musical explorations deepened to include the latest R&B from American radio stations whose broadcasts reached Jamaica, and the new Ska music.[17] The move to Trenchtown was proving to be fortuitous, and Marley soon found himself in a vocal group with Bunny Wailer, Peter Tosh, Beverley Kelso and Junior Braithwaite.  

Bob Marley, Best Of Bob Marley & The Wailers and Interview, Justice Sound - Justice Da Great.

Bob Marley Live In Concert.
Best of Bob Marley & The Wailers # 2 
Justice Sound, Justice Da Great.
01 Bob - intro, 02 Bob Marley & The Wailers - lively up yourself, 03 Bob Marley & The Wailers - positive vibration, 04 Bob Marley & The Wailers - no woman no cry, 05 Bob Marley & The Wailers -rebel music, 06 Bob Marley & The Wailers - exodus, 07 Bob Marley & The Wailers - rat race, 08 Bob Marley & The Wailers - war, 09 Bob Marley & The Wailers - heathen, 10 Bob Marley & The Wailers - jammin, 11 Bob Marley & The Wailers - stir it up, 12 Bob Marley & The Wailers - is this love, 13 Bob Marley & The Wailers - kinky reggae, 14 Bob Marley & The Wailers - concrete jungle.///// Justice Da Great Emancipation Music.  15 Justice Da Great - life enjoy it while you can, 16 Justice Da Great - wicked dem a come, 17 Justice Da Great - oh Jah for you i sing, 18 Justice Da Great - Jah will be there, 19 Justice Da Great - why den so bad mind, 20 Justice Da Great - murder one bright day, 21 Justice Da Great - i will pray for you, 22 Justice Da Great - dance to a love song, 23 Justice Da Great - chant one God, 24 Justice Da Great - trod along trod along.
 Blessed Love.
Robert Nesta "Bob" Marley OM (6 February 1945 – 11 May 1981) was a Jamaican reggae singer-songwriter, musician, and guitarist who achieved international fame and acclaim.[1][2] Starting out in 1963 with the group the Wailers, he forged a distinctive songwriting and vocal style that would later resonate with audiences worldwide. The Wailers would go on to release some of the earliest reggae records with producer Lee Scratch Perry.[3] After the Wailers disbanded in 1974,[4] Marley pursued a solo career which culminated in the release of the album Exodus in 1977 which established his worldwide reputation and produced his status as one of the world's best-selling artists of all time, with sales of more than 75 million records.[5][6] He was a committed Rastafari who infused his music with a sense of spirituality.[7Robert Nesta Marley was born on the farm of his maternal grandfather in Nine Mile, Saint Ann Parish, Jamaica, to Norval Sinclair Marley (1885-1955) and Cedella Booker (1926-2008).[8] Norval Marley was a European-Jamaican of British heritage. Norval claimed to have been a captain in the Royal Marines, though at the time of his marriage to Cedella Booker, an African-Jamaican then 18 years old, he was employed as a plantation overseer.[9][10] Though Bob Marley was named Nesta Robert Marley, a Jamaican passport official would later reverse his first and middle names.[11][12] Norval provided financial support for his wife and child but seldom saw them as he was often away. Bob Marley attended Stepney Primary and Junior High School which serves the catchment area of Saint Ann.[13][14] In 1955, when Bob Marley was 10 years old, his father died of a heart attack at the age of 70.[15]

Marley and Neville Livingston (later known as Bunny Wailer) had been childhood friends in Nine Mile. They had started to play music together while at Stepney Primary and Junior High School.[16] Marley left Nine Mile with his mother when he was 12 and moved to Trenchtown, Kingston. Cedella Booker and Thadeus Livingston (Bunny Wailer's father) had a daughter together whom they named Pearl, who was a younger sister to both Bob and Bunny. Now that Marley and Livingston were living together in the same house in Trenchtown, their musical explorations deepened to include the latest R&B from American radio stations whose broadcasts reached Jamaica, and the new Ska music.[17] The move to Trenchtown was proving to be fortuitous, and Marley soon found himself in a vocal group with Bunny Wailer, Peter Tosh, Beverley Kelso and Junior Braithwaite.  

Bob Marley Live In Concert,,Best of Bob Marley & The Wailers # 2 Justice Sound.

Peter Tosh, Best Of Peter Tosh  And Interviews, Justice Sound.

Justice Sound Booking 904 444 9444
Jah Cure 
Jah Cure, or Iyah Cure (born Siccature Alcock on 11 October 1978 in Hanover, Jamaica) is a Jamaican reggae musician, who was raised in Kingston. He was given the name Jah Cure by Capleton whom he met while growing up in Kingston.[citation needed] Jah Cure is also known as the King of Lovers Rock and Roots Reggae.

Born in Hanover, Jamaica, Siccaturie used to sneak out his bedroom window at night to visit local dancehalls and stage shows where he saw some of the great reggae icons perform: Bob Marley, Peter Tosh, Burning Spear, Beres Hammond, Marcia Griffith, Garnett Silk, Jacob Miller and Black Uhuru. Early on he made the decision to become part of that elite group and dedicated his early years to making this his dream and sole mission.

Capleton was the one to bestow on Siccaturie the name Jah Cure. The symbolism was obvious - the singer looked young and healthy, well preserved as in “cured,” using the plants of the land for medicinal purposes. It was during this time that Cure became spiritually enlightened, learning the teachings of Rastafari and becoming a proponent of natural living.

Beres Hammond subsequently took Cure under his wing and began mentoring him and producing him in the studio. However, Cure’s studio education and musical journey would be suddenly and unexpectedly interrupted. His growing success took a radical turn when he was stopped and arrested late one night in Montego Bay. Cure was charged with four crimes, all of which he vehemently denied. He maintained his innocence throughout his arrest and subsequent incarceration. A non-jury trial convicted him based on one victim’s claim that although she could not visually identify him, he sounded like one of the perpetrators and on that basis he was sentenced to prison.

While in jail, Cure recorded and released several records which became # 1 singles, “Jamaica,” produced by DZ Productions and “Longing For,” produced by Don Corleon. Cure’s first album, FREE JAH’S CURE, was recorded and released approximately one year after he began his incarceration. It is a project that has been lyrically compared to Bob Marley’s EXODUS. On that album, Cure gives thanks for life, spreading love and forgiveness through his music. He believes his incarceration was Jah’s way of teaching him humility and love for his fellow man. He has since forgiven all those who judged him unjustly. While he was still in jail, Beres Hammond produced Cure’s second album, GHETTO LIFE, which featured the single “Divide and Rule”, a duet with Sizzla which was voted the best song of the year. VP Records compiled songs recorded during this period to release his third album, FREEDOM BLUES, which featured “King in This Jungle’, another collaboration with Sizzla and the heartfelt “Songs of Freedom”.

In November 1998, while driving around Montego Bay, Cure was pulled over by the police and arrested on charges of gun possession, robbery and rape. He was prosecuted before the Gun Court[1] in April 1999, found guilty and sentenced to 15 years in prison.[2] Cure was transferred from the St. Catherine Adult Correctional Centre to the Tower Street Adult Correctional Centre, which had a digital recording studio the inmates could use. It was there that Cure released three albums and a number of singles, some of which have topped the Jamaican chart.[2] His first album Free Jah's Cure The Album the Truth was released in 2000, it was followed by Ghetto Life in 2003 and Freedom Blues in 2005. More recently Cure has released the songs "Love Is", "Longing For" and "True Reflections", showing his unique voice and lyrical ability.

He was released from jail on parole on 28 July 2007, after serving 8 years of the sentence. Three days later, his fourth album, True Reflections...A New Beginning was released.


Jah Cure - Best Of Jah Cure - Jah Cure Biggest Hits, Justice  Sound.

Justice Sound Booking 904 444 9444.
Romain Virgo - Best Of Romain Virgo. 
Romain Virgo (born c. 1988) is a singer from Jamaica, specializing in the lovers rock style of reggae music.

Virgo hails from Stepney in Saint Ann Parish.[1] He rose to prominence in the television choir contest All Together Sing in 2006, going on to win the Digicel Rising Stars competition in 2007, two months before his graduation from high school in St. Ann, Jamaica.[1] At 17 years old, he was the youngest contestant to ever win top prize at the competition, which included a JA$1,000,000 prize and a recording contract with Greensleeves Records.[2][3] A few weeks after winning the competition, Virgo met Donovan Germain who produced his first hit record "Mi Caan Sleep" on the Penthouse label.[4] Several hit singles followed, including "Wanna Go Home", "Live Mi Life", and "Alton's Medley". In June 2010, VP Records released his debut album, self-titled Romain Virgo.

After winning the Digicel competition, Virgo performed dances and stageshows, including Rebel Salute, Passa Passa, and Weddy Weddy. In the autumn of 2010, he joined fellow artists Capleton and Munga on a tour of the United States.[5] In addition to his music career, Virgo is pursuing his bachelor's degree at the Edna Manley College of the Visual and Performing Arts in Kingston, majoring in voice and minoring in keyboard.[6]

In 2014 his cover version of Sam Smith's "Stay With Me" topped the charts in several Caribbean countries.[7]

Romain Virgo - Best Of Romain Virgo. Justice Sound 2015.

Justice Sound 904 444 9444
Garnett Silk - Best Of Garnett Silk Mix.
Roots Reggae Lovers Rock.
Garnett Silk (born Garnet Damion Smith; 2 April 1966 – 9 December 1994), was a Jamaican reggae musician and Rastafarian, known for his diverse, emotive, powerful and smooth voice. During the early 1990s he was hailed as a rising talent, however his career was ended by his early death in 1994, while attempting to save his mother from her burning house. Even today still hailed as a reggae prodigy, Garnett is considered inspiring and a credit to reggae music

Little Bimbo[edit]
Smith was born in Manchester, Jamaica. His musical career began at the age of twelve, when he performed under the name Little Bimbo.[1] During the 1980s he worked as a deejay on sound systems such as Conquering Lion, Soul Remembrance, Pepper's Disco, Stereophonic, and Destiny Outernational (where he first met Tony Rebel).[1] He recorded his first track in 1985, but it would be two years later before his first single, "Problem Everywhere" was released.[1] An album of material from this period (Journey) was later released. In 1988, he joined Sugar Minott's Youth Promotion label, releasing "No Disrespect", and working regularly with Tony Rebel, Smith now being billed simply as 'Bimbo'. The pair began performing as a duo around the sound systems to much acclaim. The Garnett Silk Meets the Conquering Lion: A Dub Plate Selection album dates from about this time and features a clutch of exclusive recordings the DJ cut for the sound system from the mid-1980s through the end of the decade. Rebel, a Rastarfari, eventually converted Smith to his religion with the help of dub poet Yasus Afari, a close friend of both the DJs.[1]

Another encounter with Tony Rebel brought an introduction to Courtney Cole, owner of the Roof International label. Silk would record a plethora of songs at the producer's Ocho Rios studio, amongst them were the hits "Mama," "Seven Spanish Angels," and a cover of the Johnny Nash classic "I Can See Clearly Now". Roof International would posthumously bundle up these early singles and other material recorded at this time for the Nothing Can Divide Us album, which the VP label picked up for the US

Over the next two years, the singer would record with most of the major name producers on the island, both on his own and in partnership with Tony Rebel. He cut a swathe of songs with King Jammy, including "Fill Us Up With Your Mercy" and "Lord Watch Over Our Shoulders." The latter track titled a 1994 compilation released by the Greensleeves label in the UK and boasts seven Jammy cuts and a clutch of hits for other producers.
Death[edit]
Having signed an international distribution deal with Atlantic Records, Silk now entered Tuff Gong studios with producer Errol Brown and the cream of Jamaica's sessionmen (including Aston Barrett, Sly & Robbie, Tyrone Downie, Earl "Chinna" Smith, and Uziah "Sticky" Thompson), to begin work on his second album. He'd recorded ten songs and the album was nearing completion when he went home to visit his mother. Silk had borrowed a pair of guns from his attorney after his home had been burglarised, but had no idea how to use them. Sitting with a couple of friends at his mother's house in Mandeville, Jamaica, on 9 December, one offered to show him how they worked, at which point the gun accidentally misfired, hitting a propane tank and setting the house ablaze.[1] The singer, his friends, and his two brothers made it out safely, only to discover that Silk's mother was still trapped inside. The singer rushed back into the house to save her, but it was too late and both were lost in the fire.[1]

Garnett Silk - Best Of Garnett Silk Mix - Justice Sound.

Burning Spear
Winston Rodney OD (born 1 March 1945), better known by the stage name Burning Spear, is a Jamaican roots reggae singer and musician. Burning Spear is a Rastafarian and one of the most influential and long-standing roots artists to emerge from the 1970s.
Winston Rodney was born in Saint Ann's Bay, Saint Ann, Jamaica. As a young man he listened to the R&B, Soul and Jazz music transmitted by the US radio stations whose broadcasts reached Jamaica. Curtis Mayfield is cited by Rodney as a major US musical influence along with James Brown.[3] Rodney was deeply influenced as a young man by the views of the political activist Marcus Garvey especially with regard to the exploration of the themes of Pan-Africanism and self-determination.[3] In 1969, Bob Marley, who was also from Saint Ann, advised Rodney to approach Coxsone Dodd's Studio One label after Rodney sought his advice during a casual conversation.[4][4][5][6]

Career[edit]
Burning Spear was originally Rodney's group, named after a military award given by Jomo Kenyatta, the first President of an independent Kenya,[7] and including bass singer Rupert Willington. The duo auditioned for Dodd in 1969 which led to the release of their debut single "Door Peep" (the session also included Cedric Brooks on saxophone).[4][8] They were then joined by tenor Delroy Hinds. The trio recorded several more singles for Dodd, and two albums, before they moved on to work with Jack Ruby in 1975.[4] Their first recording with Ruby, "Marcus Garvey", was intended as an exclusive track for Ruby's Ocho Rios–based Hi-Power sound system, but was released as a single, giving them an immediate hit, and was followed by "Slavery Days".[4] These recordings featured the backing band The Black Disciples, which included Earl "Chinna" Smith, Valentine Chin, Robbie Shakespeare and Leroy Wallace.[4] The group worked with Ruby on their third album, Marcus Garvey (1975), which was immediately successful and led to a deal with Island Records to give the album a wider release.[4] Island remixed and altered the speed of some of the tracks, much to the annoyance of fans and the group,[9] leading Rodney to set up his own Burning Music[10] label for future releases where he would have full control, although further releases followed on Island including Garvey's Ghost, a dub album, and the Man in the Hills album.[4] In late 1976, Rodney split from both Ruby and group members Willington and Hinds, and from that point on used the name Burning Spear for himself alone. Dry and Heavy followed in 1977, self-produced but still on Island, and with a sizeable following by now in the United Kingdom,[9] he performed in London that year with members of Aswad acting as his backing band for a sold-out show at the Rainbow Theatre, which was recorded and released as Live!.[4] Aswad also provided backing on his next studio album, Social Living (1978), which also featured Sly Dunbar and Rico Rodriguez.[4] A dub version of the album, Living Dub (1979), was mixed by Sylvan Morris.[4] His profile was raised further by an appearance in the film Rockers, performing "Jah no Dead".[9]



Burning Spear - Best of Burning Spear - Justice Sound.

Justice Sound
Brigadier Jerry - Josey Wales - Charlie Chaplin
Nicodemus - Jr Demus 
Brigadier Jerry (born Robert Russell, 28 September 1957, Kingston, Jamaica)[1] is a Jamaican dancehall reggae deejay known for his "cultural" lyrics.
Russell was born in the Papine area of eastern Kingston in 1957, and he became interested in music at an early age, initially linking with U Roy's King Stur-Gav Hi-Fi sound system.[2] Jerry's earliest stage appearances were as a young man performing stand-up comedy, but he soon switched to deejaying for local sound systems. He became a member of the Twelve Tribes of Israel organization's Rastafarian branch by 1978[3] and spread their message on the Jah Love Muzik sound system.[2] By 1980, Brigadier Jerry was one of Jamaica's most sought-after performers by sound systems across the island, and a well-respected deejay among his peers. He recorded for Studio One in the early 1980s before having his first hits with "Pain" (on the Answer/Never Let Go riddim) and "Gwan a School" for producer Delroy Stansbury on the Jwyanza label in 1982.[1][2] His first album was the live recording Live at the Controls in 1983, and his debut studio album,Jamaica Jamaica, was released in 1985.

Jerry also nurtured the career of his sister, who performed and recorded as Sister Nancy.[2]

Briggy (as he is affectionately called) often chats verses directly from the Bible, and preaches against the evils of slackness in dancehall music when performing. He attributes his unique pattern to melding together the styles of a few artists who came before him, including U-Roy, Prince Jazzbo, Big Youth, and Dennis Alcapone.[4]

Jerry has recorded six albums over the years, but the bulk of his career has been spent touring the world, as well as Jamaica, performing over countless sound systems. He still records the occasional single, most recently for the Ranking Joe label, but remains primarily a live performer (mostly for King Sturgav). He is considered by many to be U-Roy's greatest student; a stable which includes Ranking Joe, Josey Wales, Charlie Chaplin, U Brown on down to modern-day deejays such as Buju Banton.

He has lived in New York with his wife and children between 1988 and 1991 before returning to Jamaica and performing again on the Jah Love Muzik sound system. In the late 1990s, U-Roy revived his Stur-Gav sound and Jerry returned as a touring deejay.[5] He is now based in the United States.


Brigadier Jerry - Josey Wales - Charlie Chaplin - Justice Sound.

Third World are a Jamaican reggae band formed in 1973. Their sound is influenced by soul, funk and disco. Although they have undergone several line-up changes, Stephen "Cat" Coore and Richard Daley have been constant members.
Third World started when keyboard player Michael "Ibo" Cooper and guitarist (and cellist) Stephen "Cat" Coore (son of former Deputy Prime Minister David Coore), who had originally played in The Alley Cats then Inner Circle, subsequently left to form their own band along with Inner Circle singer Milton "Prilly" Hamilton.[1][2] They recruited bassist Richard Daley, formerly of Ken Boothe's band and Tomorrow's Children, and added drummer Carl Barovier and former Inner Circle percussionist Irvin "Carrot" Jarrett before making their live debut in early 1974.[1]
After recording some tracks with Geoffrey Chung which were not released, the band's first single was the self-produced "Railroad Track" (1974).[1] In their early days they played primarily in Kingston's hotels and nightclubs and (along with The Wailers) supported The Jackson Five when they played at the Jamaican National Stadium.[1]
They were soon signed by Island Records and toured Europe with The Wailers.[1] The band's self-titled debut album was released in 1976. The album included a cover of "Satta Massagana", originally performed by The Abyssinians, which became a local hit. Hamilton and Barovier were replaced by singer (and another former Inner Circle member) William "Bunny Rugs" Clarke and drummer Willie Stewart before the recording of their second album, 96° in the Shade (1977), which included several local hits. Notable among its eight tracks were "1865 (96° in the Shade)", a reference to the 1865 Morant Bay rebellion, "Rhythm of Life" and the album's only cover, "Dreamland", written by Bunny Wailer.[1] They played in front of 80,000 people at the Smile Jamaica festival in 1976.[1]
In 1977 the band collaborated with psychiatrist Frederick Hickling on the Explanitations show which was performed at Kingston's Little Theatre early the following year.[3]
Third World's greatest success came in the late 1970s and early 1980s, peaking with their cover version of The O'Jays' "Now That We Found Love" from their third album Journey to Addis, a hit single on both sides of the Atlantic in 1978, reaching the top ten in the UK.[1] Journey to Addis became a top thirty hit album in the UK.[1] They had first met Stevie Wonder in Jamaica in 1976 and the single prompted him to perform with them at the Reggae Sunsplash festival in 1981 in the wake of Bob Marley's death, playing his tribute to Marley, "Master Blaster".[1][4] Third World went on to perform several times at the festival, and they also took part in the 'Reggae Sunsplash USA' tour in 1985.[5] Wonder also wrote, along with Melody A McCully, their 1982 hit "Try Jah Love", which brought them further exposure in North America.[1][6][7] They were also guests during the third season of SCTV.
Amid claims of artistic differences "Carrot" split from the band in the mid-1980s.[1] The resulting five-piece band then went on to record more commercial tunes such as "Sense of Purpose", "Reggae Ambassador", "Forbidden Love" and "Committed".
STEEL PULSE
Steel Pulse are a roots reggae musical band, from the Handsworth area of Birmingham, England, which has a large number of Afro-Caribbean, Indian and other Asian migrants. They originally formed at Handsworth Wood Boys School, composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album.






Third World - Steel Pulse - Ini Kamoze  - Justice Sound.

Wayne Wonder
Hits After Hits Reggae DanceHall Lovers Rock
Justice Sound 904 444 9444
Wayne Wonder (born Von Wayne Charles, 26 July 1972) is a Jamaican reggae fusion (specifically reggae/R&B) artist. While his early recordings were dancehall and reggae, he later moved towards hip hop and rap.[2]
Wonder was born in Buff Bay, Portland, Jamaica.[2] He sang in Sunday school as a child,[3] and began songwriting at the age of 13, getting a major career break when he was given a regular weekly slot at Metro Media in Allman Town.[2] He auditioned at Sonic Sounds studio, but while Sly Dunbar was impressed, his touring commitments with Black Uhuru prevented him from signing Wonder. He had more success, however, with King Tubby, who produced his first single, "Long and Lasting Love", in 1985, with two more following.[2][3] Wonder's career suffered a setback when Tubby was killed in 1988, and he recorded for several other record producers at Sonic Sound, enjoying a further hit with the Lloyd Dennis-produced "It's Over Now", leading to the release of his first album, No More Chance, although his success in this era was limited. His fortunes improved when he began working with Dave Kelly, a friend from primary school, who had become resident sound engineer at Penthouse Studios.[2][3] The partnership enjoyed a string of hits, starting with "Saddest Day", and they also worked on Wonder's second album, Part 2.[3] His 1990 live performance of Alphaville's "Forever Young" was recorded and later released to Alphaville fans in a limited, cassette-only album entitled History.[4] He toured the UK in 1992 along with other Penthouse stars Marcia Griffiths, Tony Rebel, and Buju Banton.[5] He also recorded "Bonafide Love (Movie Star)" with Buju Banton, and wrote several early hits for him, including the controversial "Boom Bye Bye".[2] He toured again with Banton in 1994 as part of the Penthouse Showcase.[5]

Wonder formed the band Alias along with Kelly, Baby Cham, Frisco Kid, and Frankie Sly, and later Entourage.[2]

In 2000, Wonder launched his own record label, Singso, and his 2000 album Da Vibe saw him begin to incorporate hip hop into his sound.[3] He collaborated with several other major artists, including Jason Dalyrimple of Soul for Real, Foxy Brown, and Lisa "Left Eye" Lopes, and the move towards hip hop increased with his 2001 album Schizophrenic.[2][3]

His career really took off internationally when he signed to Atlantic Records, achieving worldwide success with the song "No Letting Go" in 2003. The song is based on the Diwali riddim, which was also used by several other artists that year, such as Sean Paul, Lumidee and Missy Elliott. The single reached No. 11 in the US[6] and No. 3 in the UK.[1]

"No Letting Go" and the album No Holding Back were a major success on urban radio stations in the US, and this prompted the release of several compilation albums featuring older Wonder material, including Trojan Records', Inna Bashment Style: The Roots Of An Urban Warrior (2005). A new album, Foreva was released in 2007.[2] It reached No. 6 on the US Top Reggae Albums chart.[7]

His album May Way was released in December 2012.[8] Sweet Songs is due to be released in 2014.[9]

In October 2014, he featured on Never Mind the Buzzcocks Identity parade, where he revealed he now tours selling Yams, joking "I've sold more Yams than records"

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