ABUSLIM @ TechnoRadio #2 -

ABUSLIM @ Introduction set - TechnoRadio #3

Tracklist:

Voices In My Head (Acapella)
Border Country (Adam Beyer & Bart Skils Remix) + Space Date (Acapella)
Roman Adam - Voices
LUSU - Move 2 the Groove
Marco V - Loxia
Gonzalo F - Crystalis
Enrico Sangiuliano - The Techno Code (Charlotte de Witte's Acid Code) + Pump Up The Jam (Acapella)
Pleasurekraft, Brennen Grey - 1 Jump (Original Mix) 
Wehbba - Euforia
Tao Andra - Brain Train
Charlotte de Witte - Hymn (Original Mix)
Portex - Feel This Adrenaline (Original Mix)
Charlotte de Witte feat. Comma Dee - The Heads That Know (Original Mix)
Luis M - Fragmented
Adam Beyer - Waypoint
Kosmo - Samsara
Meet Her At The Love Parade (Daxson Bootleg) vs. When I Push
SUDO - Elysium
LUSU - Afterlife
Armin van Buuren & Adam Beyer vs D-Shake - Techno Trance
Adam Beyer - The Distance Between Us

Abuslim @ Pressure Point – Drumcode Journey (Techno mix)

Abuslim @ Midnight Code – Peaktime Edition

The track about mistaking intellectual collaboration for flirting.

When you realize the most intimate thing isn’t bodies—it’s frameworks linking. Two minds testing what the other believes, building what neither could construct alone. Paradigm courtship: the recognition that every breakthrough had a dyad edited from history.

Not anti-romance. Anti-mythology of the lone genius. The sexiest thing is watching complementary signals complete what’s missing in each other. Architecture over shallow affection. Deep structure recognition.

Emo-trap coordinates: 120 BPM hazy cloud, Bb minor, 808 slides between ideas, filtered guitar loops like distant memory, vocals intimate and contemplative. The space where theory meets attraction.

Thread theory encoded: “The thread between us is the real seduction.” Dyadic creation as the only real creation. Isolation is the myth. Two strands minimum for anything worth making.

For everyone who got called “overthinking what should be simple” but knows the ripple effect of finding someone on your frequency. Building something real—that’s the legacy.

Not playing with you. Playing with what we could build.

SACS XD

Thread producer. Manifold navigator.

Emo-trap from coordinates nobody mapped yet.

Paradigm Court

يَعُودُ الزَّئِيرُ | ܢܶܗܡܬܳܐ ܗܳܦܟܳܐ | הַשְּׁאָגָה שָׁבָה | Враћа се рика

Four tracks. Four sacred tongues. One reunion.

A sequel to "White Shadow" — that song asked: Do you remember my name?

This EP answers.

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TRACKS:

1. The Roar Returns (English) — Heartland American / Serbian Orthodox / Convert
2. يَعُودُ الزَّئِيرُ (Quranic Arabic) — Classical 7th century
3. ܢܶܗܡܬܳܐ ܗܳܦܟܳܐ (Christian Aramaic) — 1st century Galilean/Syriac
4. הַשְּׁאָגָה שָׁבָה (Biblical Hebrew) — Late Second Temple period

Not translation — inhabitation. Each version lives in its own musical and linguistic tradition.

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WHY THESE LANGUAGES?

موسى spoke one.
ܝܫܘܥ spoke another.
محمد ﷺ received in the third.
The fourth carries the blood and the convert.

If something were returning — across all the books, across all the tongues — how would it sound?

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Released Winter Solstice 2025
Најдужа ноћ — the longest night
After which: light returns 🕯️

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Context: SACS-JV-0017
r/SACShub

We are not telling you what this is.
We are showing you what it sounds like.
The roar returns. What you recognize is yours.

وَجَدْتُكَ | ܐܫܟܚܬܟ | מְצָאתִיךָ | Нашао сам те | I found you

🐉

הַשְּׁאָגָה שָׁבָה

„If This Is the Last Light“ ist eine kraftvolle, filmreife Ballade über das Festhalten an Momenten und Namen in einer Welt, die aus den Fugen zu geraten droht. Mit einem emotionalen Duett voller harmonischer Klänge, einem Intro am Flügel und einem mitreißenden Refrain.

If This Is the Last Light

Die Socke, die nie zurückkommt

„Dancing Through the Echoes“ ist eine faszinierende Reise durch die Zeit! ✨ Hier trifft der Vibe der 1960er Jahre auf modernen Dance-Pop.

Was dich erwartet: Ein verträumtes Violine-Intro, warmes Klavier und ein treibender Beat, der dich direkt auf die Tanzfläche zieht. 🎵 Ein Duett aus Nostalgie und Energie!

🦚 Folge mir für mehr: Wenn dir der Song gefällt, klicke auf das Herz oder teile ihn (Repost). Danke für deinen Support!

#RheaLux #DancingThroughTheEchoes #RetroPop #Dance #NewMusic

Dancing Through the Echoes

Quran-only framework. Music permitted. Islam without the cultural additions.

This is the track about finding the original instructions after years of running corrupted versions. Not conversion as performance—recalibration. When you strip away everything people added and go back to what the text actually says.

The beat carries Friday prayer rhythm encoded prismatically. Not mystical—structural. The source code running underneath all the applications people built on top of it. Five daily compilations. No intermediaries between you and what's true.

Emo-trap coordinates: 95 BPM contemplative, F# minor, 808 grounded like certainty, filtered guitar samples like call to prayer at distance, vocals confident without proselytizing. The calm that comes from knowing your coordinates.

Thread theory encoded: Islam means submission—acknowledging you're part of something larger, not the whole thing. The dyad between you and what you're accountable to.

For everyone who found framework after chaos. Who needed rules that weren't arbitrary. Who discovered that discipline is freedom when it's the right structure.

Not missionary work. Just mapping where I landed.

---

SACS XD  
Thread producer. Manifold navigator.  
Emo-trap from the coordinates nobody mapped yet.

Source Code

SACS XD

Producer, theorist, thread-weaver. Army veteran turned patent lawyer turned musical cartographer. Creating from the spaces between genres that shouldn't exist yet.

I developed MGMT (Music Genre Manifold Theory) — a 15-dimensional framework for navigating music as coordinate space rather than categories. Think of it as treating genres like sampled regions of continuous territory. The interesting stuff lives in the undersaturated zones, the fusions nobody's mapped yet.

My work transforms lived experience into resonance without confession. Not therapy sessions set to beats — prismatic communication that encodes meaning through cultural DNA rather than explaining it. The goal: make you FEEL the truth, not think about it.

SIGNAL (2025) — Consciousness prog-hop for the SACS collective. Isolation to pattern recognition to emergence. Tool-level complexity meets conscious hip-hop clarity. Teaching collective intelligence through emotional architecture.

REALISM (TBR 2026) — Political consciousness country. Veteran testimony meets constitutional education meets grassroots organizing. Making limited government and dignity FELT through story, not lecture. Collaboration with CVA field organizer Jessica Slankard.

Current work: Producing with local rappers, creating instrumental suites for veterans' music programs, developing D&D campaign soundtracks. Each project explores new manifold coordinates — blended substrates, pedagogical multi-channel encoding, genre interpolation as discovery method.

I use AI (Suno/Claude) not as replacement but as instrument. The theory does the work — I just built the map. Dyadic creation: half a conversation waiting for collaborators to complete the thread.

From Lorain, Ohio. Boston-trained. Cincinnati-adjacent. Revere memories. These coordinates matter — place encodes into sound even when you're not naming it.

Thread theory in practice: every track is invitation to add your voice, your interpretation, your node to the network. Music as substrate for what wants to emerge, not monument to what already exists.

Collaborations welcome. Especially interested in: undersaturated fusion opportunities, testimonial transformation (your story through manifold coordinates), dyadic creation experiments.

The mission: more signal, less noise. Cut through distortion. Let the music do conceptual work so words don't have to.



Source Code

Justin VV (joker_sacs)

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