An Abhanga by Tukaram Maharaj composed by me and sung brilliantly by Shri. Raghunath Khandalkar

Tukaram Maharaj Abhanga

Nirbhay Nirgun By Rahul Deshpande

HANUMAN CHALISA BY SP BALASUBRAMANYAM

Raaga Gavati On Sitar
(Late evening Raaga)
Taal - Vilambit Jhaptal, Madhya and Drut Teentaal.

Tabla - Shubhankar Kurlekar
Sitar -  Arjun Patwardhan 

Sitar and Tabla Jugalbandi (Raag Gavati)

IndianRaga Presents Ghoomparani Hrid Majharey mashup
Vocal: Vinod Krishnan, Bushra Jabeen
Sarod: Souryadeep Bhattarcharyya
Music: Vinod Krishnan

https://www.facebook.com/vinodsmusic/videos/1566230636755671/

https://www.youtube.com/watch?v=D01yE8lwZpw

Ghoomparani Hrid Majharey Mashup

Traditional Rajasthani Folk songs, Sufi songs and new compositions by Manganiyar musicians from the Thar Desert in North West India

chugge khan & rajasthan josh 2012

Track 06 Folk Fusion

In this Chaitime we listen to the famous bhajan  "Chadariya Jheene Re Jheene" written by  15th-century Indian mystic poet, Sufi and saint, Kabir whose writings influenced basic Indian spirituality in the voice of some of the well known folk, classical and modern singers. We hear the same bhajan sung in their unique way by Prahlad Tipaniya, Kumar Gandharva, Mukhtiyar Ali, Pandit Jasraj, Indian Ocean and Kabir Cafe. This show captures the power of Kabir's bhajan and the versatility of Indian music.

Chadariya Jheene Re Jheene - One Kabir bhajan in various musical forms

Live concert recording - March 24, 2012, Delhi
Lyrics: Surdas
Composition: Shubha Mudgal
Voice and tanpura: Shubha Mudgal
Tabla: Aneesh Pradhan
Harmonium: Sudhir Nayak
Vocal support: Veena Modi

Mere Giridhari Ji So Kavan Lari

Here are a few Music works created at the Beatfactory. These tracks were composed, programmed , mixed and mastered at the Academy .

Indian Fusion Beats

Over the past year my increasing interest in Electronic music(EDM, House, etc) has led me to envision the interplay between Carnatic ragas and EDM synths and grooves on track. I came up with this track when I was playing some synthesizers in a western melodic scale called Phrygian. I found myself humming an alaap in Raga Sindhu Bhairavi soon as a couple of synth phrases were done. There seems to be such an irresistable pull between the beautiful variations of the raga and the repetitive nature of the electronic part underneath. Here is a version of me playing a violin alaap and swaram in Raga Sindhu Bhairavi as the first video of a new series, House of Carnatic.


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https://www.youtube.com/channel/UCft2dzK8VrUZLcLgS2HpW_A

Let me know what you thought of the video in the comments below.

Sindhubhairavi - Flow

Thillana is a rhythmically intricate piece in the south Indian system of music

Thillana - demo

jyotsna-strings