adem ile havva-incesaz

Пщынэ - Бэзыкъо Амер

I'M JUST LIVIN IN MY TEMPORARY HOME

Къыздэк1уэ

Махуэхэр мэк1уатэ
Ди ныбжьыр хуок1уатэ
Си гъащ1эр ток1уадэ си дахэк1ейм
Псалъэ 1эф1 защ1эк1э
Сэ гъащ1эр схуэмыхьыну
Мо, зэ къызэда1уэ
Къыздэк1уэ, къыздэк1уэ си дахэк1ей…

Дыгъэм и къуэхьэгъуэм
Мы си губамп1эхэр 
Пшэплъым тызок1утэри си дахэк1ей
Нэпсыр къысхуипк1утурэ
Жып1ахэр пэжмэ
Мо, зэ къызэда1уэ
Къыздэк1уэ, къыздэк1уэ си дахэк1ей…

Дыгъэр къуилъэфэжмэ
Мазэгуъэр къыкъуэк1ым
Жып1ахэр сигу къок1ыр си дахэк1ей
Сэ сигу укъызэрык1ыу
Уэ уигу сыкъэк1мэ
Мо, зэ къызэда1уэ
Къыздэк1уэ, къыздэк1уэ си дахэк1ей…

Дызыпащ1эу дыпсэуну
Узмылъагъуу схуэшэчыну
Къару симы1эж си дахэк1ей
Гущ1эгъу уи1эжмэ
Уи гур къысщ1эгъэгъуи
Мо, зэ къызэда1уэ
Къыздэк1уэ, къыздэк1уэ си дахэк1ей…

Тимур Лехов – Къыздэк1уэ

www.baragunvladimir.com | Mezguashhe was the goddess of forests. She was also protectress of the vegetable kingdom and the invocation of her name brought forth the rains. This is one of the defining chants of Circassian musical lore.

Vladimir Baragun(ov) (Бэрэгъун Владимир) (31 December 1939 — 13 October 1997), Kabardian singer, musicologist, People’s Artist of the Kabardino-Balkar ASSR (1981), Honoured Cultural Worker of the Russian Federation (1996), and Laureate of the State Prize of the Kabardino-Balkar Republic. In 1969 he graduated from the Sobinov State Conservatory in Saratov. From 1969 to 1977 he was a soloist for the Kabardino-Balkar Theatre. He sang 19 opera-roles. He recorded hundreds of songs, ballades, romances for radio and television and on disc. He was awarded the ‘Golden Hatchet’ (highest grade) at the International Folklore Festival in Poland. He was one of the authors of the 3-volume ‘National Songs and Instrumental Works of the Circassians’, which has become a classic of Circassian musical folkloristics. Soloist and artistic director between 1977 and 1987 at the Kabardino-Balkar State Philharmonia, he served as its director between 1987 and 1997. He was one of the best singers of the 1970s and 80s in Circassia. Although he recorded many fine and memorable traditional and modern songs, his powerful operatic voice was best suited to ancient anthems.

He documented and recorded a number of Pantheonic chants, including ‘Mezguashhe’ («Мэзгуащэ»; ‘Forest-Lady’). His wide Nart repertoire included an emotive rendering of ‘Nartizch Wered’ («Нартыжь Уэрэд»; ‘Song of the Ancient Narts’), which causes tingling sensations in the back of one’s head, ‘Ashemez yi Pshinalhe’ («Ашэмэз и пшыналъэ»; ‘Ashemez’s Melody’), ‘Badinoque yi Pshinalhe’ («Бэдынокъуэ и пшыналъэ»; ‘Badinoque’s Melody’), ‘Sosrique Maf’e Qeih’ («Сосрыкъуэ МафIэ Къехь»; ‘Sosrique Fetches Fire’), and many others. His heroic/historical repertory included ‘Senjeley yi Wered’ («Сэнджэлей и уэрэд»; ‘The Song of Prince Sanjalay’), in which he evokes the heroism of the mediæval prince-warrior.

Бэрэгъун Владимир (1939-1997) Адыгэ уэрэджыIакIуэ цIэрыIуэхуэм я нэхъыщхьэу еплъытэ хъунущ. Абы и макъ гъуэзэджэ лъэщгуэрэм удихьэхауэ уодаIуэ. Абы игъэзэщIат пасэрей нарт уэрэд зыбжанэ, псалъэм папщIэ «Ашэмэз и пшыналъэ», «Нартыжь Уэрэд», «Бэдынокъуэ и пшыналъэ», «Сосрыкъуэ МафIэ Къехь» жыхуиIэ уэрэдхэр. ЛIыхъужьыгъэ теухуа уэрэд куэд зыгъэзэщIа Бэрэгъуным, псалъэм папщIэ Пщы Сэнджэлей (Жылэгъуэт Идар и къуэ Къанкъылыш и къуэщ) зи гугъу ещI уэрэдым «Сэнджэлей и уэрэд».

CircassianWorld

Мэзгуащэ | Mezguashhe (Mezguasshe is the goddess of forests)

*MONADIRE* ansambli phaetoni (solisti GIGA LOLASHVILI )

Mutasavvıf ve Divân Şâiri Es-Seyyid Osman Hulûsi Efendi Hazretlerinin Divanı Hulusi-i Darendevi adlı eserinden şiirlerin tasavvuf musikisi formatında seslendirildiği Ahmet Özhan'ın "Hulus-i Aşk" albümü Nasihat Yayınları tarafından neşredilmiştir.

Bilinmeyen albüm (12.01.2013 15:05:36)

Ahmet Özhan - Vakti Seher

Baragun Vladimir - Gup Kafe

Aslan Dudar- Zefauk

Улитка - |увыжь Анзор

Alan Shawdjan is a Circassian repatriate from Syria, a descendant of mukhagirs, who had to move from Caucasus during the Russian-Caucassian war in 19 century. The outcome of the war tragic for Circassians, it spilled them all over the world and shattered the whole nation. But everything turned out wi to be interesting results in culture: dissimilar dialekts and styles appeared in the most diasporas.
Globalization reaches them ,too. That is why Turkish, Jordan and Syrian Circassians often copy the manner of variety musicians from Caucasus (more often Kabardinian)

Circassians in the diaspora often romanticize their historical homeland and some perceive their sound as “wrong” and non-authentic. Sometimes the transition to pop style occurs unconsciously.
Therefore, it is important for us that Alan plays exactly in the Syrian style. Yes, he also fell under the influence of fashion and can play the standard “kavkaz”, but this is not about patterns, but diversity.
The Circassians of Syria were kept apart from the Arab musical tradition: few people use oud or daf - only some exceptions. Most of the tunes are not Arabic, but Circassian. But oriental melody is heard in all the “original” material. If Circassian music for harmony and accordion from other regions is primarily accompaniment to a song or dance, while the “Syrians” play all the melodies meditatively. Perhaps this is more music for listening than for folk parties. Here you can draw analogies with maquam music of the East, but so far these are our superficial impressions.
Alan’s approach is also interesting. He is not an old man who preserves traditions, but a young enthusiastic musician playing for pleasure. He heard most of the tunes during the traditional parties, but more often from the playlist on the phone. He just listened and played. Shawdjan did not go into the context of Circassian music, he is not even sure about the names of the melodies (that is why they were published by untitled tracks). However, he knows a lot of material and easily improvises in the traditional framework.
We recorded Alan at Timur Kodzoko’s home, in a room with terrible acoustics, but an amazing atmosphere.

Alan Shawdjan - accordion
Beabars Appesh - vocals and percussion

Sound recording: Timur Kodzoko
Cover photo: Mitya Lyalin
Cover art: Milana Khalilova
Notes: Bulat Khalilov
Recorded in Nalchik, Kabardino-Balkaria, Russia,
04.2020

Улитка - |увыжь Анзор

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