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Livity Sound welcomes Joe Milli to the fold with an assured EP of crisp club workouts that land between techno's evocative depth and UK funky's offbeat, drum-focused functionality. 

Over the past few years Milli has been establishing his sound across a swathe of radio shows, guest mixes and releases, and he lands on Livity with a timeless take on the label's commitment to stripped back, atmospheric soundsystem music. 

There's variety across the Deep Forest EP, ranging from the balmy bassweight house of the title track to the deep-diving dub pulses and bruk drum science of 'Look Again'. 'Keep That Wire' draws nervous energy from its synth hooks and the taut, angular beat before the rolling Detroit techno pulse of 'Expressions' brings the EP home in punchy, percussion-loaded style. 

In line with past releases from the likes of Bakongo, DJ Polo and Tribal Brothers, Milli's strength lies in his ability to bend the UK funky formula to different styles, all precision-tooled for the club.  

Bandcamp / stream

Joe Milli - Keep That Wire

Kyoto-based producer Stones Taro is launching a new self-released series titled "Byproduct," with the first installment, an EP of the same name, dropping exclusively on his Bandcamp.

This new series pushes Stones Taro's experimental side, distinct from his label NC4K. As the title suggests, these tracks are like musical "byproducts"—challenging and different from his usual style. However, even with these unique sounds, his signature dancefloor-ready beats are still very much present.

Stones Taro plans to continue releasing more tracks on his Bandcamp. Keep an eye out for his evolving sound.

Stones Taro - Trippy Slider Ball

'Bite The Hand That Feeds You' is the debut EP from Amsterdam-based DJ and producer Jasmín. Blending genres, moods, and eras, it draws on her Dutch-Argentinian roots while channeling the nostalgia of teenage discovery: "that formative era of girlhood where you're growing up online and building your world digitally." Across three tracks, Jasmín explores the tension between this lasting inner world and the harsher realities outside, weaving techno, bass, and dub into percussion-driven music defined by both force and introspection.

Jasmín - Bite The Hand

Best known for his cinematic jungle excursions, Seb Uncles returns to Livity Sound for a second extended release of introspective electronics with a strong influence from mystical sources. 

As Eusebeia, Uncles has developed a strong, independent presence in modern electronic music defined by a prolific run of deep-diving, breakbeat-driven albums and EPs. In 2022 he released Cosmos on Livity Sound, a mini-album that zoomed out to a more reflective strain of electronica shaped by atmospheric synth lines in the hauntological vein of Ghost Box, Pye Corner Audio et al. 

The Wyrding Way finds Uncles delving even deeper into this area of his output, keeping drums to a bare minimum and focusing instead on powerful melodic lines. There are still considered soundsystem moments that connect with Livity's long-standing sonic focus, not least the subtle dub inflection of EP centrepiece 'By The Light Of The Moon'. Elsewhere Uncles leaves the melodic parts unaccompanied, letting the phrasing and emotional pull of the title track tell its own story. 

Balancing light and dark elements and drawing inspiration from personal experiences and perspectives, combined with spiritual and existential observations, Uncles capitalises on the evocative streak in his studio practice to deliver a timeless, immersive experience unlike anything else in his considerable back catalogue.

Eusebeia - By The Light of The Moon

Backseat


Beatrice M. - ‘Midnight Swim’ EP / 23.10.25 / TEC125
Bandcamp: https://beatricem.bandcamp.com/album/midnight-swim-ep

Tracklist:
1. Oval
2. 132 Trek
3. Midnight Swim
4. Slowly Drifting ft. Sub Basics

For their debut EP on Tectonic, Beatrice M. drops four deep, dubby cuts bringing weighted bass energy together with techno sensibilities and advanced percussive manoeuvers. Elegant but powerful tracks built for sound systems and curious ears!

Midnight Swim is an ode to the “softer” club sounds, repetitive aquatic grooves that remind Beatrice of their go-to sport: swimming. No phones, just back and forth in the cold water, settling into a mechanical groove. The opening track, Oval, carries its title from the appreciation of soft edges, little distortion, minimal rhythmic pattern.

Upon hearing Pinch’s tune 136 Trek, (itself a nod to Zinc’s 138 Trek), Beatrice decided to name a tune 132 Trek, to continue the lineage of their musical heritage. The tune was already called Trek because it was made after spending some months in London, and realising “everything is a bloody trek”!! 

The EP’s title track is about warm-up music and enjoying the earlier hours of the party - a quick immersion and then time for bed, rather than banging club tracks all night long. Beatrice likes to show up early at the club, watch it fill and then leave as it packs out. Midnight Swim is a dip into a roller. 

The last tune of the EP features Sub Basics, the first artist to have a vinyl release on Beatrice’s own label, Bait, and one of their biggest musical inspirations. Sub Basics’ immersive progressive sounds fit simultaneously in the deep techno world and the dubstep world. A beautiful in-between.

https://www.instagram.com/beatricem._bait
https://www.instagram.com/tectonicrecordings 



Midnight Swim EP (clips)

sorry i thought you were someone else

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Acid Dub Versions III

Ascension (Dubrunner Remix)

Been inspired by Om Unit for absolute years — so it’s a real honour to get the call-up for Acid Dub Versions III.

--

Om Unit presents Acid Dub Versions III, the third set of remixes of material taken from all three volumes of his legendary Acid Dub Studies album trilogy. The album celebrates the legacy of the acid dub project with a high-caliber set of remixes. These include such prolific luminaries as Daniel Avery, Satoshi Tomiie, Richard Fearless (Death in Vegas), Tadd Mullinix (as Dabrye/Ghostly International) and Tilliander (TM404/Mokira/Kontra-music).

Portland-based dub generals Alter Echo and E3 (of BSI Records and ZamZam Sounds fame) and UK dance pioneer Bok Bok (Night Slugs) join forces with newer faces like Beatrice M (Tectonic/Tempa), Dubrunner (Menace), Azu Tiwaline (Livity Sound), N1_Sound (Spiritual World), Krotone (Of Paradise/Challenger Deep), Piezo (Subaltern/Hundebiss), RS Tangent (Trilogy Tapes) and lowkey noise/techno/ambient polymath Misseterspoon (Avon Terror Corps).

Om Unit - Ascension (Dubrunner Remix)

Flutes

The Landing

Buy on bandcamp

Red Richards & Hondo - The Landing

bookings: tal@klsbookings.com

https://wisdomteethuk.bandcamp.com/
https://wychmusic.bandcamp.com/
https://sweetntasty.bandcamp.com/

contact: joe@wisdomteethuk.com

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