This track is Jamie & I jamming to Fire on the Mountain by the Grateful Dead.  A simple but catchy tune with a cool bassline, which gave me a chance to use my octave pedal and qtron :) 

Jamie is playing organ and piano here and I am on guitars and bass.  
Thanks to Jamie for pitching in on this tune - always a pleasure!

Fire on the Mountain (featuring Jamie Rhind)

There is a video of  "Going Down to Mark's Place"  on You Tube, Last fm, and My Space.
Also  YouTube videos from vinyl releases with cover pics of  'Icarus',  'State of Mind'  'Captives', ' Ambiguous Girl',  and 'Some People'  all written by Chris Scheri. ' Crushed and Crazy'   and 'Omniscience'  written by Chris Scheri and Cris Bonacci.
http://facebook.com/profile.php?id=100004046356170

Chris Scheri vocals and flute - 2songs - Sweet Jayne live bootleg video clip:  http://youtu.be/kwhgNdXUjwI  : Star Spinner / Emerald

Wild Orchids have been posting tracks for ages so it is time to add Wild Orchids:  Chris Scheri and Robyn Youlten. Playing live since 2016 as a duo  and also as a full band Wild Orchids and the Weeds.

Denver DJ here with a broad taste and ear for mixing thematically similar music together (You won’t define my genre 🤪). I absolutely LOVE music and I aim to play music based off of love, fun, and individual freedoms/awareness. You can hear it! 😜💜 Give me a follow to see me improve with more practice, better equipment, and time to do it all. ;D Happy listening

Hello my friends, welcome to my SC music wonderland..Many thanks for Your great support ! I'm very impressed about the great number of followers !
I don't play music, I play with sounds
Best audio experience you get by using headphones

Compositions for piano with some influence from classical music, American songbook, jazz and other styles.
All compositions written by Anibal Seminara.

I'm not on SC too much, look me up on the other sites :). You can contact Jeremy though his website if you have any questions; http://www.jeremyabbott.net/

I've been playing guitar with varying degrees of devotion for about 30 years. I love to play and record every chance I get and have really enjoyed my time on SC so far.  My musical influences are guitar greats such as Hendrix, SRV, Jerry Garcia, Jimmy Page, Duane Allman, Robben Ford, Mike Bloomfield, Warren Haynes and Derek Trucks. I love listening to other people's music and drawing inspiration from their talents.  Most of all I appreciate all of the support from the community here and look forward to spending a lot more time. :)

USA Songwriting Competition Finalist and International Songwriting Competition Semi-Finalist ... someday I'll win one of these f@#kers.

Singer/Songwriter/Multi-instrumentalist ... I have two guitars.

International Songwriting Competition Semi-Finalist (2021) for "Sometimes I Want to Be a Dog."

USA Songwriting Competition Finalist (2019) for "The Reefer Song." (Not sure what they were smokin'!)

Thanks for follows/comments/reposts ... Cowboy's got more songs in the works!

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES.
Guitarrista, teclista y compositor (Guitarist, Keyboardist, Songwriter).

Mi pasión por la música comenzó en una época en la que rebobinábamos las cintas de casete con un boli. Aquellos días estaban llenos de descubrimientos sonoros, de grabaciones caseras, de canciones que se escuchaban una y otra vez hasta desgastar la cinta. Fue ahí, entre ruidos de estática y carátulas escritas a mano, donde empezó a gestarse mi vínculo profundo con la música.

Cuando tenía 15 años apareció una guitarra española por casa —gracias a mi padre— y desde entonces no he parado. Empecé a tocar por curiosidad, sin clases ni manuales, solo con ganas y oído. Aquella guitarra, más que un instrumento, fue una puerta abierta a un universo sonoro que decidí explorar por mi cuenta. Sin maestros ni academias, solo con pasión, intuición y constancia.

Durante los años siguientes, mi camino se fue moldeando entre locales de ensayo. Pasé por varios grupos malagueños, donde tuve la suerte de compartir música con personas increíbles y absorber una amplia variedad de estilos: desde el pop más melódico hasta el rock más crudo, pasando por la riqueza armónica del jazz fusión. Cada proyecto fue una escuela viva, donde aprendí a escuchar, a adaptarme y a entender que la música es un lenguaje que se transforma según con quién lo hablas.

Aquella etapa me enseñó el valor del trabajo colectivo, la importancia de la improvisación y la magia que ocurre cuando varias energías se alinean en una misma dirección. Aprendí a componer, a tocar para el grupo, a dejar espacio y también a ocuparlo cuando la música lo pedía.

Ya con 30 me picó el gusanillo de las teclas y me lancé al mundo del piano y los sintetizadores. También por mi cuenta, como siempre: ensayo, error y muchas horas de exploración. El teclado se convirtió en una nueva forma de complementar lo que la guitarra ya no podía expresar por sí sola. Descubrí nuevas texturas, nuevas formas de construir atmósferas, y empecé a componer desde otra perspectiva, más profunda, más amplia.

La llegada de los sintetizadores abrió un nuevo capítulo: el de la producción musical. Me interesé por la grabación, la mezcla, el diseño sonoro. Empecé a experimentar con capas, con efectos, con ritmos programados y armonías flotantes. La tecnología se convirtió en aliada, pero siempre al servicio de la emoción.

Soy compositor autodidacta, y mi música es justo eso: una mezcla de intuición, pasión y aprendizaje a mi ritmo. No sigo reglas, sigo el sonido. Cada acorde, cada progresión, cada melodía ha nacido del deseo profundo de crear. Mi música es el reflejo de esa evolución: sincera, libre y en constante búsqueda.

Hoy sigo explorando, combinando lo orgánico con lo digital, lo clásico con lo experimental. Me interesa tanto la emoción como la estructura, tanto el ritmo como el silencio. Compongo para contar historias, para provocar sensaciones, para conectar. Y aunque el camino ha sido solitario en muchos momentos, también ha sido profundamente revelador.

Mi objetivo no es encajar en un estilo, sino construir uno propio. Uno que hable de mí, de mis influencias, de mis vivencias. Uno que respire Málaga, que suene a calle, a mar, a noche, a introspección. Uno que invite a cerrar los ojos y dejarse llevar.

In English:

My passion for music started at a time when we used to rewind cassette tapes with a pen. Those days were full of sound discoveries, home recordings, songs heard over and over again until the tape was worn out. It was there, between static noises and handwritten covers, that my deep connection with music began to develop.

When I was 15 years old he appeared a spanish guitar in the house -thanks to my father- and since then I have not stopped. I started playing out of curiosity, without lessons or manuals, just with heart and ear. That guitar, more than an instrument, was an open door to a sound universe that I decided to explore on my own. Without teachers or academies, only with passion, intuition and constancy.

During the following years, my path was shaped between rehearsal rooms. I went through several groups in Malaga, where I was lucky enough to share music with amazing people and absorb a wide variety of styles: from the most melodic pop to the most raw rock, passing by the harmonic richness of jazz fusion. Each project was a living school, where I learned to listen, adapt and understand that music is a language that changes depending on who you talk to.

That stage taught me the value of collective work, the importance of improvisation and the magic that occurs when several energies align in the same direction. I learned to compose, to play for the group, to leave space and also to occupy it when the music asked.

Already at 30 I was itching for the keys and I launched into the world of piano and synthesizers. Also on my own, as always: trial and error and many hours of exploration. The keyboard became a new way to complement what the guitar could no longer express on its own. I discovered new textures, new ways of building atmospheres, and started composing from another perspective, deeper, broader.

The arrival of synthesizers opened a new chapter: music production. I became interested in recording, mixing, sound design. I started experimenting with layers, effects, programmed rhythms and floating harmonies. Technology became an ally, but always at the service of emotion.

I’m a self-taught composer, and my music is just that: a mix of intuition, passion and learning at my own pace. I don’t follow rules, I follow sound. Every chord, every progression, every melody has been born from the deep desire to create. My music is the reflection of that evolution: sincere, free and in constant search.

Today I continue to explore, combining the organic with the digital, the classic with the experimental. I am interested in both emotion and structure, rhythm and silence. I compose to tell stories, to provoke sensations, to connect. And although the path has been lonely at many times, it has also been deeply revealing.

My goal is not to fit into a style, but to build one of my own. One that speaks about me, my influences, my experiences. One that breathes Malaga, that sounds like street, sea, night, introspection. One that invites you to close your eyes and let yourself go.

Electro Swing / Swing House DJ mixing modern and vintage elements to bring more jazz to the dancefloor.

Fire on the Mountain (featuring Jamie Rhind)

Justin Valente